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Jean Muir

 
(British designer)
  • Born: Jean Elizabeth Muir in London, circa 1930.
  • Education: Dame Harper School, Bedford.
  • Family: Married actor Harry Leuckert.
  • Career: Sales assistant in lingerie and made-to-measure departments, Liberty, London, 1950-55; studied fashion drawing and modeled at St Martin's School of Art, London; joined Jacqmar then Jaeger, 1956-63; studied knitwear design and manufacture, especially jersey, and visited Paris collections; worked at Courtaulds, 1966-69; created own label, Jane & Jane, 1967; formed Jean Muir Ltd. with husband, 1986; sold majority interest to Coats Paton group; bought back 75-percent stake in company, 1989; Jean Muir department in Jaeger's flagship store, London.
  • Awards: British Fashion Writers Group Dress of the Year award, 1964; Harper's Bazaar trophy; Ambassador award for Achievement, 1965; Maison Blanche Rex awards, 1967, 1968, 1974, 1976; Churchman's Fashion Designer of the Year award, 1970; Royal Society of Arts Royal Designer for Industry, 1972; elected fellow of RSA; Neiman Marcus award, 1973; elected fellow of Chartered Society of Designers, 1978; Bath Museum of Costume Dress of the Year award, 1979; named Honorary Doctor, Royal College of Art, 1981; appointed to the Design Council, London, 1983; made a Commander of the Order of the British Empire, 1984; awarded Hommage de la Mode, Fédération Française du Prêt-á-Porter Féminin; British Fashion Council award for Services to Industry, 1985; Chartered Society of Designers medal; Textile Institute Design medal, 1987; Australian Bicentennial award, 1988; The Ford award, 1989. Honorary Degree, Doctor of Literature, University of Newcastle.
  • Died: 28 May 1995, in London.

Jean Muir was noted for simple, flattering, and extremely feminine clothes that were sophisticated yet retain a handcrafteded look with diligent attention to detail. Her favorite fabrics—jersey, angora, wool crêpe, suede, and soft leather—reappeared time after time, regardless of trends. Her more famous clients included actresses Joanna Lumley and Patricia Hodge and writers and artists such as Lady Antonia Fraser and Bridget Riley.

Muir was renowned for producing clothes women really wanted to wear and felt comfortable in. She achieved this by modeling all the clothes and toiles herself at fittings, an advantage she believed she had over male designers. "If you're going to make clothes, the first thing you have to understand is the female anatomy. When I try on a dress, I can feel if something is wrong; I can tell if it's not sitting properly on the shoulders or the bust or the hip. I couldn't tell these things if I saw it on a stand," she had explained.

There was an air of the fashion headmistress in Jean Muir's approach; her steadfast opinions could not be budged. Her tone was unrelenting when she stressed a need to restore a sense of pride in the technique of making clothes and her passion for "art, craft and design and the upholding of standards and quality, maintaining them and setting new ones." She believed fashion was not art but industry. The word fashion, she said, suggested the "transient and the superficial," hardly the best attributes for a commercial business. Muir described her work as being based on intuition, aesthetic appreciation, and mathematical technical expertise. Never at the cutting edge of fashion, the clothes were timeless, understated, and often dateless. Like Fortuny or Chanel, the company based its look on the evolution of a singular theme, a soft, supple fluidity of cut which created the form of a garment.

In person Muir epitomized the type of woman for whom she liked to design. Writer Antonia Fraser described her as a "modish Puck" with a white, powdered face with a mouth slashed in crimson lipstick. Muir had a wiry, bird-like frame and was always dressed in navy calf-length jersey dresses, with black stockings and Granny shoes. In her studio Muir had a reputation for perfectionism and exacting standards in all aspects of production. "There are tremendous activities involved in the making of clothes," she declared in a television interview, with such conviction that the viewer was left in no doubt about her sincerity.

In the annals of fashion history Jean Muir should be remembered as a designer who liberated the body. While many designers have forced bodies into structured tailoring, boning, or restrictive interfaced fabrics, Muir's fluid and easy clothes always provided an emancipated alternative; devoid of structure and underpinning, the clothes nevertheless remained womanly and melodious.

Publications

By Muir:

    Books
  • Jean Muir, London, 1981.
    Articles
  • "Getting Going," in The Designer (London), October 1979.

