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Jean-Baptiste Debret

 
Art Encyclopedia: Jean-Baptiste Debret

(b Paris, 18 April 1768; d Paris, 28 June 1848). French painter and draughtsman, active in Brazil. When very young he accompanied his cousin, Jacques-Louis David, on a trip to Italy from which he returned in 1785. He then enrolled in the Acad?mie Royale de Peinture et de Sculpture in Paris, initially following parallel studies in civil engineering but soon devoting himself to painting. Between 1798 and 1814 he entered several of the annual Paris Salons with historical or allegorical paintings, Neo-classical in both spirit and form, for instance Napoleon Decorating a Russian Soldier at Tilsit (1808; Versailles, Ch?teau). He also collaborated at this time with the architects Charles Percier and Pierre-Fran?ois Fontaine on decorative works. With the fall of Emperor Napoleon Bonaparte I, whom he greatly admired, he agreed to take part in the French artistic mission which left for Brazil in 1816. He stayed there longer than the rest of the group, returning to France only in 1831. During those years spent in Rio de Janeiro and in neighbouring provinces, he was in the vanguard of local artistic life, still in its infancy. He founded and encouraged the Academia Imperial das Belas Artes, of which he became professor of history painting. He painted many historical works such, as the Acclamation of Peter I (1822; Rio de Janeiro, Mus. N. B.A.). He and two other members of the French mission, the architect Auguste-Henri Grandjean de Montigny and the sculptor Auguste-Marie Taunay (1768-1824), were responsible for preparing the decorations in Rio de Janeiro for the celebrations in 1818 acclaiming John VI as King.

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Jean-Baptiste Debret

Jean-Baptiste Debret (April 18, 1768 – June 28, 1848) was a French painter, who produced many valuable lithographs depicting the people of Brazil.

First remittance of the Légion d'Honneur, 15 July 1804, at Saint-Louis des Invalides, by Jean-Baptiste Debret, 1812.

Debret studied at the French Academy of Fine Arts, a pupil of the great Jacques-Louis David (1748-1825) to whom he was related. He accompanied David to Rome in the 1780s. His debut was at the Salon des Beaux Arts of 1798, where he got the second prize.

He travelled to Brazil in March 1816 as a member of the so-called French Artistic Mission, a group of bonapartist French artists and artisans bound to creating in Rio de Janeiro an arts and crafts lyceum (Escola Real de Artes e Ofícios) under the auspices of King D. João VI and the Conde da Barca, which later became the Academia Imperial de Belas-Artes (Imperial Academy of Fine Arts) under Emperor Dom Pedro I.

Debret, A Guaraní family captured by slave hunters.

As a painter favored first by the Portuguese court in exile and later by the imperial court in Rio, Debret was often commissioned to paint portraits of many of its members, such as Portuguese king Dom João VI and the Archduchess Maria Leopoldina of Austria, the first empress of Brazil, who married D. Pedro I (Debret was commissioned to produce a painting of her arrival for the marriage at the Rio port, as well as the public acclaiming of the new Emperor). He established his atelier at the Imperial Academy in December 1822 and became a valued teacher in 1826. In 1829 Debret organized the first arts exhibition ever to take place in Brazil, in which he presented many of his works as well as of his disciples. Emulating David's role during the French Empire, Debret was also involved in the drawing ornaments for many of public ceremonies and official festivities of the court and even some of the courtier's uniforms are credited to him.

He corresponded frequently with his brother in Paris. Noticing After his brother's interest in his depiction of everyday life in Brazil, he started to sketch street scenes, local costumes and relations of the Brazilians in the period between 1816 and 1831. He took a particular interest in slavery of blacks and in the indigenous peoples in Brazil. Together with the German painter Johann Moritz Rugendas (1802-1858), his work is one of the most important graphic documentation of life in Brazil during the early decades of the 19th century.

Debret returned to France in 1831 and became a member of the Academie des Beaux Arts. From 1834 to 1839 he published his monumental series of three volumes of engravings, titled Voyage Pittoresque et Historique au Brésil, ou Séjour d'un Artiste Français au Brésil ("A Picturesque and Historic Voyage to Brazil, or the Sojourn of a French Artist in Brazil"). Unfortunately the work was not a commercial success. In order to survive, he made lithographs depicting paintings by his distant cousin David, but the editions were very limited and money was short. Debret died poor in Paris in 1848.

Gallery

Uruncungo Player
Pelourinho
Family dining
Punishment of a slave
Black women (1835)
Indian Warrior

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