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Jack Casady

 
Artist: Jack Casady
  • Born: April 13, 1944, Washington, D.C.
  • Genres: Rock
  • Instrument: Bass Representative Album: "Dream Factor"

Biography

One of the finest bassists to emerge from San Francisco's psychedelic movement of the mid-late '60s, longtime Jefferson Airplane/Hot Tuna member Jack Casady was also one of the first rock musicians to play the bass as if it were a lead instrument. Born John William "Jack" Casady on April 13, 1944, in Washington, D.C., Casady originally picked up the guitar at the age of 12, but didn't get serious until a couple of years later. By his mid-teens, Casady was playing in a local band called the Rendezvous, which is how he met his subsequent musical partner, guitarist Jorma Kaukonen. Soonafter, Casady and Kaukonen formed their own group, the Triumphs, before Kaukonen moved away - eventually relocating to the west coast. The two kept in contact despite the move, during which time Casady had switched to the bass (and even backed such renowned artists as Ray Charles and Little Anthony when they played local shows). By late 1965, Kaukonen had joined an up-and-coming San Francisco band by the name of Jefferson Airplane, who was searching for a bassist. Casady got an invite to come out and try out for the group, even though Kaukonen supposedly didn't know that Casady had switched to bass during the interim.

Casady landed the gig, although it took some time for him to blend in with the others, both musically and visually (Casady supposedly looked like a straight laced college student when he first arrived). Jefferson Airplane issued their debut album, Takes Off, in 1966, but it wasn't until a year later (when singer Grace Slick joined the group, at the behest of Casady), with 1967's Surrealistic Pillow, that the group really took off. Further releases cemented the Airplane's standing as one of the late '60s leading psychedelic bands (1967's After Bathing at Baxter's, 1968's Crown of Creation, 1969's Bless Its Pointed Little Head and Volunteers), but drug use and power struggles from within began to eat away at the band. Sensing that the group was moving away from their original musical direction, Casady and Kaukonen launched another band, Hot Tuna, shortly after the dawn of the '70s.

Originally an acoustic-based outfit (and thought of as merely a side band to their full-time group), it soon became apparent that the duo's days with the Airplane were numbered. Such early Hot Tuna releases as 1970's self-titled debut, 1971's First Pull Up, and 1972's Burgers proved to be superior to the Airplane's final albums with Casady and Kaukonen (1971's Bark and 1972's Long John Silver), which led to the duo concentrating on Hot Tuna full-time. Hot Tuna continued on for several more albums (1973's The Phosphorescent Rat, 1975's Yellow Rat and America's Choice, plus 1976's Hoppkorv, before they disbanded as well. With punk/new wave sweeping the world by the mid-'70s, Casady surprised his dedicated hippie-based following by forming a modern rock quartet, SVT, who issued a pair of releases during the early '80s - 1980's Extended Play [EP] and 1981's No Regrets - before the death of the their frontman (Brian Marnell) ended the band.

The '80s saw Casady join up once more with various former Jefferson Airplane bandmates, including Paul Kantner's The Planet Earth Rock & Roll Orchestra (1983), and the short-lived KBC Band (comprised of Kantner, Casady, and Marty Balin), who issued a lone self-titled album (1986). The decade also included various Hot Tuna reunions, plus an ill-advised self-titled reunion album of Jefferson Airplane in 1989. Casady continued to jump between Hot Tuna and Jefferson Airplane (the latter going by the name Jefferson Starship: The Next Generation) throughout the '90s, and in 2000, formed the acoustic-based Jefferson Airplane's Volunteers along with Kantner. Casady has also guested on numerous recordings by other artists over the years, including such classics as Jimi Hendrix's Electric Ladyland and Crosby Stills & Nash's self-titled debut, plus lesser known albums by Country Joe & the Fish, Papa John Creach, David Crosby, Roky Erickson, Warren Zevon, Rusted Root, and various solo releases by Airplane bandmembers. ~ Greg Prato





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Wikipedia: Jack Casady
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Jack Casady

