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James Lavelle

 
Artist: James Lavelle

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  • Active: '90s, 2000s
  • Genres: Electronica
  • Instrument: Producer, Vocals, Organ
  • Representative Albums: "Global Underground: Barcelona," "Fabriclive.01," "Global Underground: Romania"

Biography

Experimental hip-hop outfit U.N.K.L.E. were one of the original artists releasing material through noted U.K. label Mo'Wax, which helped launch the instrumental mid-'90s downtempo breakbeat revival eventually termed trip-hop. Though hardly the label's highest profile group, U.N.K.L.E. numbers among its members label-head James Lavelle, who formed Mo'Wax while still in his teens as an antidote to the increasingly stale acid jazz/Northern Soul scene. Stripping the music down to its barest of essentials -- bass, percussion, minimal samples and heavy effects -- the Mo'Wax sound (best exemplified by the second Mo'Wax label comp, Headz, as well as its sequel, the two-part Headz 2) quickly gained respectability and a large audience. Although not as prolific as other Mo'Wax artists such as DJs Shadow and Krush, Lavelle's group nonetheless played a crucial role in cementing Mo'Wax's early sound though their Time Has Come double EP, the latter of which featured remixes of the title track by Plaid, Portishead, and U2 producer Howie B.

The group comprises the trio of Lavelle, Tim Goldsworthy -- a mate of Lavelle's since childhood -- and producer Kudo, of seminal Japanese label Major Force (and a member of the on-again, off-again psychedelic beat crew Skylab). Previous to his entree into production, Lavelle along with Goldsworthy was deep into New York hip-hop and electro, the emerging late-'80s Sheffield bleep scene, the English acid jazz scene (which he covered as a columnist for Straight No Chaser magazine), and of course the acid house and techno explosions that were redefining the English counterculture at the time. The pair hooked up with third-member Kudo through the growing rep of the latter's Love T.K.O. project. whose outbound interpretations of breakbeat and acid jazz drew Lavelle's ear. While Goldsworthy and Kudo remain more heavily involved in nuts'n'bolts production (especially given the success of Mo'Wax, with Lavelle penning an expansive partial ownership deal with A&M Records in 1996), Lavelle is heavily involved in the conceptual and organizational end, crafting beats and laying out vague sketches his partners then expand into full-blown tracks. Despite the scarcity of released material, U.N.K.L.E. have grown to wider acclaim recently through remix projects for the Jon Spencer Blues Explosion and Tortoise. An album is due sometime in 1998. Three years later, Lavelle issued his debut album Fabriclive.01, a more or less a retrospective of his popular setlists from his residency at the famous London club, Fabric. He marked his debut for Global Underground in 2002 with the stylish Global Underground: Barcelona release. His second installment in the series, Global Underground: Romania followed two years later. ~ Sean Cooper, All Music Guide
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Wikipedia: James Lavelle
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For the Dallas police officer, see Jim Leavelle

James Lavelle (born 1974 in Oxford, United Kingdom) is a DJ, electronic recording artist and record label boss.

Born into a family with a strong tradition of music, Lavelle first began by learning the cello with his Granny in Oxford.

While attending Cherwell Upper School, Lavelle's music career started at 15 when he ran block parties in Oxford. At only 18 he started the Mo' Wax label, taking the name from his club night at the time, Mo' Wax Please. Around the same time he started the That's How It Is night with Gilles Peterson, which went on to become one of London's longest running nights.

In 1996 Mo' Wax released one of electronic music's most celebrated albums, DJ Shadow's seminal Endtroducing...... Soon after this Lavelle started work on an album with DJ Shadow under the name UNKLE. The resulting release Psyence Fiction featured collaborations with Richard Ashcroft, Mike D, Badly Drawn Boy and Thom Yorke. In 2003, he released a follow up to Psyence Fiction, titled Never, Never, Land, though this album saw DJ Shadow replaced by Richard File as the second full time member of UNKLE. It featured collaborations with 3D of Massive Attack and Josh Homme of Queens of the Stone Age among others.[1]

He is a long time resident at Fabric in London, mixing the inaugural Fabric Live mix album.[2] He has also mixed three progressive house albums for Global Underground.

He has produced a number of film soundtracks, including Sexy Beast. Also an in demand remixer, he has reworked tracks by Garbage, The Verve, Beck and Massive Attack.[3]

In an August 2006 interview with The Skinny, Lavelle revealed that he's working with Chris Goss and Autolux on the follow up to Never, Never, Land, entitled War Stories. Of the album's direction, he said “It’s rawer than '‘Psyence Fiction’' and Never, Never, Land although it’s more in the vein of the traditional singer/songwriter. If the first record was UNKLE does hiphop and the second record was UNKLE does electronic, then this one is like UNKLE does rock, but it’ll hopefully still have its continuity.”[4]

Of other forthcoming projects, he revealed “I’m working on a film with Darren Aronofsky at the moment. It’s a collaboration between me and Clint Mansell who did the score, it’s to remix the score and do a whole new DVD package, the film is unbelievable. I’m working on a documentary about Abel Ferrara as well.”

He has recently finished working alongside his brother Aidan Lavelle on the soundtrack for the movie of the popular sci-fi series The X Files.


Lupe Fiasco mentions Lavelle along with DJ Shadow in the single "Superstar."

Contents

Selected discography

UNKLE

Mix albums

Quotes

  • "I became a DJ because I couldn't breakdance and I was no good at graffiti."
  • "I'm into a whole concept, it's a whole scene. I'm totally involved in it. We cover hip-hop fused music. We want to do this rock hip-hop thing. We are gonna launch a mad hip-hop/thrash fused band, a young Beastie Boys kind of thing. I'm into the total energy of the Beasties and that whole kind of skate thing. I want that energy and total madness surrounding the whole idea."
  • On Mo' Wax: "We put out 200 records in 4 or 5 years, I don’t think I’d ever be able to do that again. I don’t think I could ever work like that again, it was just insane."[5]

References

External links


 
 
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