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Jan van Almeloveen

(b Mijdrecht, c. 1652; d after 1683). Dutch etcher and draughtsman. His birthplace and date are inscribed on his mezzotint portrait of his father, Johannes ab Almeloveen (1678; Hollstein, no. 38), who was a preacher in Mijdrecht. Jan's other 37 prints are all etchings, mainly landscapes. In his topographical views of Dutch rivers and occasionally the Rhine, van Almeloveen followed the tradition of established masters. Twenty of these landscapes are based on designs by Herman Saftleven, including a series of twelve depictions of Dutch villages such as Langerack and an unusual diamond-shaped series of the Four Seasons. The remaining, less lively compositions were made after his own designs. An annotation on one of his landscape drawings (Leiden, Rijksuniv., Prentenkab., AW #1008) indicates that on 8 August 1680 he was working at Frankfurt an der Oder, but he was presumably in Utrecht for most of the period from 1678 to 1683, when he dated his last known print, one in a series of six landscapes (Hollstein, 21-6).

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Wikipedia: Jan van Almeloveen
Landscape with River and Town on the high ground, from the Fine Arts Museums of San Francisco
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Landscape with River and Town on the high ground, from the Fine Arts Museums of San Francisco
Landscape with Harvesters, from the Metropolitan Museum of Art
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Landscape with Harvesters, from the Metropolitan Museum of Art

Jan van Almeloveen (c. 1652 — after 1683[1]) was a Dutch painter, engraver, and draughtsman of the 17th century, principally known for some neatly-executed etchings of landscapes.[2]

He was born c. 1652 in Mijdrecht, according to an inscription on his 1678 mezzotint portrait of his father, Johannes ab Almeloveen, a preacher in that city. He made 38 prints in total, all of which are etchings, mostly landscapes, including Dutch villages and rivers. Twenty of his landscape prints are based on the work of Dutch painter Herman Saftleven, with twelve depicting Dutch villages, and a series of four diamond-shaped prints of the Four Seasons. The other prints were created from his own designs and are less lively in composition. He died sometime after 1683, the year written on his last known print.[1]

His Landscape with Harvesters illustrates the mid-17th-century shift in Dutch landscape art from a fascination with agricultural work that was prevalent in the 16th century, to a recreational interest in the scenery and the pleasures of country life. [3]

References

  1. ^ a b "Almeloveen, Jan van". The Grove Dictionary of Art. Oxford University Press.
  2. ^ Rose, Hugh James [1853] (1857). A New General Biographical Dictionary, London: B. Fellowes et al.
  3. ^ Vardi, Liana. "Imagining the Harvest in Early Modern Europe ". The American Historical Review. 101(5). (Dec 1996). pp. 1357-1397.

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