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Jerry Fielding

 
Artist: Jerry Fielding

Similar Artists:

  • Active: '50s, '60s, '70s, '80s
  • Genres: Jazz
  • Instrumental Pop Instrument: Arranger, Conductor, Main Performer
  • Representative Albums: "The Gauntlet," "Film Music 2," "Film Music"

Biography

Although best remembered for the bold, evocative film scores he composed for tough-guy filmmakers Sam Peckinpah and Clint Eastwood, Jerry Fielding was also a premier arranger of the swing era, later headlining a series of space age pop LPs as well. Born Joshua Feldman in Pittsburgh on June 17, 1922, Fielding was a child prodigy who claimed among his earliest influences Bernard Herrmann's pioneering scores for the radio dramas of Orson Welles. A pupil of theatrical conductor Max Atkins, he was regularly writing arrangements for theatrical pit bands while still in high school, and at 18 was hired by guitar great Alvino Rey. When Rey relocated his musical enterprise from New York City to Los Angeles, he brought Fielding with him and by the mid-'40s he was an in-demand freelance arranger, writing charts for swing icons including Tommy Dorsey, Kay Kyser, and Charlie Barnet. Fielding also wrote extensively for radio, including programs hosted by Hoagy Carmichael, Kate Smith, and the Andrews Sisters, and was eventually named musical director of The Jack Paar Show. By 1952 Fielding helmed his own jazz orchestra, which was the house band on Groucho Marx's popular television game show You Bet Your Life, but as a self-confessed "loudmouthed crusader" who received death threats for hiring African-American musicians, it was inevitable that he would run afoul of Sen. Joseph McCarthy's anti-Communist witch hunts. Called to testify in front of the House Un-American Activities Committee, Fielding took the Fifth Amendment, and his Hollywood career crumbled. Fielding sought refuge in Las Vegas, where he served as musical director for acts including Abbott & Costello and Debbie Reynolds. He also signed a record contract with Decca, cutting a series of jazz-inspired discs including Sweet with a Beat, Swingin' in Hi-Fi, and Fielding's Formula. The emergence of stereo technology galvanized Fielding's efforts, and later LPs including Magnificence in Brass and Near East Brass remain favorites of exotica collectors. With McCarthy's reign of terror finally at an end, Fielding returned to Hollywood in 1962, and at the recommendation of blacklisted screenwriter Dalton Trumbo he was hired to write his first feature score for Otto Preminger's political thriller Advise and Consent. A score rich in atmosphere and melancholy -- two emerging signatures of Fielding's work -- it was followed by a series of lighthearted television efforts including themes for the series Hogan's Heroes and Run Buddy Run. In 1966, he teamed with two-fisted filmmaker Sam Peckinpah for the telefilm Noon Wine, inaugurating an often contentious creative partnership that won Fielding Academy Award nominations for 1969's The Wild Bunch and 1971's Straw Dogs. Fielding also scored several films for Clint Eastwood, earning a third Oscar nomination for his work on 1976's The Outlaw Josey Wales. While in Canada scoring the feature Below the Belt, Fielding suffered a fatal heart attack on February 17, 1980. He was just 57 years old. ~ Jason Ankeny, All Music Guide
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Wikipedia: Jerry Fielding
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Jerry Fielding
Birth name Joshua Itzhak Feldman
Born June 17, 1922(1922-06-17)
Pittsburgh, Pennsylvania, United States
Origin Pittsburgh, Pennsylvania
Died March 17, 1980 (aged 58)
Toronto, Ontario, Canada
Occupations Radio, record, film and television composer, conductor, and musical director


Jerry Fielding (June 17, 1922 - February 17, 1980) was an American radio, record, film and television composer, conductor, and musical director.


Contents

Biography

Childhood and education

Jerry Fielding was born as Joshua Itzhak Feldman to Hiram Harris Feldman and Esther Feldman. After trying the trombone, he took up the clarinet and joined the school band. He was offered a scholarship to the the Carnegie Institute for Instrumentalists. After a short attendance, because of ill health he was bedridden for two years with an undiagnosed ailment. While housebound, he listened to the radio, and became a fan of the big band sound and Bernard Hermann’s music for Orson Welles’s radio dramas.

Arranger and Band Leader

Somewhat recuperated, he worked at Pittsburgh’s Stanley Theater. He worked with Max Atkins (the pit orchestra conductor at the Stanley) who taught him composition and arranging. At the age of seventeen, he left Pittsburgh to work for Alvino Rey’s swing band. His arrangement of Picnic in Purgatory in 1940 became highly popular.

