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Johann Friedrich Reichardt

 
Music Encyclopedia: Johann Friedrich Reichardt

(b Königsberg, 25 Nov 1752; d Giebichenstein, 27 June 1814). German composer and writer on music. A virtuoso violinist and fine keyboard player, he toured north Germany and Bohemia in 1771-4. After a year as a government official, he became Kapellmeister to the royal Berlin opera in 1775. While traditional Italian opera predominated there, his own works were mostly staged elsewhere; later he had successes at Berlin with German works, notably his Singspiel Claudine von Villa Bella (1789, libretto by Goethe). Meanwhile he continued to travel and to meet leading artists and intellectuals. He founded the Berlin Concert Spirituel in 1783. Latterly he grew unpopular at court and in 1794 he was dismissed. He worked briefly at Kassel and visited Vienna, but died largely forgotten.

Reichardt composed chiefly vocal music. His c1500 songs are early Romantic in spirit, and depart from the plain style of the Berlin school, ranging from folklike settings to near-operatic scenes. In his c30 dramatic works he abandoned the older styles of opera seria for forward-looking Italian opera and German forms. He also wrote incidental music (e.g. for Macbeth, 1787), ballets, oratorios, cantatas, sacred music and many instrumental works (most for keyboard). Also important are his many writings, notably the Briefe eines aufmerksamen Reisenden (1774-6), based on his travel notes and letters. As editor of the Musikalisches Kunstmagazin (1782-91) he was a pioneer of modern music journalism.

Reichardt's daughter Louise (1779-1826) was a singing teacher and chorus director in Hamburg, and a popular composer of songs and choruses.



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German Literature Companion: Johann Friedrich Reichardt
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Reichardt, Johann Friedrich (Königsberg, 1752-1814, Giebichenstein, Halle), was appointed master of the royal music to Friedrich II of Prussia in 1775, but was dismissed by his successor Friedrich Wilhelm II in 1794. He spent the rest of his life on his estate near Halle. He was on friendly terms with Goethe except in the years 1795 to 1801, when his pro-revolutionary opinions (which were also responsible for his difficulties at the Prussian court) led to an estrangement. He set to music 128 songs by Goethe as well as the Singspiele Claudine von Villa Bella, Erwin und Elmire, and Jery und Bätely.

Reichardt also composed operas and orchestral and instrumental works. He was an active writer on music and is the author of a book on the young Handel, G. F. Händels Jugend (1785, reissued in 1959 in the Händel-Jahrbuch, vol. 5), and of readable works of criticism and comment including Briefe eines aufmerksamen Reisenden, die Musik betreffend (1774-6), Vertraute Briefe aus Paris, geschrieben 1802 und 1803 (1804-5), and Vertraute Briefe, geschrieben auf einer Reise nach Wien und den Österreichischen Staaten zu Ende des Jahres 1808 und zu Anfang 1809 (2 vols., 1810; ed. G. Gugitz, 1915). He edited at different times several musical journals, one of which included his autobiography; this was reprinted, ed. W. Zentner, in 1940.

Wikipedia: Johann Friedrich Reichardt
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Johann Friedrich Reichardt

Johann Friedrich Reichardt (November 25, 1752 – June 27, 1814) was a German composer, writer and music critic.

Contents

Early life

Reichardt was born in Königsberg, East Prussia, to lutenist and Stadtmusiker Johann Reichardt (1720–1780). Johann Friedrich began his musical training, in violin, keyboard, and lute, as a child. He was a student of Timofey Belogradsky, who in turn was a student of Sylvius Leopold Weiss. When Reichardt was ten years old, his father took the choir in which he sang, the "Wunderknaben", on a concert tour in East Prussia.