On Muir:

    Books
  • MacCarthy, Fiona, and Patrick Nuttgens, Eye for Industry: Royal Designers for Industry, 1936-1986, exhibition catalogue, London 1986.
  • Stegemeyer, Anne, Who's Who in Fashion, Third Edition, New York, 1996.
    Articles and Video
  • "Jean Muir Designs," in The Times (London), 4 November 1971.
  • "1979 Design for Bath Museum," in the Sunday Times, 2 September 1979.
  • "Great British Design: Jean Muir," in Vogue (London), August 1981.
  • Green, Felicity, "The Gospel According to St Muir," in the Sunday Telegraph Magazine (London), 8 March 1987.
  • "Designers Take Two," in Good Housekeeping (London), March 1988.
  • Lambert, Elizabeth, and Derry Moore, "The Essential Jean Muir: Composition in White for Her London Apartment," Architectural Digest, September 1988.
  • Maitliss, Nicky, "A Day in the Life of Jean Muir," in the Sunday Times Magazine (London), 13 November 1988.
  • Dutt, Robin, "Jean Muir Interview," in Clothes Show (London), February 1989.
  • "Winter '89," in DR: The Fashion Business (London), 4 March 1989.
  • Klensch, Elsa, "Style with Elsa Klensch," (video), CNN Special Reports, 6 May 1989.
  • McCooey, Meriel, "The Prime of Miss Jean Muir," in the Sunday Times Magazine (London), 13 January 1991.
  • Webb, Ian R., "Secure with Miss Muir," in Harpers & Queen (London), March 1991.
  • van der Post, Lucia, "The Queen of Simple Chic," in the Financial Times (London), 9 March 1991.
  • Rawlinson, Richard, "Pure Miss Muir," in DR: The Fashion Business (London), 11 May 1991.
  • Menkes, Suzy, "Twenty-Five Years of Disciplined Design," in the International Herald Tribune (Paris), 21 May 1991.
  • —, "Muir's Classical Rigor," in the International Herald Tribune (Paris), 30 May 1995.
  • Fallon, James, "UK Designer Jean Muir Dead at 66," in WWD, 30 May 1995.
  • Obituary, in Time, 12 June 1995.
  • Bowles, Hamish, "The Prime of Miss Jean Muir," in Vogue, September 1995.

— Kevin Almond

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Wikipedia: Jean Muir
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Jean Muir CBE, FCSD
Born July 17, 1928(1928-07-17)
London, England
Died 28 May 1995 (aged 66)
Nationality British
Education Bedford Girls' Modern School
Labels Jean Muir Ltd
Awards CBE, FCSD

Jean Elizabeth Muir, CBE, FCSD (July 17, 1928 - May 28, 1995) was an English fashion designer (though she herself preferred to be called a dressmaker [1].)

Contents

History and early career

Jean Muir was born in London, the daughter of Cyril Muir, a draper's floor superintendent and his wife, Phyllis Coy. Her father was an Aberdonian, and Muir would attribute her creative pragmatism and self-discipline to this Scottish ancestry[2]. Her parents separated while she was still a child, and she and her brother Christopher were brought up in Bedford by their mother. She was educated at the Bedford Girls' Modern School (now known as the Dame Alice Harpur School) in Bedford. While she was academically unimpressive, she showed a precocious talent for needlework, claiming to have been able to knit, embroider, and sew by the age of six[2]. At the age of seventeen, she left school and went to work at an electoral registration office at Bedford Town Hall. She then moved to London, where she worked briefly in a solicitor's office before taking a stockroom job at Liberty & Co in 1950. She worked her way upwards to selling over the counter, and then despite her lack of formal art college training, was given the opportunity to sketch in Liberty's ready to wear department. This would serve as her apprenticeship, and led to her gaining a job as designer for Jaeger in 1956[3]. While there, she helped develop the Young Jaeger fashion label[4].

Jane & Jane (1962-1966)

Upon leaving Jaeger, Muir was approached by David Barnes, a mass-market jersey dress manufacturer, who was keen to have her talents on board as a designer for his brand. Muir declined, as she did not wish to design for the mass market.[2] Undeterred, Barnes offered to fund her own design label, and so Jane & Jane launched in 1962.[5]

In 1964, Jean Muir won the first of her three Dress Of The Year awards for a Jane & Jane dress in printed Liberty silk, which is preserved as part of the Dress Of The Year collection at the Fashion Museum, Bath.

