Results for Jock Tamson's Bairns
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Jock Tamson's Bairns

  • Genre: Celtic
  • Active: '80s, '90s, 2000s
  • Major Members: John Croall, Adam Jack, Norman Chalmers, Rod Paterson, Jack Evans, Ian Hardie

Biography

Although they remained together only a short time in the initial stage of their career, Jock Tamson's Bairns became one of the most acclaimed traditional Scottish bands of the last two decades of the 20th century, with luminaries like Alasdair Fraser and Richard Thompson counting themselves as admirers. Formed in Edinburgh in the late '70s, the group took its name from the Scottish saying "we're all Jock Tamson's Bairns," meaning that people are all essentially the same. The Bairns grew out of the Scots band Chorda, which played frequently in the Sandy Bells Pub, the center of a thriving scene of Scottish musicians, writers, and artists inspired to re-examine the traditions of their homeland -- partly by their nearby university studies, and partly (on the musical end) by the way the Chieftains were doing much the same thing in Ireland. Rod Paterson (vocals, guitars), John Croall (whistle, bodhran), and Norman Chalmers (concertina, accordion) all played on the 1977 concert document Sandy Bells Ceilidh as part of Chorda, and they decided to keep playing together once that group disbanded. Adding guitarist/vocalist Tony Cuffe (ex-Alba), Welsh guitarist Jack Evans, fiddler/vocalist Adam Jack (also of Chorda), and fiddler Ian Hardie, the newly constituted Bairns signed with Robin Morton's Temple label and recorded a self-titled debut album, which was released in 1980. The Bairns toured Scotland heavily in support, but personnel shifts ensued in short order -- Cuffe left to join Ossian, while Jack was replaced by ex-Chorda fiddler Derek Hoy. Cuffe, Chalmers, Hoy, and Paterson all provided instrumental backing for reader Billy Kay on a 1981 tribute to Scottish poet Robert Fergusson, Fergusson's Auld Reikie. Then, in 1982, the Bairns signed with the Topic label and released their landmark masterpiece, The Lasses Fashion, a spirited recording which drew from across the spectrum of traditional Scottish music. Abruptly, however, Jock Tamson's Bairns went on a long hiatus starting in 1983, with most of its members moving on to other projects. Paterson, Chalmers, and Evans formed the Easy Club, with the latter two soon moving on to the more progressive Cauld Blast Orchestra, and Paterson to Ceolbeg. (Chalmers eventually began teaching collegiate courses on Scottish music as well.) Hoy and Hardie, meanwhile, both played in dance bands (Bella McNab and the Occasionals, respectively), among other projects. In 1996, the Bairns reunited with a lineup of Paterson, Chalmers, Hoy, Hardie, and Choall (no Evans) and began performing live once again. That same year, the Greentrax label reissued the Bairns' two '80s albums on a CD two-fer titled A' Jock Tamson's Bairns. Finally, in 2001, the Bairns recorded and released their third album, May Ye Never Lack a Scone, also for Greentrax; also under their belts were their first international touring appearances. ~ Steve Huey, All Music Guide

Representative Albums:

Jock Tamson's Bairns, May Ye Never Lack a Scone, Traditional Music & Song

Similar Artists:

Dick Gaughan

Influences:

The Chieftains
 
 
Discography: Jock Tamson's Bairns

May Ye Never Lack a Scone

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Wikipedia: Jock Tamson's Bairns

"We're aw Jock Tamson's Bairns" (Lowland Scots for we're all John Thomson's children) is a saying in Scotland and is known in other parts of the world. Nowadays, the phrase is often used to mean "we're all the same under the skin".

It has been suggested as a euphemism for God, so the saying could mean "we are all God's children". Scottish Gaelic also has the shorter saying "Clann MhicTamhais" (Thomson/MacTavish's children/clan). This is a common egalitarian sentiment in Scottish national identity, also evident in the popularity of the Robert Burns song A Man's A Man for A' That.

Although Jock Tamson's Bairns is used as a personification of the Scots nation, it is also used to refer to the human race in general.[1]

It is also used when people think one of their number is showing off, or considers himself better than his peers: "Who does he think he is? We're all Jock Tamson's bairns."[2] The downside of this egalitarianism is the traditional lack of acceptance of anyone from a small community who moves on and up, socially or professionally, even if they display no conceit. "Too good for us now, are ye?"

One possible explanation of this phrase is that the Reverend John Thomson (Jock Tamson, Thamson), minister of Duddingston Kirk, Edinburgh, from 1805 to 1840, called the members of his congregation "ma bairns" ((English: 'my children') and this resulted in folk saying "we're a' Jock Tamson's bairns" which gave a sense of belonging to a select group.

"Jock Tamson" (John Thomson) would have also been a very common Scottish name, and would have been equivalent to such phrases as "John Doe", "John Smith", "Joe Bloggs" etc.

See also

Sources

References

  1. ^ DSL: "the human race, common humanity; also, with less universal force, a group of people united by a common sentiment, interest or purpose".
  2. ^ DSL quotes Anna Blair's Scottish Tales (1990): "eight silly men saw themselves at last as being all Jock Tamson’s bairns together, and none abune [above] the rest".

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