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Jack Asher

 
Cinematographer: Jack Asher
  • Born: Mar 29, 1906 in London, England, UK
  • Occupation: Cinematographer
  • Active: '50s-'60s
  • Major Genres: Drama, Crime
  • Career Highlights: The Hound of the Baskervilles, The Horror of Dracula, The Curse of Frankenstein
  • First Major Screen Credit: The Magic Bow (1947)

Biography

The older brother of director Robert Asher, cinematographer Jack Asher was involved in the British film industry from 1930 on. Graduating to lighting cameraman after World War II, Asher worked on Gothic mellers like Jassy (1947) and contemporary dramas like The Astonished Heart (1950). He is best known for his vivid (albeit slightly overlit) color camerawork on such Hammer Studios horrors as The Revenge of Frankenstein (1958), The Horror of Dracula (1958), The Hound of the Baskervilles (1959), The Mummy (1959) and The Two Faces of Dr. Jekyll (1960). In 1961, Jack Asher and his brother Robert co-produced, She'll Have to Go, with Jack manning the cameras while Robert co-wrote and co-directed. ~ Hal Erickson, All Movie Guide
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Jack Asher (29 March 1916, London – 1991) was an English cinematographer. His brother Robert Asher was a film and TV director.

He began his cinematic career as a camera operator, and made his first film as cinematographer or "lighting cameraman" in 1946 (The Magic Bow).

He was best known for his work on Hammer films, beginning with The Curse of Frankenstein (1957), the first of Hammer's gothic horrors, and the earliest version of the Frankenstein story to be shot in colour. He was the director of photography on several of the horror films the studio is remembered for including Dracula (1958), The Revenge of Frankenstein (1958), The Hound of the Baskervilles (1959), The Mummy (1959) and The Brides of Dracula (1960).

His style was characterized by a fantastical use of colours, such as non-realistic purples and greens, and set the standard for Hammer's celebrated distinctive look. His use of elaborate - not to mention expensive - camera and lighting set-ups may have been the reason for his gradual departure from Hammer Studios, whereupon he was replaced by a succession of cinematographers including Arthur Grant and Michael Reed.

Notable non-Hammer films included The Good Die Young (1954) and Reach for the Sky (1956).

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Cinematographer. Copyright © 2009 All Media Guide, LLC. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Jack Asher" Read more