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Jezebel

 
Movies:

Jezebel

  • Director: William Wyler
  • AMG Rating: starstarstarstar
  • Genre: Drama
  • Movie Type: Period Film, Romantic Drama
  • Themes: Self-Destructive Romance, Unrequited Love
  • Main Cast: Bette Davis, Henry Fonda, George Brent, Margaret Lindsay, Donald Crisp, Fay Bainter
  • Release Year: 1938
  • Country: US
  • Run Time: 105 minutes
  • MPAA Rating: NR

Plot

In 1938, Jezebel was widely regarded as Warner Bros.' "compensation" to Bette Davis for her losing the opportunity to play Scarlett O'Hara in Gone With the Wind. Resemblances between the two properties are inescapable: Jezebel heroine Julie Marsden (Davis) is a headstrong Southern belle not unlike Scarlett (Julie lives in New Orleans rather than Georgia); she loves fiancé Preston Dillard (played by Henry Fonda) but loses him when she makes a public spectacle of herself (to provoke envy in him) by wearing an inappropriate red dress at a ball, just as Scarlett O'Hara brazenly danced with Rhett Butler while still garbed in widow's weeds. There are several other similarities between the works, but it is important to note that Jezebel is set in the 1850s, several years before Gone With the Wind's Civil War milieu; and we must observe that, unlike Scarlett O'Hara, Julie Marsden is humbled by her experiences and ends up giving of her time, energy, and health during a deadly yellow jack outbreak. Bette Davis won an Academy Award for her portrayal of Julie; an additional Oscar went to Fay Bainter for her portrayal of the remonstrative Aunt Belle (she's the one who labels Julie a "jezebel" at a crucial plot point). The offscreen intrigues of Jezebel, including Bette Davis' romantic attachment to director William Wyler and co-star George Brent, have been fully documented elsewhere. Jezebel was based on an old and oft-produced play by Owen Davis Sr. ~ Hal Erickson, All Movie Guide

Review

Jezebel, which wrapped up as Gone With the Wind was entering pre-production, was either Bette Davis' feature-length screen test for Scarlett O'Hara or a consolation prize for not getting the part. Regardless, she handles the title role with the catty, manipulative cruelty that characterized many of her best performances. As her beau, Henry Fonda appears a little uncomfortable in the period piece. Ultimately, the film's success is wrapped around Davis' steely performance and the elegant production values: it is filmed in evocative black-and-white, and the cinematography uses light and shadow to build texture and mood and to help us forget that Davis' scandalous red dress is left up to our imaginations. Composer Max Steiner's music (he also composed the score for Gone With the Wind) is atmospherically effective. The film's study of the conventions and gender roles of the antebellum South occasionally makes the film feel more like a socio-historical document than a drama. Jezebel was nominated for five Academy Awards, including Best Picture, winning for Davis and for Fay Bainter as her aunt. ~ Dan Jardine, All Movie Guide

Cast

Richard Cromwell - Ted Dillard; Henry O'Neill - Gen. Theopholus Bogardus; Spring Byington - Mrs. Kendrick; John Litel - Jean La Cour; Gordon Oliver - Dick Allen; Janet Shaw - Molly Allen; Theresa Harris - Zette; Margaret Early - Stephanie Kendrick; Irving Pichel - Huger; Lou Payton - Uncle Cato; Eddie "Rochester" Anderson - Gros Bat; Trevor Bardette - Sheriff at Plantation; Matthew "Stymie" Beard - Ti Bat; Al Bridge - New Orleans Sheriff; Frederick Burton - First Director; Georgia Caine - Mrs. Petion; Davison Clark - Deputy Sheriff; Ann Codee - Mme. Poulard the Dressmaker; Frank Darien - Bank Bookkeeper; Jesse Graves - Black Servant; John Harron - Jenkins; Philip Hurlic - Erronens; Sam McDaniel - Driver; Edward McWade - Second Director; Louis Mercier - Bar Companion; Charles B. Middleton - Officer; Tony Paton - Drunk; Georges Renavent - De Lautrec; Charles Wagenheim - Customer; George Guhl - Fugitive Planter; Maurice Brierre - Drunk; Daisy Bufford - Black Flower Girl; Jack George - Orchestra leader; Jacques Vanaire - Durette; Suzanne Dulier - Midinette; Fred Lawrence - Bob

Credit

Robert M. Haas - Art Director, Henry Blanke - Associate Producer, Orry-Kelly - Costume Designer, Orry Kelly - Costume Designer, William Wyler - Director, Warren Low - Editor, Hal B. Wallis - Executive Producer, Max Steiner - Composer (Music Score), Leo F. Forbstein - Musical Direction/Supervision, Alexis Dubin - Songwriter, Johnny Mercer - Songwriter, Harry Warren - Songwriter, Ernest Haller - Cinematographer, Abem Finkel - Screenwriter, John Huston - Screenwriter, Clements Ripley - Screenwriter, Robert Bruckner - Screenwriter, Owen Davis, Sr. - Play Author

Similar Movies

Doctor Zhivago; Gone With the Wind; The Letter; The Little Foxes; The Magnificent Ambersons; Mr. Skeffington
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Wikipedia: Jezebel (film)
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Jezebel

Theatrical poster
Directed by William Wyler
Produced by Executive Producer:
Hal B. Wallis
Producer:
William Wyler
Written by Clements Ripley
Abem Finkel
John Huston
Robert Buckner
Story:
Owen Davis
Starring Bette Davis
Henry Fonda
George Brent
Music by Max Steiner
Cinematography Ernest Haller
Editing by Warren Low
Distributed by Warner Bros.
Release date(s) March 10, 1938
Running time 103 minutes
Country  United States
Language English

Jezebel is an American drama film released in 1938 and directed by William Wyler. It stars Bette Davis and Henry Fonda, supported by George Brent, Margaret Lindsay, Donald Crisp, Richard Cromwell, and Fay Bainter. The film was adapted by Clements Ripley, Abem Finkel, John Huston and Robert Buckner, from the play by Owen Davis, Sr.

