Born: Sep 02, 1889 in Brooklyn, New York City, New York
Died: Oct 15, 1958 in Saranac, New York
Occupation: Actor
Active: '30s-'40s
Major Genres: Comedy, Musical
Career Highlights: A Guy, a Gal and A Pal
First Major Screen Credit: A Guy, a Gal and A Pal (1945)
Biography
A confirmed teetotaller, mustachioed American actor Jack Norton nonetheless earned cinematic immortality for his innumerable film appearances as a comic drunk. A veteran vaudevillian - he appeared in a comedy act with his wife Lillian - and stage performer, Norton entered films in 1934, often playing stone-cold sober characters; in one Leon Errol two-reeler, One Too Many, he was a stern nightcourt judge sentencing Errol on a charge of public inebriation! From Cockeyed Cavaliers (1934) onward, however, the Jack Norton that audiences loved began staggering his way from one film to another; it seemed for a while that no film could have a scene in a nightclub or salloon without Norton, three sheets to the wind and in top hat and tails, leaning precariously against the bar. To perfect his act, Norton would follow genuine drunks for several city blocks, memorizing each nuance of movement; to avoid becoming too involved in his roles, the actor drank only ginger ale and bicarbonate of soda. Though his appearances as a drunk could fill a book in themselves, Norton could occasionally be seen sober, notably in You Belong to Me (1940), The Fleet's In (1941) and Harold Lloyd's Sin of Harold Diddlebock (1946); he also "took the pledge" in such short comedies as Our Gang's The Awful Tooth (1938), Andy Clyde's Heather and Yon (1944) and the Three Stooges' Rhythm and Weep (1946). One of Norton's oddest roles was as a detective in the Charlie Chan thriller Shadows over Chinatown (1947), in which he went undercover by pretending to be a souse. Retiring from films in 1948 due to illness, Norton occasionally appeared on live TV in the early '50s. Jack Norton's final appearance would have been in a 1955 episode of Jackie Gleason's The Honeymooners, but age and infirmity had so overwhelmed him that he was literally written out of the show as it was being filmed - though Jackie Gleason saw to it that Norton was paid fully for the performance he was ready, willing, but unable to give. ~ Hal Erickson, All Movie Guide
Jack Norton (September 2, 1882–October 15, 1958), was a mustachio'd American stage and film character actor who appeared in 184 films between 1934 and 1948, often playing drunks, although in real life he was a teetotaler.
Jack Norton was born in Brooklyn, New York in 1882. In his early career he had a vaudeville comedy act with his wife Lillian Healy.[1] Norton made his Broadway debut in 1925[2] in that year's edition of Earl Carroll's Vanities,[3] and also appeared in Florida Girl, which was produced and staged by Carroll[4]
Norton's first film work was for a musical short, School for Romance, in 1934, in which a young Betty Grable appeared, but his scenes were deleted.[5] His work survived to reach the screen in his next assignment, The Super Snooper, a comedy short,[6] and in his third film, his first full-length movie, Finishing School, which featured Frances Dee, Billie Burke, Ginger Rogers and Bruce Cabot, Norton played a drunk,[7] setting the pattern for many of his future performances. Although he also played stone sober characters as well, he was best known for his inebriated characterizations, and he improved his work by following genuine drunks around, picking up behavioral tips.[1]
Norton worked continuously and consistently, sometimes appearing in as many as 20 films in one year, although many of his performances went uncredited.[8] One of the few times he was credited as part of the main cast[9] was in 1945 for the film A Guy, a Gal and a Pal[10] In the 1940s, Norton was part of Preston Sturges' unofficial "stock company" of character actors, appearing in five films written and directed by Sturges.[11]
In 1947, Norton retired from films due to illness, his last appearance being in Alias a Gentlemen,[12] which was released in 1948, although he did make some live television appearances in the early 1950s.
Jack Norton's final appearance would have been in a 1955 episode of Jackie Gleason's The Honeymooners, but age and infirmity had so overwhelmed him that he was literally written out of the show as it was being filmed - though Jackie Gleason saw to it that Norton was paid fully for the performance he was ready, willing, but unable to give.[1]