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Japan

 
Artist: Japan
See Japan Lyrics
  • Formed: 1974, London, England
  • Genres: Rock
  • Representative Albums: "Tin Drum," "The Singles," "Adolescent Sex"
  • Representative Songs: "Quiet Life," "Ghosts," "Gentlemen Take Polaroids"

Biography

Japan's evolution from rather humble glam rock beginnings into stylish synth pop (and beyond) made the British group one of the more intriguing and successful artists of their era. Formed in London in 1974, Japan began its existence as a quintet comprised of singer/songwriter David Sylvian, bassist Mick Karn, keyboardist Richard Barbieri, drummer (and Sylvian's brother) Steve Jansen and guitarist Rob Dean. In their primary incarnation, the group emulated the sound and image of glam rockers like David Bowie and the New York Dolls; Sylvian's over-the-top vocals, much in the vein of Bryan Ferry, also earned Japan frequent (if derisive) comparisons to Roxy Music.

After winning a label-sponsored talent contest, they were signed to Germany's Ariola-Hansa Records in 1977 and debuted a year later with a pair of LPs, Adolescent Sex and Obscure Alternatives, which received little notice at home or in the U.S. but did find favor among Japanese audiences. With 1979's Quiet Life, Japan made a tremendous leap into more sophisticated stylistic and subtle territory; a subsequent hit single covering Smokey Robinson's "I Second That Emotion" further underscored the newfound soulfulness of their music.

1980s Gentlemen Take Polaroids continued to broaden Japan's scope, incorporating a variety of exotic influences into their increasingly atmospheric sound. With 1981's Tin Drum (recorded minus Dean), the band peaked: tapping sources as diverse as funk and Middle Eastern rhythms, the album moved beyond pop confines into experimental tones and textures, and scored a U.K. smash with the single "Ghosts."

However, Tin Drum also proved to be Japan's swan song: long-simmering differences among the bandmembers came to a head when Karn's girlfriend moved in with Sylvian, and the group disbanded in 1982. The individual members quickly forged ahead with their projects: Sylvian began a successful solo career and also entered into a series of collaborations with performers like Ryuichi Sakamoto, Holger Czukay and Robert Fripp, while Karn issued a 1982 solo LP, Titles, before founding the short-lived duo Dali's Car with Bauhaus' Peter Murphy. In 1986, meanwhile, Jansen and Barbieri issued Worlds in a Small Room under their own names before recording together as the Dolphin Brothers.

In 1987, Karn released Dreams of Reason Produce Monsters, a solo LP which featured contributions from Sylvian and Jansen, spurring rumors of a reunion which came to fruition in 1989 when the four principal members re-teamed under the name Rain Tree Crow. By the time an eponymously-titled album appeared in 1991, however, relations had again dissolved in acrimony, and the musicians went their separate ways; while Sylvian continued working independently, as the decade wore on Karn, Jansen and Barbieri occasionally reunited in various projects while also maintaining solo careers. ~ Jason Ankeny, All Music Guide
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Wikipedia: Japan (band)
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Japan

Steve Jansen, Mick Karn, David Sylvian, Rich Barbieri, and Masami Tsuchiya (L to R)
Background information
Origin United Kingdom
Genres New Wave
Post-Punk
Synth-Pop
Years active 1974-1982, 1991
Labels Hansa
Virgin
Associated acts The Dolphin Brothers
Nine Horses
Porcupine Tree
Former members
Mick Karn
Richard Barbieri
Rob Dean
Steve Jansen
David Sylvian

Japan were a British pop/rock group, formed in 1974 in Lewisham, South London. The band achieved success in the late 1970s/early 1980s, when they were often associated with the burgeoning New Romantic fashion movement (though the band themselves have downplayed any such connection).

Contents

History

Early years

Original members:

The band debuted on record with 1978's Adolescent Sex and subsequently Obscure Alternatives, which both sold well in Japan (where the band's name helped them to gain a devoted cult following) and the Netherlands where the single "Adolescent Sex" was a Top 30 hit, they also gained some popularity in Canada. However in their native Britain those albums were largely ignored.

Though influenced by artists such as the New York Dolls, Roxy Music and David Bowie, both albums were widely dismissed by the British music press as being distinctly outmoded at a time when punk and New Wave bands were in ascendence. The band were managed by Simon Napier-Bell who also managed The Yardbirds, Marc Bolan, London and Wham!.

