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Jacques Roubaud

 

Roubaud, Jacques (b. 1932). French mathematician, poet, novelist, a member of Oulipo since 1966, author of authoritative studies of French verse and of the lyrics of the troubadours, and disciple of Queneau. Roubaud's literary work is an exemplary demonstration of the creative potential of form and of the interpenetration of mathematics and literature. In ɛ (1967) he structured a poem-sequence according to the rules of the Japanese board-game go, which he helped introduce into France (Petit Traité invitant à la découverte de l'art subtil du go, 1969, in collaboration with Pierre Lusson and Georges Perec). Together with Jean-Pierre Faye, Roubaud launched the review Change in 1970, to counter the influence of Tel Quel. His best-known work of poetry, Quelque chose noir (1986), is a moving lamentation of the death of his second wife Alix Cléo Roubaud. Since then he has published a trilogy of comic novels (La Belle Hortense, L'Enlèvement d'Hortense, L'Exil d'Hortense) which take up themes and games from the works of Queneau; and a brilliant, difficult narrative account of a great work he can never write, entitled ‘Le Grand Incendie de Londres’. In this ‘story with bifurcations and interpolations’, Roubaud asserts that he now knows that he will never rival Sterne, Malory, Murasaki, Henry James, Szentkuthy, etc; readers may judge him less harshly, particularly after the appearance of the second ‘branch’ of his increasingly autobiographical ‘project’, La Boucle (1993).

[David Bellos]

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Jacques Roubaud (born 1932 in Caluire-et-Cuire, Rhône) is a French poet and mathematician.

He is a retired Mathematics professor from University of Paris X, a retired Poetry professor from EHESS and a member of the Oulipo group, he has also published poetry, plays, novels, and translated English poetry and books into French such as Lewis Carroll's The Hunting of the Snark.

Roubaud's fiction often suppresses the rigorous constraints of the Oulipo (while mentioning their suppression, thereby indicating that such constraints are indeed present), yet takes the Oulipian self-consciousness of the writing act to an extreme. This simultaneity both appears playfully, with his Hortense novels, Our Beautiful Heroine, Hortense in Exile, and Hortense is Abducted, and with the gravity and reflection of the writing act as the affirmation of one's worth and existence in The Great Fire of London, considered the pinnacle of his prose.

Bibliography

  • Christophe Reig, Mimer, Miner, Rimer : le cycle romanesque de Jacques Roubaud (La Belle Hortense, L'Enlèvement d'Hortense, L'Exil d'Hortense) - préface de Bernard Magné, New-York/Amsterdam, Rodopi, coll. « Faux-Titre » n°275, 2006.

John Taylor, "The Composition of Mourning (Jacques Roubaud), 'Paths to Contemporary French Literature', volume 1, by John Taylor, New Brunswick, New Jersey: Transaction Publishers, 2004, pp. 140-148.

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French Literature Companion. The New Oxford Companion to Literature in French. Copyright © 1995, 2005 by Oxford University Press. All rights reserved.  Read more
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