Jeremiah Johnson is a 1972 western film, directed by Sydney Pollack and starring Robert Redford as the title character and Will Geer as "Bear Claw" Chris Lapp. The movie was said to have been based in part on the life of the legendary mountain man Liver-Eating Johnson, based on Raymond Thorp/Robert Bunker's book Crow Killer: The Saga of Liver-Eating Johnson and Vardis Fisher's Mountain Man. The script was written by John Milius and Edward Anhalt; the movie was filmed at various locations in Redford's adopted home state of Utah.[1] It was entered into the 1972 Cannes Film Festival.[2]
Plot
A jaded veteran of the Mexican War (1846-48), Jeremiah Johnson seeks solace and refuge in the West. He aims to take up the life of a mountain man, supporting himself in the Rocky Mountains as a trapper. His first winter in the mountain country is a difficult one; he has a brief run in with Paints-His-Shirt-Red, a chief of the Crow tribe, who observes a starving Johnson futilely fishing by hand.
Initially, Johnson uses a .30 caliber Hawken rifle for hunting and protection, but finds it under-powered for his needs. He stumbles on the frozen body of Hatchet Jack (another mountain man), clutching a .50 caliber Hawken in his dead hands, which Johnson gladly takes for his own. He then inadvertently disrupts the grizzly bear hunt of the elderly and eccentric "Bear Claw" Chris Lapp. After meeting at gunpoint ("I know who you are; you're the same dumb pilgrim I've been hearin' for twenty days and smellin' for three!"), Lapp takes him in and mentors him on living in the high country. Johnson claims he can skin most anything, so the first lesson is the delivery of a live grizzly bear into Lapp's cabin for Johnson to skin. After a brush with Crow Indians, including Paints-His-Shirt-Red (a friend of Lapp's), and learning the skills required to survive in the mountains, Johnson sets off on his own.
In his travels, he comes across a small cabin whose inhabitants were apparently attacked by Blackfoot warriors, leaving only a woman and her uncommunicative son as survivors. The woman, maddened by grief, forces Johnson to adopt her son. He and the boy (whom Johnson dubs "Caleb") come across Del Gue ("With an E"!), a mountain man in severe disfavor with several local Indian tribes. The bald-headed Gue (Stefan Gierasch) has been robbed and buried up to his neck in the sand by the Blackfoot. Rescued by Johnson, Gue travels with him and Caleb, and they eventually come across a Blackfoot camp.
The two men sneak into the camp in the dead of night to retrieve Gue's possessions, but Gue opens fire with a pistol, and the two mountain men kill the Blackfeet in the ensuing confrontation. Johnson and Gue leave the encampment with Gue taking several Blackfoot horses and scalps. Johnson, disgusted with the needless killing and Gue's actions, turns and goes back for Caleb. Soon afterward, they are surprised by Christianized Flathead Indians, who take them in as guests of honor for their brave deeds. Johnson unknowingly insults the chief by giving him the scalps of the Blackfoot (their mortal enemies); according to Flathead custom, the chief must now give him an even greater gift: his daughter Swan, to be Johnson's bride. After the wedding ceremony (which seems to be a mixture of traditional Native American and Catholic rituals), Del Gue goes off on his own way, and Johnson, Caleb and Swan journey on into the wilderness.
Johnson finds a suitable location to build a cabin and, with the help of the boy and his new wife, settles into this new home. They slowly develop an identity as a family, and Johnson and Swan become genuinely intimate.
Just when his life seems to be turning around, Johnson is pressed into service by the U.S. Army, who persuade him to lead a search party to help save a stranded wagon train. Ignoring Johnson's advice, they take a route through a Crow burial ground; because of this trespass on their sacred ground, the Crow tribe sends a raiding party to kill Swan and Caleb. While returning home through the same burial ground, Johnson senses something amiss when he notices the graves are now adorned with Swan's blue trinkets; he rushes back to the cabin, only to find his family slaughtered.
Johnson (Robert Redford) in the mountains with "Caleb" and Swan.
Johnson sets off after the warriors who killed his family and attacks them, killing all but one- a heavy-set brave who sings his death song when he realizes he cannot outrun his enemy. Johnson leaves him alive to tell of the mountain man's quest for revenge, the tale of which soon spreads throughout the region and traps Johnson in a bloody feud with the Crow nation. The tribe sends its best warriors to kill Johnson; one at a time, he defeats all of them. His legend grows and the Crow come to respect him for his skill, bravery, tenacity and honor.
He meets Del Gue again (now with a full head of hair), who tells Johnson of his growing renown. Johnson returns to the cabin of Caleb's mother, only to find that she is dead and a new settler family is living there. Near the cabin, the Crow have built a monument of sorts to Johnson's bravery and fighting prowess, periodically leaving trinkets and symbolic talismans as tribute.
Johnson and Lapp meet for a final time in late winter or early spring- neither man is quite sure what month it is. A weary Johnson shares the rabbit he is roasting, and Lapp observes, "You've come far, pilgrim," to which Johnson replies, "Feels like far." Lapp asks Johnson "Were it worth the trouble?"; Johnson's ironic, enigmatic reply of "Ah, what trouble?" serves to define both men's characters, each aware of the struggles and losses of the life they have chosen. Lapp reaffirms his preference for life as a mountain man and congratulates Johnson on keeping his head of hair, because so many are after it; his parting words to Johnson - "I hope that you will fare well" - are the last of the film.
The final scene is a wordless encounter with Paints-His-Shirt-Red, Johnson's avowed enemy since mid-film and the presumptive force behind the attacks on Johnson. Several hundred yards apart, Johnson reaches for his rifle for what he thinks will be a final duel, but Paints-His-Shirt-Red raises his arm, open-palmed, in a gesture of peace that Johnson returns, closing the film.
Featured cast
References
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