Jianghu
The Jiānghú (江湖; Cantonese: gong woo) world is the milieu, environment, or sub-community, often fictional, in which many Chinese classical wuxia stories are set. The term can be translated literally as "rivers and lakes". Jianghu is an alternative universe coexisting with the actual historical one in which the context of the wuxia genre was set. Each wuxia novel has its own Jianghu setting although in the trilogy like Jin Yong's Condor series it will be one with continuity; whereas Gu Long's Jianghu would be distinct in every novel.
The concept of Jianghu can be traced to the 14th century novel Water Margin (traditional Chinese: 水滸傳; simplified Chinese: 水浒传), in which a band of noble outlaws retreated to their hideout who mounted regular sorties in an attempt to right the wrongs of the corrupt officials. These bandits were called the Chivalrous men of the Green Forests or 綠林好漢, the green forest was the antecedent to Jianghu.
One of the earliest coinage of Jianghu was by a dejected poet Fan Zhongyan 范仲淹 (989—1052 CE) in the Song Dynasty in his poem 岳陽樓記 (sees reference), in which the context of Jianghu was set out as distant to the courts and temples, meaning a world in its own right.
Premises in Jianghu
It is a tacit assumption in many wuxia novels that the law and order in the actual historical setting were dysfunctional or poor, like the change of dynastic China from Song Dynasty to Yuan Dynasty, to Ming Dynasty and to Qing Dynasty, periods in time correlating to tremendous upheavals and turmoil in the society. In Louis Cha's novels the dysfunctionality can come in two levels- law and order broken down locally within China and secondly, the sovereignty of China came to be challenged by invaders. Localised disorder is the predicate where the chivalry and the code of xia will be much needed to mend the ills of the world. The second layer of dysfunctionality in Cha's work would then become setting to showcase the patriotism and loyalty of the protagonists to their epoch or their emperors.
Integral to Jianghu is the smaller circle of martial arts practitioners usually including the protagonists called Wulin.
Morality in Jianghu
A strong element in the structure of Jianghu, is the line between Good and Evil, Right and Wrong are crystal clear, it is absolute. With some exceptions in Gu Long's work, protagonist in wuxia novels usually represent the right side of the law and ethos, their nemesis the opposite. It is here that theories abound on Star Wars's philosophy of the Jedi knights were based on that of xia and the setting of Jiang Hu in this genre. The absolute definition of morality in wuxia is understandably a reaction to the real world where it is quite so clear what or who is purely good or otherwise, consider the context and the historicity of Hong Kong at the time of Louis Cha's work.
Code of xia is also absolute with the exception of one profession within Jianghu, which is the security-bodyguard equivalent biaohang, who are for-hire xia for delivery of goods or escort services. This is the closest equivalent to the bushido sammurai or the soldier of fortune in the Jianghu world. The modus operandi of all other xia in Jianghu is on en and yan.
Wulin
Wulin 武林 is a term referring to the smaller subset world within Jianghu, consists of up martial arts practioners, good or bad, including the protagonists and their nemesis. Participants of wulin are clearly differentiated from those within Jianghu, in that they know some form of wushu or martial arts. Plurality and morality of its participants matter less. And the way to differentiate the good from the bad within wulin is the code of xia, those who adhere to it good, otherwise bad.
The standard of morality within wulin is less vigorous than that of Jianghu or in the historical setting. Killers or murderers could live and exist in wulin with bad reputations(until someone right their wrongs). In many wuxia novels, many seemingly uprighteous masters harbour seedy ambitions eventually turning them into dark personalities. These characters are in fact real-life approximations and reflections of politicians and lobbyists, where the truths are in shades of grays, instead of the absolute black or white.
Wulin is represented by the major schools including Shaolin, Wudang, Ermei to name some and it differs from authors and epochs. The different schools are looked up to, and usually act as the elder advisors to the smaller elite circle within wulin. Every now and again Wulin needs to have a champion, a general to lead the collective resources of wulin participants for China. A wulin mengzu will sometimes be nominated and voted for this role. Typically but not always, the protagonist will become this leader and command the actions of wulin.
Jianghu Today
In modern days, the term jianghu can take on several meanings, including different professions and sometimes used to refer to the triads and the secret societies of gangsters.
Reference
Last paragraph in 岳陽樓記...嗟夫!予嘗求古仁人之心,或異二者之為,何哉?不以物喜,不以己悲,居廟堂之高,則憂其民;處江湖之遠,則憂其君。是進亦憂,退亦憂;然則何時而樂耶?其必曰:“先天下之憂而憂,後天下之樂而樂矣!”噫!微斯人,吾誰與歸!
External links
- Jiang Hu: Chinese Martial Underworld
- Wuxia Fiction: An Introduction to the Wuxia Genre
- Uncovering Wuxia Jargon
See also
This entry is from Wikipedia, the leading user-contributed encyclopedia. It may not have been reviewed by professional editors (see full disclaimer)