Jack Casady playing with Hot Tuna in 2005.
Background information
Born April 13, 1944 (1944-04-13) (age 65)
Washington, D.C., US
Genres Rock, blues
Instruments Bass
Years active 1960s-present
Associated acts Jefferson Airplane, Hot Tuna, Moonalice, Jimi Hendrix
Website www.jackcasady.com
Notable instruments
Fender Jazz Bass (1962-1967)
Guild Starfire II (1967-1972)
Alembic "Mission Control" (1972-1975)
Epiphone Jack Casady Signature Bass (1998-present)

Jack Casady (born John William Casady, April 13, 1944 in Washington D.C), is an American musician considered one of the foremost bass guitarists of the rock music era and best known as a member of Jefferson Airplane. First playing as a lead guitarist with the Washington D.C. area rhythm and blues band "The Triumphs", he switched to bass during his high school years and while still underage (and with a forged I.D.), played the Washington D.C club scene, backing artists such as Little Anthony and the Imperials and Ray Charles. He became the bass player for Jefferson Airplane when lead guitarist Jorma Kaukonen, a high school friend and former Triumphs rhythm guitarist, invited him to join in late September 1965. Jefferson Airplane became the first successful exponent of the San Francisco sound. Their singles, including "Somebody to Love" and "White Rabbit," had a more polished style and successfully charted in 1967 and 1968. Casady, along with the other members of Jefferson Airplane, was inducted into the Rock and Roll Hall of Fame in 1996.

Contents

Jefferson Airplane years 1965-1972

Casady replaced original Jefferson Airplane bassist Bob Harvey in October 1965. Casady stepped beyond the conventional rhythmic and chord-supporting role of rock & roll, in order to explore other possible melodic ideas offered by the rhythm and chord progressions. His impact is immediately evident on Airplane debut album Jefferson Airplane Takes Off (1966) on tracks such as "Let Me In" and "Run Around." The live Airplane album Bless Its Pointed Little Head, recorded in 1968, demonstrates Casady's unique walking line style to the fullest, as his Guild Starfire bass signal was delivered through a Versatone amplifier which gave his instrument a distinctive growling sound when played in the higher register. The Fred Neil track "The Other Side of This Life" remains the quintessential example of his style. On later Airplane albums, such as Bark, Long John Silver and the live Thirty Seconds Over Winterland, Casady switched over to a $4,000 custom-made Alembic bass (#001, the first made by the company) dubbed "Mission Control." The extraordinarily grand sound Casady produced during his 1968-71 heyday—nowhere better heard than in his multi-tracked playing on "Sunrise," a song from Paul Kantner's 1970 solo album Blows Against the Empire—inspired fans to assign him the affectionate nickname of "God."

Other noteworthy Casady performances on Jefferson Airplane recordings include the seminal Top 10 hit "White Rabbit" (on the album Surrealistic Pillow, 1967), "Rejoyce" and "Watch Her Ride" (After Bathing at Baxter's, 1967), "Crown of Creation", "If You Feel" and "The House at Pooneil Corners" (Crown of Creation, 1968), and "Crazy Miranda" and "War Movie" (Bark, 1971). Several of these tracks are remarkable for their groundbreaking infusions of jazz and raga bass lines into the rock format. For years in live performance with the Airplane, Casady's showcase was the Paul Kantner composition "The Ballad of You and Me and Pooneil," which gave the bassist the opportunity to improvise an open-ended solo that was different every night and often astonishing. The Fly Jefferson Airplane DVD includes one such performance videotaped at The Family Dog, where Casady pulls off a ragingly inventive solo that visibly impresses fellow band member Grace Slick. He was likewise adept at complementing the musicianship of his fellow players; the live version of "Volunteers" on the Woodstock album is a notable example of cooperating bass and keyboard rhythm with session pianist Nicky Hopkins.

Casady's appetite for playing led him to do extensive moonlighting during his Airplane tenure. Not only did he perform live on stage with Jimi Hendrix during 1968, he also played bass on the Jimi Hendrix song "Voodoo Chile", from the Electric Ladyland album released in the same year (some copies of album misspell his name as Cassidy). He also occasionally played with other key San Francisco bands Grateful Dead, Country Joe and the Fish and James and the Good Brothers. Furthermore, he was a member of two short-lived splinter groups, Mickey and the Heartbeats (with Jerry Garcia and Mickey Hart) and Jack Casady and the Degenerates; neither of these groups ever recorded, though live tapes are in circulation. Later, Casady was to appear on David Crosby's "If I Could Only Remember my Name" (1971) and Warren Zevon's "Transverse City" (1989). He also produced Jorma Kaukonen's first solo album, the critically acclaimed "Quah", in 1974.

