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Isao Tomita

 
Artist: Tomita
  • Born: 1932, Tokyo, Japan
  • Active: '70s, '80s, '90s, 2000s
  • Genres: Electronica
  • Instrument: Synthesizer, Keyboards, Producer
  • Representative Albums: "The Planets," "Tomita's Greatest Hits CD," "Snowflakes Are Dancing"
  • Representative Songs: "Golliwog's Cakewalk," "Clair de Lune," "Snowflakes Are Dancing"

Biography

Pioneering Japanese composer and synthesizer expert Isao Tomita bridged the gap between note-by-note classical/electronic LPs like Switched-On Bach and the more futuristic, user-friendly interfaces developed in the 1970s. After creating one of the first personal recording studios with an array of top synthesizer gear in the early '70s, Tomita applied his visions for space-age synthesizer music to his favorite modern composers -- Claude Debussy, Igor Stravinsky, Maurice Ravel -- though his recordings steered a course far beyond the sterile academics of Wendy Carlos and other synthesists. Born in Tokyo in 1932, Tomita grew up in China as well as Japan, studying composition and music theory as well as art history at Keio University. After graduation in 1955, Tomita began composing film, television and theater music. He was awarded frequently during the 1950s and '60s, and became perhaps the most well-known contemporary Japanese composer.

By the early '70s, Isao Tomita was introduced to the seminal work of synthesizer gurus Wendy Carlos and Robert Moog, sparking his own interest in synthesized music. In 1973, he formed the electronic collective Plasma Music with musicians Kinji Kitashoji and Mitsuo Miyamoto, and spent more than a year stocking his home studio with electronics gear (including the Moog III used for Carlos' Switched-On Bach). Tomita's first album, 1974's Snowflakes Are Dancing, electrified the Japanese public and even translated to an American classical audience, where it was nominated for four Grammy awards. Successive albums Pictures at an Exhibition, The Firebird Suite and his masterpiece Holst: The Planets infused the classical-synthesizer fusion craze of the 1970s with genuinely exciting, futuristic music instead of the bland, note-by-note translations favored by less visionary musicians. The Planets re-invoked the connection between synthesizer music and science fiction first broached in the 1956 film Forbidden Planet.

Tomita began incorporating digital synth and early MIDI setups with 1982's Grand Canyon, and completely gutted his studio during the next two years during the transition from analogue to digital with his Casio Cosmo system. Though he recorded more sparingly than in the 1970s, Tomita made frequent appearances at enormous concerts, including his 1984 Austrian show Mind of the Universe before 80,000 people and at the Statue of Liberty centennial celebration two years later. Tomita was also awarded the honorary presidency of the Japan Synthesizer Programmers Association. ~ John Bush, All Music Guide
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Isao Tomita (冨田 勲 Tomita Isao?, born April 22, 1932) is a renowned Japanese electronic music composer.

冨田 勲 Tomita Isao
Born 22 April 1932 (1932-04-22) (age 77)
Tokyo, Japan
Known for electronic music composer
Website
http://www.isaotomita.net/

Contents

Biography

Tomita was born in Tokyo and spent his early childhood with his father in China. After returning to Japan, he took private lessons in orchestration and composition while an art history student at Keio University, Tokyo. He graduated in 1955 and became a full-time composer for television, film and theatre. He composed the theme music for the Japanese Olympic gymnastics team for the 1956 Summer Olympics in Melbourne, Australia.

In 1965, he composed the theme song and incidental music for Osamu Tezuka's animated TV series Jangaru Taitei (Jungle Emperor), released in the USA as Kimba the White Lion. In 1966 he wrote a tone poem based on this music with an original video animation synchronized to the tone poem released in 1991. Isao Tomita and Kunio Miyauchi also created the music for the tokusatsu SF/espionage/action TV series Mighty Jack, which aired in 1968.

In the late 1960s, he turned his attention to electronic music after hearing albums by Wendy Carlos in which Wendy performed classical music with the Moog synthesizer. Isao acquired a Moog III synthesizer and began building his home studio. He started arranging Claude Debussy's pieces for synthesizer and, in 1974, the album Snowflakes Are Dancing was released; it became a worldwide success. His version of Arabesque No. 1 was later used as the theme to the astronomy TV series Jack Horkheimer: Star Gazer (originally titled Star Hustler) seen on most PBS stations.

He continued to release albums, of which the best known are his interesting arrangements of classics, such as Igor Stravinsky's The Firebird, Modest Mussorgsky's Pictures at an Exhibition, and Gustav Holst's The Planets.

While working on his classical synthesizer albums, Tomita continued composing numerous scores for Japanese television and films including the Zatoichi television series, two Zatoichi feature films, the Oshi Samurai (Mute Samurai) television series and the Toho science fiction disaster film, Catastrophe 1999, The Prophesies of Nostradamus (US title: Last Days of Planet Earth) in 1974. The latter blends synthesizer performances with pop-rock and orchestral instruments. It and a few other partial and complete scores of the period have been released on LP and later CD over the years in Japan. While not bootlegs, at least some of these releases were issued by film and TV production companies without Tomita's artistic approval.

