Jascha Heifetz's early recordings reveal the technical prowess and expressive depth which, early on, established his place at the forefront of the world's greatest musicians. The recording of Bach's Partita No. 2 in D minor dates from 1935-1937, and Heifetz's mastery is plainly evident, even though the limited reproduction makes his sound seem small and fragile. Yet Centurion's transfer to disc is as clean as any could wish, and with some adjustment to the narrow audio range, listeners can appreciate Heifetz's tone and expression with little strain. The 1934 recording of Mozart's Violin Concerto No. 5 in A major requires more effort, though, because the orchestra is boxed-in and a little squawky, and the boosted bass at times sounds artificial. However, the recording is free of hiss, and Heifetz is clear at all times. Sir John Barbirolli takes the London Philharmonic at a comfortable pace, and there is a perceptible warmth in their playing, despite the fairly harsh distortions of the treble winds. Heifetz's playing in the Allegro aperto is elegant and witty, tender and wistful in the Adagio, and dynamic in the Rondo, especially when it takes off in the energetic "alla turca" section. This CD is recommended for historians and connoisseurs, though others may find it an interesting artifact. ~ Blair Sanderson, All Music Guide