The picture tells the story of a headstrong young Southern woman during the Antebellum period whose actions cost her the man she loves.

Contents

Plot

Spoiled, strong-willed New Orleans belle Julie Marsden (Bette Davis) is engaged to banker Preston 'Pres' Dillard (Henry Fonda). In retaliation for Pres refusing to drop his work and accompany her while she shops for a dress, she orders a brazen red one for the most important ball of the year, one where white dresses for unmarried women are expected. All of Julie's friends are shocked, but no one can convince her to give up her whim.

Fonda and Davis

Pres escorts Julie to the Olympus Ball, where their entrance is met by the disdainful stares of all present. She finally realizes the magnitude of her social blunder and begs Pres to take her away, but by this time, he is implacable. He makes her dance with him. All the other couples gradually leave the floor, finally leaving them alone and isolated. When the orchestra conductor stops playing, Pres orders him to continue and they finish the dance.

Afterwards, Pres takes his leave of Julie, implicitly breaking their engagement. In a final bit of spite, Julie slaps him in the face by way of farewell. Aunt Belle Massey (Fay Bainter) urges her to go after Pres and beg his forgiveness, but she refuses, arrogantly confident that he will return to her. Instead, he goes north on business. Julie shuts herself up in her house and refuses to see visitors.

A year later, Pres finally returns, to help Dr. Livingstone (Donald Crisp) try to convince the city authorities to take measures against an outbreak of yellow fever. Before Pres can stop her, Julie humbles herself and begs for his forgiveness and a return of his love. Then Pres introduces her to his Northern wife Amy (Margaret Lindsay).

Julie then eggs on her admirer, skilled duellist Buck Cantrell (George Brent), to quarrel with Pres, but the scheme goes awry. Pres's inexperienced brother Ted (Richard Cromwell) is the one who is goaded into challenging Buck. In an unexpected twist, Ted emerges victorious; Buck is fatally shot.

Then something happens that overshadows everything else. As Pres and Dr. Livingstone had feared, a deadly epidemic of yellow fever sweeps the city, as it had numerous times before. Pres comes down with it and, like all other victims, is to be quarantined on an island. Amy prepares to go along to care for him, risking her own life, but Julie stops her. She tells the Northerner that she doesn't know how to deal with the slaves and Southerners on the island. She begs to go in her place, as an act of redemption. Amy agrees.

Background

Some claim[citation needed] this film was developed as a vehicle for Bette Davis after she failed to win the part of Scarlett O'Hara in Gone with the Wind. However, the movie was filmed and released in 1938, before the part of Scarlett was even cast for the latter film - which was released in 1939. That said, it would have been a classic bit of stiff competition between rival studios for Warner Brothers to produce a film with some minor but marked similarities a year in advance of Selznick's. In addition, Warner offered Davis's services to Selznick, along with Errol Flynn and Olivia DeHavilland (who did appear in the picture). But despite a radio poll showing Bette Davis the audience favourite for the role, Selznick did not consider her suitable for it.[1]

Main cast and characters

Bette Davis in Jezebel trailer 1.jpg Bette Davis as Julie Marsden Henry Fonda in Jezebel trailer.jpg Henry Fonda as Preston Dillard
George Brent in Jezebel trailer.jpg George Brent as Buck Cantrell Donald Crisp in Jezebel trailer.jpg Donald Crisp as Dr. Livingstone
Fay Bainter in Jezebel trailer.jpg Fay Bainter as Aunt Belle Massey

Awards

Wins

Nominations

Adaptations

The movie was adapted into the March 30, 1946 episode of the 60 minute radio program Academy Award Theater, with Bette Davis in the title role. Bette Davis also reprised the role on the August 12, 1949 episode of Screen Director's Playhouse. On October 27, 1940 it was adapted to The Screen Guild Theater with Jean Arthur. On November 27, 1940 it was adapted to Lux Radio Theater with Loretta Young.

DVD commentary

In 2006, film historian Jeanine Basinger recorded a comprehensive scene-by-scene commentary as part of the re-issued DVD of the film. In her commentary about Davis, Basinger relates that this film is distinctive in the realm of women's pictures because of Orry-Kelly's brilliant costume designs for the actress. Basinger states that the viewer is compelled to watch Davis in four stylings in particular: the riding crop/outfit in the beginning of the film, the scandalous scarlet red dress at the Olympus Ball, the virginal white dress she wears when she attempts to woo back Henry Fonda, and finally the cape at the end of the film she dons when she must go to help care for Fonda. In Basinger's opinion, this was the performance at the height of Davis's career and that Jezebel is the quintessential American "woman's" film. The movie was filmed in black-and-white. But audiences were struck by the strong colors of the movie posters as they entered the theater. This stayed with them as they viewed the film. And the 'scarlet' red dress was most vivid of all despite being basically a shade of gray on the screen. The reference to the Old Testament character 'Jezebel' also heightened the movie experience for period audiences familiar with the Bible.

See also

References

  • Dunning, John (1998). On the Air: The Encyclopedia of Old-Time Radio. New York: Oxford University Press. ISBN 0-19-507678-8. .

Footnotes

  1. ^ Haver, Ronald (1980). David O. Selznick's Hollywood. Bonanza Books. p. 243. ISBN 0-517-47665-7. 

External links


 
 
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