Tomita and his music are heavily featured in Chris Marker's 1983 film-essay Sans Soleil.

In 1984, Tomita released Canon of the Three Stars, which featured classical pieces renamed for astronomical objects. For example, the title piece is his version of Pachelbel's Canon in D Major. He credits himself with "The Plasma Symphony Orchestra", which was a computer synthesizer process using the wave forms of electromagnetic emanations from various stars and constellations for the sonic textures of this album.

Tomita has performed a number of outdoor "Sound Cloud" concerts, with speakers surrounding the audience in a "cloud of sound". He gave a big concert in 1984 at the annual contemporary music Ars Electronica festival in Linz, Austria called "Mind of the Universe", live mixing tracks in a glass pyramid suspended over an audience of 80,000 people. He performed another concert in New York two years later to celebrate the Statue of Liberty centennial ("Back to the Earth") as well as one in Sydney in 1988 for Australia's bicentennial. The Australian performance was part of a $A7 million gift from Japan to New South Wales, which included the largest ever fireworks display at that time, six fixed sound and lighting systems — one of those on a moored barge in the centre of a bay, the other flown in by Chinook helicopter — for the relevant parts of the show. A fleet of barges with Japanese cultural performances, including kabuki fire drumming, passed by at various times. His most recent Sound Cloud event was in Nagoya, Japan in 1997 featuring guest performances by Ray Charles, Dionne Warwick, and Rick Wakeman.

In the late 1990s he composed a hybrid orchestra plus synthesizer symphonic fantasy titled The Tale of Genji inspired by the eponymous old Japanese story. It was performed in concert by symphony orchestras in Tokyo, Los Angeles, and London. A live concert CD version was released in 1999 followed by a studio version in 2000.

In 2001, Tomita collaborated with Walt Disney Company to compose the background atmosphere music for the AquaSphere entrance at the Tokyo DisneySea theme park outside Tokyo.

His synthesizer score featuring acoustic soloists for the 2002 film The Twilight Samurai (たそがれ清兵衛 Tasogare Seibei?) won the 2003 Japanese Academy Award for Outstanding Achievement in Music.

The advent of the DVD-Audio format has allowed Tomita to further pursue his interests in multichannel audio with reworked releases of The Tale of Genji Symphonic Fantasy and The Tomita Planets 2003.

Discography and notable pieces

  • Jungle Taitei Symphonic Poem (1966)
  • Switched-On Rock (as Electric Samurai, 1972)
  • Catastrophe 1999: Prophecies of Nostradamus (1974)
  • Snowflakes are Dancing (1974)
  • Pictures at an Exhibition (1975)
  • Firebird Suite (1975)
  • The Planets (1976)
  • Sound Creature (1977)
  • Kosmos (1978)
    • "The Sea Named 'Solaris'" is a piece based on "Three-Part Invention No. 2 in C Minor", BWV 788 and "Ich Ruf'zu Dir, Herr Jesu Christ", BWV 639 by J.S. Bach
  • Bermuda Triangle (1979)
  • Greatest Hits (compilation, 1979)
  • Daphnis et Chloé (Bolero) (1980)
  • Greatest Hits Volume 2 (compilation, 1981)
  • Grand Canyon Suite (1982)
  • Dawn Chorus (Canon of the Three Stars) (1984)
  • Best of Tomita (compilation) (1984)
  • Space Walk - Impressions Of An Astronaut (compilation, 1984)
  • Mind of the Universe - Live at Linz (1985)
  • Back to the Earth - Live in New York (1988)
  • Misty Kid of Wind (1989)
  • Storm from the East (1992)
  • Hansel und Gretel (live VHS, LD, 1993)
  • School (1993)
  • First Emperor (as musical supervisor, 1994)
  • Shin Nihon Kikou (1994)
  • Nasca Fantasy (supporting Kodo, 1994)
  • Bach Fantasy (1996)
  • Jungle Emperor Leo (1997)
  • Gakko I-III (1998)
  • Tale of Genji (live, 1999)
  • 21 seiki e no densetsushi Shigeo Nagashima (2000)
  • Tale of Genji Symphonic Fantasy (studio, 2000)
  • Sennen no Koi - Hikaru Genji Monogatari (2001)
  • Tokyo Disney Sea Aquasphere Theme Music (2002)
  • The Planets 2003 (2003)
  • Tomita on NHK (compilation, 2003)
  • Twilight Samaurai (2003)
  • Kakushi ken oni no Tsume (2004)
  • Black Jack: Futari no kuroi isha (2005)
  • Bushi no Ichibun (2006)
  • Kaabei (2008)

External links

See also


 
 
Learn More
Back to the Earth: Recorded Live in New York City (1988 Album by Isao Tomita and the Plasma Symphony)
Tomita Live In New York (Classical Album)
Mussorgsky: Pictures at an Exhibition (1975 Album by Tomita)

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