Mid-career

Their third album, 1979's Quiet Life, heralded a significant change in musical style from the earlier largely guitar-based music to a more electronic sound, with more emphasis on Barbieri's synthesisers, Sylvian's svelte baritone style of singing, Karn's distinctive fretless bass sound and Steve Jansen's odd-timbred and intricate percussion work with Dean's guitar playing becoming increasingly sparse and atmospheric. Quiet Life was their last studio album for Hansa-Ariola, though the label would later issue a compilation album (Assemblage) featuring highlights from the band's tenure on the label, followed by a series of remixed and re-released singles.

Final years

Their final two studio albums, Gentlemen Take Polaroids (1980) and Tin Drum (1981), were released on the Virgin label, and continued to expand their audience as the band refined its new sound and, somewhat unintentionally, became associated with the early-1980s New Romantic movement. Tin Drum in particular is critically regarded as one of the most innovative albums of the 1980s, with its startlingly original fusion of occidental and oriental sounds, and peaked just outside the UK Top 10. Its unconventional single "Ghosts" reached #5 on the UK charts, becoming Japan's biggest domestic hit and one of only a very few such 'minimalist' songs to achieve such heights.

With personality conflicts leading to rising tensions between band members, Tin Drum was to be the band's final studio album. Long-simmering differences among the bandmembers came to a head when Karn's girlfriend, photographer Yuka Fujii, moved in with Sylvian and the individual members forged ahead with their own projects. Rob Dean had already departed towards the end of the Gentlemen Take Polaroids sessions, as his electric guitar work was increasingly regarded as superfluous. During this period, Japanese multi-instrumentalist and experimental keyboardist Ryuichi Sakamoto briefly collaborated with the band, and worked directly alongside Sylvian on tracks such as "Taking Islands In Africa."

The group's final UK performance came in November 1982, culminating in a six-night sell-out stint at London's Hammersmith Odeon. During this period, guitarist and keyboardist Masami Tsuchiya performed with the band on stage. Japan's last ever performance was on 16 December 1982 in Nagoya, Japan. The band's final Hammersmith concerts were recorded to produce Oil On Canvas, a live album and video released in June 1983. Ironically, the band decided to split just as they were beginning to obtain long-overdue commercial success both in their native UK and internationally, with Oil On Canvas becoming their highest charting British album, reaching #5. Both Hansa-Ariola and Virgin Records continued to release Japan singles into 1983.

All of the band members went on to work on other projects, with varying degrees of success. A reformation of the band members (Sylvian, Karn, Jansen, & Barbieri) in 1989-1990 under the name Rain Tree Crow produced only one eponymously-titled album, released in April 1991, which was well-received by music critics and reached the UK Top 25. Once again, the band dissolved following frictions between Sylvian and the other members.

Discography

Singles and EPs

  • "Don't Rain on My Parade"/"Stateline" (UK, Germany, Australia, Italy) 1978
  • "Adolescent Sex"/"Don't Rain On My Parade" (Spain) 1978
  • "The Unconventional"/"Lovers On Main Street" (Japan) 1978
  • "The Unconventional"/"Adolescent Sex (re-recorded version)" (UK) 1978
  • "Adolescent Sex (re-recorded version)"/"Transmission" (Italy) 1979
  • "Adolescent Sex (re-recorded version)"/"Sometimes I Feel So Low" (Germany, Holland, France) 1978
  • "Sometimes I Feel So Low"/"Love Is Infectious" (UK, USA, Japan) 1978
  • "Deviation"/"Suburban Berlin" (Holland) 1979
  • "Life In Tokyo"/"Life In Tokyo (Part Two)" (UK, USA, Canada, Germany, France, Japan, Australia, Italy) 1979
  • "Quiet Life"/"Halloween" (Japan) 1979
  • "I Second That Emotion"/"European Son" (Japan) 1980
  • "I Second That Emotion"/"Quiet Life" (UK, Germany, Holland) 1980
  • "Special Edition EP" (Canada) 1980
  • "Live In Japan EP" (Germany, Holland, Belgium) 1980
  • "Gentlemen Take Polaroids EP" (UK #60, Germany, Japan) 1980
  • "The Singles EP" (Japan) 1981
  • "The Art of Parties"/"Life Without Buildings" (UK #48) 1981 - also Canadian EP with two tracks from the "Gentlemen Take Polaroids" EP
  • "The Art of Parties"/"My New Career" (Australia, Japan) 1981
  • "Life In Tokyo"/"European Son" (UK, Germany) 1981
  • "Quiet Life"/"A Foreign Place" (UK #19) 1981
  • "Visions Of China"/"Taking Islands In Africa" (UK #32, Australia) 1981
  • "European Son (remix)"/"Alien" (UK #31, Germany) 1981
  • "Ghosts"/"The Art Of Parties (live version)" (UK #5 and most other countries except Japan) 1982
  • "Cantonese Boy"/"Burning Bridges" (UK #24) 1982 - also a double pack version with extra tracks
  • "I Second That Emotion (remix)"/"Halloween" (UK #9, Germany) 1982
  • "Life In Tokyo (remix)" (UK #28) 1982
  • "Nightporter"/"Ain't That Peculiar" (UK #29, Germany) 1982
  • "Nightporter EP" (Japan) 1982 - includes b sides from UK releases
  • "All Tomorrow's Parties"/"In Vogue" (UK #38) 1983
  • "Canton"/"Visions Of China" (live versions) (UK #42) 1983