From the outset, Muir's designs demonstrated the pared-down understatement and easy fit that would become her design signature. Jane & Jane was one of the first companies to bring couture standards and quality to the wholesale fashion industry.[5] Muir used Liberty textiles in many of her designs[6].

After Muir left in 1966 to launch Jean Muir Ltd, the Jane & Jane brand was sold to the ready-to-wear fashion house Susan Small, where it continued for several years before quietly disappearing circa 1970.[7].

Jean Muir Ltd. (1966-2007)

Jean Muir Ltd. was founded in August 1966 by Jean Muir and her husband Harry Leuckert in partnership. The first collection was presented in October[4].

The designs continued the tradition established at Jane & Jane. Muir used the best quality fabrics, working in silk, cashmere, jersey and crepe, with a focus on form and fluidity. She made coats and jackets from soft leather and supple suede. Muir rarely used printed textiles, and avoided unnecessary decoration. Where she used decoration, it was integral to the garment, such as pintucking, decorative but functional buttons or rows of parallel topstitching on cuffs or collars for reinforcement[8]. During the 1980s, Muir sometimes decorated clothing with sequins[7].

Muir's designs were aimed towards the woman with a mature outlook, regardless of age. She avoided creating clothes for fantasy figures, but focused on modern, restrained elegance. She ignored the fads of high fashion design, but focused on creating a consistently evolving series of understated, sober clothes. She was a sensualist who cared about how her clothes felt to wear as well as how they looked to others. Muir placed pockets at hip level to encourage the wearer to hold her shoulders back confidently. She eliminated bust darts as she preferred to mould fabric rather than cut it. Her designs were intended to fit into a limited and integrated wardrobe, and to avoid distracting the wearer[7].

Despite being known to posterity almost exclusively for black dresses, her eye for colour was very definite. She favoured dark and deep blues, very dark greens, and heather-toned purples as well as intensely bright orange and deep saffron yellow. She was a perfectionist about her colours, working closely with fabric mills and dyers to achieve her ideal tones[7].

Muir has been described as bringing common sense to clothing design to the pitch of genius[7]. Jane Mulvagh describes Muir clothes as being comfortable and effortless, and:

"once donned, easily forgotten by the wearer but never the beholder."[7]

Following her 1964 win whilst at Jane & Jane, Muir went on to win the Dress Of The Year award twice more. She won in 1968 for a ruffled white voile dress with black polka dots, and in 1979 for an ensemble comprising a black rayon jersey beret and dress worn with a black leather jacket. As with her 1964 design, these outfits are preserved at the Fashion Museum, Bath.

From 1985 the majority interest in Jean Muir Ltd. was held by the textile manufacturer Coats Plc. Muir regained ownership in 1989.

Muir was made a Fellow of the Chartered Society of Designers, and was a recipient of the Minerva Medal, the Society's highest award.

In 1984 she was awarded a CBE.

The company continued despite Jean Muir's death in 1995. Leuckert continued his directorship, while the designs were produced under the supervision of Joyce Fenton-Douglas and a group of four designers who had all formerly worked with Muir.

In 2004, the first Jean Muir Ltd shop was opened on Conduit Street, London. It was managed by Leuckert's daughter Friederike.

On 19th January 2007, the directors announced that Jean Muir Ltd. would be closing down. Leuckert made a statement to the effect that he had hoped that they could take the retail route based on the success of the Conduit Street shop. This required substantial outside investment, but they had not been able to come to any agreement with interested parties. He further said:

"It is sad, but I believe this is the way Jean would have wanted it. I have, of course, had offers, but I do not want Jean's name to fall into the wrong hands and be mis-used. That would be horrendous and she would have hated it."[9]

The Jean Muir shop continued to trade, stocking the final collection for Spring/Summer 2007, before it closed down for good.

