- Period: Romantic (1820-1869)
- Born: September 07, 1961 in France
Biography
Thibaudet was born in Lyon to a French father and a German mother. The mother provided Thibaudet with his first piano lessons at age five, and later his father taught him to play the violin. Thibaudet's skill at the keyboard developed rapidly, and he gave his first recital at the age of seven, following with his first concerto appearance at age nine. At 12, Thibaudet was awarded a gold medal upon graduating from the Conservatory of Music in Lyon, and he continued his studies at the Paris Conservatoire with Madame Lucette Descaves, who had known Ravel personally and was on intimate terms with both Ravel's scores and those of Debussy. Thibaudet completed his studies with Aldo Ciccolini, whom Thibaudet himself credits for helping to shape his own style and technique.Thibaudet won the Prix du Conservatoire at age 15, and then took the competition circuit by storm, winning prizes at the Viotti, Casadesus, and Busoni competitions. When Thibaudet took first prize at the International Piano Competition in Japan in 1980, he made his first recordings for Denon. Upon winning the Young Concert Artists International Auditions in New York in 1981, Thibaudet's career as a touring artist began in earnest. Thibaudet signed a recording contract with Decca/London, and has since recorded more than 20 CDs for them. These include the complete piano works of Ravel (a Deutsche Schallplattenpreis winner and Grammy nominee) and Debussy; the Greig, Ravel, Liszt, and Rachmaninov Concerti, concertinos of Honegger and Françaix, and D'Indy's Symphony On a French Mountain Air. He has also recorded transcriptions of Liszt, the Addinsell "Warsaw" Concerto, and works of Gershwin, Brahms, Schumann, Messiaen, and Chopin. Thibaudet has played concerts at symphony halls and music festivals throughout the world, and has worked in tandem with artists such as the violinist Joshua Bell, cellist Truls Mork, and singers Matthias Goerne, Dmitri Hvorostovsky, Cecilia Bartoli and Reneé Fleming.
Thibaudet has also turned his attention to popular music, notably in his acclaimed Conversations with Bill Evans and Reflections on Duke. His warm, rich tone and Apollonian approach to jazz music exposes the strong Classical underpinnings of Evans and Ellington without resorting to schmaltz, cheekiness, or other typical pitfalls of Classical "crossover" recordings. In classical repertoire, Thibaudet is both technically solid and on intimate terms with the music he plays, yet sometimes takes adventurous turns in interpretation. A good example of this is found in his recording of Liszt's transcription of the Wagner Tristan and Isolde "Libestod." At one point, Liszt transcribes Wagner's inner voices in a syncopated, "funky" manner, and rather than attempting to flatten these out through use of rubato, Thibaudet plays them "funky," in tempo, as written.
Thibaudet dresses impeccably, and was a friend of the late designer Gianni Versace. The bright red socks he wore at early recitals raised a fair number of eyebrows, but Thibaudet has cited the need for a splash of color in the usual monochromatic settings employed in concert appearances. In addition to his interest in high fashion, Thibaudet enjoys sports such as tennis and water skiing, good conversation, tango music and opera. In 1997 Thibaudet made his Metropolitan Opera debut in the minor role of Boleslao in Giordano's Fedora; not that he plans to abandon his keyboard in favor of a singing career, but just for the experience it provided. As he once asked in an interview, "How can you play the piano without understanding opera, or art, sculpture, or literature for that matter?"
In June 2000, Thibaudet's recording of Debussy's Images and Etudes was picked as an "Editor's Choice" in Gramophone. ~ Uncle Dave Lewis, All Music Guide