[1]

Albums

Studio albums

Live albums

  • Oil on Canvas, June 1983 (UK #5) — [Certified Gold in February 1988] (mainly live double album, featuring some new solo instrumental pieces).

Compilations

A bewildering number of Japan compilation albums have been released. The following albums were compiled in consultation with group members and include some non-album and previously unavailable material.

  • Assemblage (UK, European countries, Japan) 1981 (UK #26) — [Certified Gold in January 1983] - earlier material (1978-80) including several non album singles.
  • Exorcising Ghosts (UK, European countries, Japan) 1984 (UK #45) — [Certified Gold in February 1997] - material from the Virgin Records (1980-82) era of the band's career.
  • Souvenir from Japan (UK, BMG release) 1989 - compilation of their Hansa-Ariola material that includes non-album singles I Second that Emotion, Life in Tokyo and European Son and the B-side State Line
  • Japan In Vogue (UK, BMG release) 1996 - compilation of their Hansa-Ariola material that includes 12" versions of All Tomorrow's Parties, European Son and Life In Tokyo
  • The Very Best of Japan (Worldwide release) 2006 - remastered compilation including songs from both the Hansa-Ariola and Virgin eras of the band's history.[1]

Video/DVD

  • "Oil On Canvas" 1983 (VHS, Beta, LD) - live material filmed at the Hammersmith Odeon in 1982
  • "Instant Pictures" 1984 (VHS, Beta, LD) - promo videos and alternate versions of live tracks
  • "Video Hits" 1999 (DVD), Japan only - early video clips
  • "The Very Best of Japan" 2006 (DVD) - a compilation including the Oil On Canvas concert and a collection of promo videos

Remasters

In 2003, Virgin Records re-issued remastered editions of Gentlemen Take Polaroids, Tin Drum and Oil on Canvas. BMG followed suit next year, and re-issued Adolescent Sex, Obscure Alternatives, Quiet Life, and Assemblage. All of these re-releases came in the 'digipak' format, collecting many bonus tracks. In 2006 all were repackaged in jewel cases to allow sale at a lower price point.

The Tin Drum digipak re-issue was of particular interest as it was packaged in a cardboard box and contained a bonus 5-inch single The Art of Parties, which comprised The Art of Parties (7" single and live versions), Ghosts (single version) and Life Without Buildings (B-side to The Art of Parties single). The package also included a booklet with black-and-white photos of the band members.

Rare material

The following Japan tracks appeared on vinyl but have not yet been released on CD:

  • "Quiet Life" (Japanese single version)
  • "Burning Bridges" (from the "Gentlemen Take Polaroids" EP) - an alternate version produced by David Sylvian
  • "Ain't That Peculiar" (version from the compilation album "Cash Cows" and b-side of "Nightporter, different from the version on the 'Polaroids' album)
  • "Nightporter" (Steve Nye remixed single and radio edit versions)
  • "Gentlemen Take Polaroids" (7" single version from the "Gentlemen Take Polaroids" EP)

Tribute Album

"Life In Tokyo - A Tribute to Japan" (BMG Japan) 1996

See also

References

  1. ^ a b c Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 279. ISBN 1-904994-10-5. 

External links


 
 

 

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