Hot Tuna at Merlefest, 2006. Left to right, Jack Casady, Jorma Kaukonen, and Barry Mitterhof.

Hot Tuna

Casady and Kaukonen formed Hot Tuna in 1969, and they still perform to the present day. The group has morphed over the years from an acoustic blues unit to an electric boogie band to a rampaging metal act and back again. Casady is equally comfortable accompanying an acoustic Kaukonen ("Mann's Fate", 1970) or electric jamming ("John's Other", 1971). Casady's solo on "Candy Man" (Hot Tuna's First Pull Up, Then Pull Down, 1971) also shows his ability at carrying the melody rather than just playing rhythmic scales, a key characteristic of his bass solo work. Some exquisitely intricate playing is evident on the 1972 album Burgers, particularly the sparkling instrumental track "Water Song," which Casady has described as featuring "lead bass." Another Burgers track, " Sunny Day Strut", has Casady's bass dueling with Kaukonen's lead guitar. When Tuna became a power trio in the mid 70's, Casady's Guild Flying V custom bass became his trademark. Later works, especially Live in Japan (1997), still testify to his creativity as evidenced by the continually evolving bass solos on "Candy Man", "Good Shepherd" and "99 Year Blues".

In the late 1970s, Casady and Kaukonen found that they needed some creative time apart and Hot Tuna disbanded for several years. During this time, Casady helped found a short-lived modern rock band, SVT, with Brian Marnell, a promising songwriter and frontman (who later died of a drug overdose after SVT had disbanded). Again, Casady's versatility was demonstrated as this band played in a convincing New Wave style, totally removed from Hot Tuna and Jefferson Airplane. During his SVT tenure, Casady actually taped his fingers together to force himself to simplify his highly articulated playing style. He and drummer Paul Zahl formed an exemplary rhythm section, as evidenced on the LP No Regrets (1981). Also during the 80's, Casady joined former Airplane members Paul Kantner and Marty Balin in the KBC Band.

Casady in concert with the Jefferson Starship in 1996.

In 1992, he joined Paul Kantner's recreated Jefferson Starship, and appeared on the albums Deep Space / Virgin Sky and Windows of Heaven. In 2000, Kantner used the name Jefferson Airplane against the terms of his 1985 settlement with Grace Slick, Jorma Kaukonen, Bill Thompson, and Casady. Casady left Jefferson Starship after this incident. Casady appears with Kantner again on the 2008 Jefferson Starship release, Jefferson's Tree of Liberty from a track previously recorded for the German release of Windows of Heaven.[1]

Dream Factor

Not a singer and never a prolific songwriter, it was not until June 2003 that Casady released his first solo album, Dream Factor, produced by Greg Hampton and Casady. Like other Airplane-related solo works it featured substantial support from other players such as Warren Haynes, Doyle Bramhall II, Jorma Kaukonen, Fee Waybill, Ivan Neville, the group Box Set, and many other musician friends.

Currently, as well as performing with Hot Tuna, Casady teaches bass workshops at Jorma Kaukonen's Fur Peace Ranch in Ohio.

Casady helped design in conjunction with Epiphone, the "Jack Casady Signature Bass", a 34-inch scale hollow-body electric bass with single low-impedance humbucker pickup. The instrument is based on Casady's mid-70s Gibson Les Paul Signature bass which he bought in the 1980s.

Moonalice

In 2007, Casady joined a new band, Moonalice, whose members include former Jefferson Starship bassist and Hot Tuna keyboardist Pete Sears, along with G. E. Smith, Barry Sless, Ann McNamee, Roger McNamee, and Jimmy Sanchez. The first Moonalice studio album was released in April, 2009.[2]

References

External links


Shopping: Jack Casady
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The Bass Guitar of Jack Casady (1997 Music Film)
First Pull Up, Then Pull Down (1971 Album by Hot Tuna)
Live! Fillmore West 1969 (1996 Album by Country Joe & the Fish & Friends)

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