Celebrity clients and admirers

The actress Joanna Lumley was Muir's first house model, and became a muse, close friend and loyal customer. She was often photographed modelling Muir's designs in the fashion press. Other well-known Muir clients included Lauren Bacall, Maggie Smith, Judi Dench, Charlotte Rampling, Julie Walters, Joan Plowright, Dr. Miriam Stoppard and Patricia Hodge[9].

In 1967, Muir provided Eleanor Bron's wardrobe for the 1967 film Bedazzled. She did wardrobe for only one other film, Betrayal, in 1983.

Her designs were also worn by public figures such as the author & historian Lady Antonia Fraser and the publisher Carmen Callil[7].

Jean Muir's clothing is also popular with a younger generation. In 2006, Sienna Miller's favourite piece of clothing was a vintage Muir purple suede cape[1]. Other fans of vintage Muir include Kate Moss and Stella McCartney[1].

Diffusion lines and capsule collections of Jean Muir Ltd.

  • 1983: Jean Muir in Cotton
  • 1983: Jean Muir in Wool
  • 1984: Jean Muir for Men (menswear)
  • 1984: Jean Muir at Home (homewares)
  • 1986-1995: Jean Muir Studio collection developed, this was a lower-priced line.
  • Early 1990s: Jean Muir Essentials (lower-priced separates)

Personal life

Jean Muir had a discreet but complicated private life. In 1955, she married a German actor, Harry Leuckert, with whom she co-founded Jean Muir Ltd. and lived in London and Lorbottle Hall near Alnwick in Northumberland. Their marriage was unconventional, described by Leuckert as "wonderful and loving, but never singular"[10]. In 1976, Leuckert fathered a daughter, Friederike, with another woman. His wife was aware of this, and Leuckert continued to live with her whilst paying regular visits to his daughter and her mother, Ingrid, in Germany. According to Friederike, this was normal:

"People find that hard to believe, but Miss Muir knew about it, my mother knew about it and I knew about it. Nothing was hidden, but nor was it public"[10].

Leuckert married Ingrid following the death of his wife. Friederike went on to become manager of the flagship Jean Muir shop in London when it opened in 2004[10].

Death & Legacy

Jean Muir died in 1995, aged 67, at the London Clinic, of breast cancer[3]. She was buried at St Bartholomew's Church in Whittingham, Northumberland. At the funeral, by request of the deceased, her friends all wore black with white flowers.

She had kept her terminal illness secret from even close friends, working right up to the end. Shortly before her death, she began fundraising for the National Museum of Scotland in Edinburgh. Her husband and Jean Muir Ltd. continued the work begun, and pledged money in her memory, as did many of her personal friends and loyal customers. In recognition of her work, the Museum's Silver Room is dedicated to Jean Muir, while Jean Muir Ltd is named upon the founder's stone at the Museum entrance.

In 2005, Leuckert donated Jean Muir's archive collection of her fashion and accessory designs to the National Museums of Scotland. A special exhibition on Muir's design career opened on Friday 7th November 2008 at the Museum[11].

Jean Muir Quotes

"The clothes in themselves do not make a statement. The woman makes a statement and the dress helps."[1]

References

  1. ^ a b c d Liz Jones for The Daily Mail, June 12th 2006
  2. ^ a b c Stemp, Sinty, Jean Muir: Beyond Fashion, (2006) ISBN 978-1851495214
  3. ^ a b Obituary for Jean Muir in The Sunday Times, 30th April 1995.
  4. ^ a b http://www.nms.ac.uk/jeanmuir_timeline.aspx = Timeline of Jean Muir's career on the National Museums of Scotland website
  5. ^ a b Jean Muir design information at the Design Museum website, London
  6. ^ Buruma, Anna, Liberty & Co. In The Fifties and Sixties, (London, 2008) ISBN 978-1851495726
  7. ^ a b c d e f g Obituary for Jean Muir in 'The Independent' by Jane Mulvagh, 30/05/1995
  8. ^ Wilcox, Claire & Mendes, Valerie, Modern Fashion In Detail, (London, 1997) ISBN 978-1851770328
  9. ^ a b Hilary Alexander for The Telegraph, 21st January 2007
  10. ^ a b c http://living.scotsman.com/features/The-prime-of-Miss-Jean.2830208.jp The Scotland on Sunday, 26 November 2006
  11. ^ http://www.nms.ac.uk/jeanmuir.aspx

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