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Jim Ford

 
Artist: Jim Ford
  • Died: November 18, 2007
  • Active: '60s, '70s
  • Genres: Rock
  • Instrument: Vocals
  • Representative Albums: "The Sounds of Our Time," "Point of No Return," "Harlan County"
  • Representative Songs: "Harlan County," "I'm Gonna Make Her Love Me," "Long Road Ahead"

Biography

Originally from New Orleans, Jim Ford lost interest in his academic pursuits and, in 1966, drifted out to California. He was passing through L.A., on his way to the Haight-Ashbury district in San Francisco, when he met two session musicians, Pat and Lolly Vegas. The Native American rockers -- who later formed the commercially successful Redbone -- had worked on the Shindig television show at the time, and had already recorded their Pat and Lolly Vegas at the Haunted House album for Mercury. After hearing his songwriting talent first-hand, the Vegas brothers brought Ford to the attention of Del-Fi Records' honcho Bob Keane, known around the L.A. music scene for his "open door policy." Keane released a couple of Ford's singles on Del-Fi's Mustang label, both of which sank without a trace. Del-Fi/Bronco recording artist Viola Wills also recorded one of his songs. Along with Pat and Lolly Vegas, Ford wrote the P.J. Proby hit "Niki Hoeky" (it peaked at number 23 on Billboard's pop charts in January 1967), which Ford's former girlfriend Bobbie Gentry also sang on one of her later albums. In 1969, Ford got the opportunity to record his debut album. Harlan County (released on the Sundown label, a small subsidiary of White Whale) featured funky, mid-tempo country, and R&B-flavored rockers with a driving Muscle Shoals-style rhythm section, with backing and arrangements by the Vegas brothers and Gene Page.

Most of Ford's original songs had a lyrical narrative recalling the hardship of growing up in the coal-mining country of Harlan County, KY. Among the various highlights are his fuzz-drenched cover version of Willie Dixon's "Spoonful," his take on Delaney & Bonnie's hip-shake boogie "Long Road Ahead," and a remake of the swampy classic "I'm Gonna Make Her Love Me ('Til the Cows Come Home)." In 1971, Ford's manager, Si Waronker (founder of Liberty Records), flew his artist to London, where he was booked into Olympic Studios to record a follow-up album. This time he was backed by pub rockers Brinsley Schwartz (they later recorded "Niki Hoeky" and Ford's "Ju Ju Man"; Nick Lowe also recorded Ford's "36 Inches High" for his Jesus of Cool album). After three days of sessions, the band failed to keep up to the challenge of backing Ford, so Waronker brought in Joe Cocker's Grease Band, but they too didn't work out. As the project never did quite meet up to everyone's expectations, it was eventually aborted. The tapes for these sessions have reportedly disappeared.

Ford returned to the U.S. and his career never really took off as expected. He wrote songs for Bobby Womack in 1972 (including the wonderful "Harry Hippie"), and later worked with friend Sly Stone (he even moved into Stone's Holmby Hills home for awhile), but since the early '70s, Ford has slipped out of sight. Harlan County was reissued on the British Edsel label in 1997. ~ Bryan Thomas, All Music Guide
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