This job ended when most of the band was drafted. He was too frail for service. He became vocal arranger for Lucy Ann Polk’s Town Criers and then joined Kay Kyser’s band. He became their chief arranger in 1945. He also arranged for the big bands of Claude Thornhill, Jimmie Lunceford, Tommy Dorsey, Charlie Barnet, and Les Brown.

Radio work

Fielding arranged for Kyser’s Kollege of Musical Knowledge radio program, and then became the band leader for several radio programs: The Jack Paar Program (1947-1949), The Hardy Family 1952-1953, as well as work on The Life of Riley, and the Sweeney and March Show. He led the band for several years of Groucho Marx’s You Bet Your Life and was also with the television version of You Bet Your Life from 1949-1952. For radio and recording purposes, he formed the Jerry Fielding Orchestra.

Blacklisted in Hollywood

Due to his membership with the Hollywood Writers Mobilization (later the Independent Progressive party, groups considered by some to be communist fronts) he was called before the House Un-American Activities Committee in December 1953. He took the Fifth Amendment, refusing to divulge the names of fellow members, and was then blacklisted by the Hollywood film and television studios. In Las Vegas, Nevada he led a band at the Royal Las Vegas Hotel, and he also toured for the only time with his name orchestra. He also recorded albums for Decca Records including Sweet with a Beat (released 1955) and Fielding’s Formula (1957).

Return to Hollywood

Fielding's Hollywood lockout continued until 1961. In 1962, Otto Preminger selected him for the score of Advise and Consent, his first major film composition.

Television work

Fielding is well known for scoring two episodes of the first Star Trek television series: The Trouble with Tribbles and Spectre of the Gun. He also wrote the title themes for such classic TV shows as McHale's Navy, Hogan's Heroes, Run, Buddy, Run, He & She and The Bionic Woman.

Film composition

While well-known for his scores for such filmmakers as Clint Eastwood, Michael Winner, and Sam Peckinpah, most of which were collaborations in traditionally masculine-themed genres like westerns and action films, Fielding's background in jazz gave him the versatility to produce such diverse works as The Nightcomers (1972), a neo-romantic musical score for acoustic orchestra (reputed to be the work of which he was most proud), to Demon Seed (1977), a startling musical work that included electronic instruments and non-tonal passages.

Personal life

Fielding married twice, first to Kay Kyser band production assistant Ann Parks in December 1946 in Tijuana. The couple adopted two children. This marriage ended in the spring of 1963. His second marriage began on August 6, 1963, to Camille J. Williams, a Las Vegas dancer. They had two children.

He died at the age of 57 from a heart attack followed by congestive heart failure while in Toronto where he was scoring the motion picture Funeral Home. He was survived by wife Camille and two daughters: Claudia and Elizabeth. He is interred in Crypt 30 at Glen Haven Memorial Park in Los Angeles.[1]

Awards and nominations

Year Award Result Category Film or series
1970 Academy Award Nominated Best Music, Original Score for a Motion Picture (not a Musical) The Wild Bunch
1972 Best Music, Original Dramatic Score Straw Dogs
1977 Best Music, Original Score The Outlaw Josey Wales
1980 Emmy Award Outstanding Achievement in Music Composition for a Limited Series or a Special (Dramatic Underscore) High Midnight

References

  1. ^ The Jerry Fielding Papers 1950-1977 at Brigham Young University in the L. Tom Perry Special Collections.

On Saturday November 18th 2009 Jerry fielding was awarded a lifetime achievement award for his composition in "The Wild Bunch" which celebrated it's 35th anniversary.It was received by his daughter Claudia Fielding.

Bibliography

  • Gelfand, Steve. Television Theme Recordings: An Illustrated Discography, 1951-1994. Ann Arbor, MI: Popular Culture, Ink., 1994
  • "Jerry Fielding, Writer of Scores for Movies; Named for 3 Oscars" New York Times, February 19, 1980, page B4.
  • Redman, Nick. “Jerry Fielding” Dictionary of American Biography, Supplement 10: 1976-1980. Charles Scribner's Sons, 1995. Reproduced in Biography Resource Center, Gale, 2008.
  • Terrace, Vincent. Radio Programs, 1924-1984. Jefferson, NC: McFarland, 1999.

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