Career Highlights: Richard Pryor: Live on the Sunset Strip, Annie, Thoroughly Modern Millie
First Major Screen Credit: Thoroughly Modern Millie (1967)
Biography
Choreographer, producer, director, and writer Joe Layton found success on Broadway, television, and in feature films. Renowned for setting up spectacular live concerts, Layton was especially adept at stage work and over his career won Tonys for choreographing No Strings (1962) and George M! (1969). In 1965, Layton won an Emmy for staging the television special My Name Is Barbra, the show that introduced the world to the sophisticated side of Barbra Streisand. He would later create three more specials for Streisand. Born Joseph Lichtman in New York City, Layton launched his career in 1959 when he directed and choreographed the first run of Once Upon a Mattress, the show that made Carol Burnett a star. The same year, he put on The Sound of Music, which starred Mary Martin, and the Anthony Perkins play Greenwillow. In 1960, he worked with Martin again, this time on television, on her much-loved Thanksgiving Day Special. Layton broke into films as the dance director for Thoroughly Modern Millie (1967) and executive produced the screen version of Annie (1982). Layton worked with Bette Midler on several major projects, including her live Clams on the Half Shell Revue and the choreography for her ill-received tribute to the USO, For the Boys (1991). ~ Sandra Brennan, All Movie Guide
In 1965, Layton won an Emmy Award for his work on My Name Is Barbra, the television special that introduced the public to the more sophisticated side of Barbra Streisand. It was his first of four collaborations with the star; the others were Color Me Barbra (1966), The Belle of 14th Street (1967) and Barbra Streisand ... And Other Musical Instruments (1973).
Layton broke into films as the dance director for Thoroughly Modern Millie in 1967. He executive produced the film version of Annie (1982) and reunited with Midler to choreograph For the Boys (1991).
Joe Layton also choreographed a ballet for the Sadlers Wells Royal Ballet, London titled "Grand Tour" which received critical acclaim as well as a warm reception from the audiences around the UK.
1980 Drama Desk Award for Outstanding Director of a Musical – Barnum
References
^Shulman, Arthur; Youman, Roger (1966). "Chapter V — They Called Them Spectaculars". How Sweet It Was — Television: A Pictorial Commentary. New York: Bonanza Books, a division of Crown Publishers, Inc., by arrangement with Shorecrest, Inc..
^Kaplan, Mike, ed (1985). Variety Presents the Complete Book of Major U.S. Show Business Awards. New York: Garland Publishing, Inc.. p. 282. ISBN0-8240-8919-7.