After being encouraged by Immanuel Kant, Reichardt later studied Jurisprudence and Philosophy in his hometown and in Leipzig from 1769 to 1771. In 1771, he escaped civil service by embarking on a Sturm-und-Drang tour as a virtuoso. He returned to Königsberg in 1774 and became the Kammersekretär (Chamber Secretary) in Ragnit. After Reichardt sent his opera Le feste galanti as a sample piece to Friedrich II, he was appointed to the position of the Royal Prussian Court Kapellmeister, a position previously held by Carl Heinrich Graun. Two years later he already withdrew from the job and married the singer, pianist and Lieder composer Juliane Benda, a daughter of Georg Anton Benda. Of their progeny was one daughter, Louise Reichardt (April 11, 1779, Berlin – November 17, 1826, Hamburg), who became a noted songwriter, and a son, Wilhelm (1777–1782).

Later career

On the return from his first trip to Italy in 1783, Reichardt stopped in Vienna, where he met Kaiser Joseph II and Christoph Willibald Gluck. Further musical trips to France and England did not produce anticipated success, he therefore returned unwillingly to Berlin. In 1786, he developed close friendships with Johann Wolfgang von Goethe, Johann Gottfried Herder, Friedrich Schiller and Johann Georg Hamann.

Further attempts to gain new ground in Paris failed, yet he had become zealous with revolutionary ideas. After the appearance of his Vertrauten Briefe (Intimate Letters) in 1792, he was released in 1794 without pay from his position as Court Kapellmeister for being sympathetic to the French Revolution. He lived first in Hamburg, where he released the journal Frankreich, but from 1794, he lived in Giebichenstein near Halle. In 1796, he was pardoned for his support of the revolution and appointed to the post of the director of the saline (salt mine) in Halle. From there, he often traveled to Berlin to lead the premieres of his compositions.

Another trip to Paris in 1802 lessened his fascination for the French and French politics considerably: he became an opponent of Napoleon. Four years later, when his manor was plundered by French troops, he fled to Danzig where he was active as a patriot and freedom fighter. Napoleon's brother Jérôme, located in Kassel, allowed Reichardt to return and named him to Theater Director in 1807. This lasted only nine months. In November 1809, he traveled to Vienna looking for success. After experiencing the music of Haydn, Mozart and Beethoven, he became receptive to the Viennese Classic, although he was too late. However, he soon returned to Giebichenstein where he died alone, from a gastric illness. His stage works were quickly forgotten after his death but his strophic Lieder and Ballads im Volkston (in folk style) enjoyed considerable popularity throughout the 19th century, aided by the Wandervogel movement.

Works

Much of Reichardt's reputation as a composer rests on his Lieder that number about 1500, using texts by some 125 poets. Important among these are the settings of Goethe's texts, some of which were known to, and influenced, Schubert. He was also known by his Singspiele, a genre that he refined with Goethe's support. He also wrote 49 songs to Herder's texts. Aside from his music, his work as an essayist has maintained its value up to this day. The collection of poems Des Knaben Wunderhorn is, in the epilogue, dedicated to Reichardt. This was probably in the expectation that he would set the text to music. However, such a setting from Reichardt was never composed.

Stage works

See List of works for the stage by Reichardt.

Writings

  • Briefe eines aufmerksamen Reisenden, die Musik betreffend (1774-76) (Letters of an observant traveler, as it pertains to music)
  • Über die deutsche komische Oper (1774) (About German Comic opera)
  • Musikalische Kunstmagazin (1781–1792) (Musical Art Magazine)
  • Studien für Tonkünstler und Musikfreunde (1793) (Studies for musicians and music enthusiasts)
  • Vertraute Briefe aus Paris (1804) (Intimate letters from Paris)
  • Vertraute Briefe aus Wien (1810) (Intimate letters from Vienna)
  • Other writings on music and his travels

References

This article incorporates information from the equivalent article on the German Wikipedia.
  • Warrack, John and West, Ewan (1992), The Oxford Dictionary of Opera, 782 pages, ISBN 0-19-869164-5

External links


 
 

 

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Music Encyclopedia. The Concise Grove Dictionary of Music. Copyright © 1994 by Oxford University Press, Inc.. All rights reserved.  Read more
German Literature Companion. The Oxford Companion to German Literature. Copyright © 1976, 1986, 1997, 2005 by Oxford University Press. All rights reserved.  Read more
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