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Johann Moritz Rugendas

 
Art Encyclopedia: Johann Moritz Rugendas

(b Augsburg, 29 March 1802; d Weilheim, 29 May 1858). Great-great-grandson of (1) Georg Philipp Rugendas I. He studied first with his father, the engraver Johann Lorenz Rugendas II, and in 1817 went on to further study under Lorenzo Quaglio at the Akademie der Bildenden K?nste in Munich. He travelled to Brazil in 1821 as draughtsman with the Russian diplomat Baron de Langsdorff's scientific expedition. However, instead of remaining with the expedition for the whole trip, he preferred to discover on his own the different Brazilian provinces, recording types, costumes and landscapes in Romantic visions full of contrasts, action and exoticism. On his return to Europe in 1825 he brought with him an extraordinarily rich collection of drawings, some hundred of which were reproduced as lithographs and published in Paris by Godefroy Engelmann as Voyage pittoresque au Br?sil (1827-35) with a text by Colbery in French and German. Encouraged by the German scientist and explorer Alexander von Humboldt, Rugendas left for Latin America again in 1831, living until 1845 in Mexico and Chile with shorter stays in Argentina, Peru, Bolivia and Uruguay. In each of these countries he made numerous paintings and drawings which, like his Brazilian collection, are now dispersed in museums and private collections throughout Europe and Latin America. He returned to Bavaria, where nearly 3000 drawings and paintings were acquired by the local government, but he then went back to live in Brazil between 1845 and 1846. He took part in exhibitions in Rio de Janeiro and painted the portrait of Peter II (1846; Petr?polis, Mus. Imperial) and other members of the Brazilian imperial family (Rio de Janeiro, Mus. N. B.A. and Petr?polis, Mus. Imperial). The interest aroused by his work led to the re-use in 1830 of some of the plates from Voyage pittoresque au Br?sil as a panorama sold commercially as wallpaper by the Zuber company of Rixheim in Alsace. Decoration inspired by his scenes of the Brazilian jungle was also used on several pieces of a porcelain dinner-service commissioned by Louis-Philippe, King of France, from the S?vres factory.

Part of the Rugendas family

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Rugendas
Costumes in Rio, 1823
Slave hunter, 1823
Indians in a farm, 1824
Capoeira or the Dance of War(1835).

Johann Moritz Rugendas (March 29, 1802 Augsburg, Germany - May 29, 1858, Weilheim an der Teck, Germany), was a German painter, famous for his works depicting landscapes and ethnographic subjects in several countries in the Americas, in the first half of the 19th century.

Rugendas was born to the seventh generation of a family of noted painters and engravers of Augsburg (he was a grandson of Georg Philipp Rugendas, 1666-1742, a celebrated painter of battles), and studied drawing and engraving with his father, Johann Lorenz Rugendas II (1775-1826). From 1815 to 1817 he studied with Albrecht Adam (1786-1862), and later in the Academy de Arts of Munich, with Lorenzo Quaglio II (1793-1869).

Inspired by the artistic work of Thomas Ender (1793-1875) and the travel accounts in the tropics by Austrian naturalists Johann Baptist von Spix (1781-1826) and Carl von Martius (1794-1868), Rugendas arrived in Brazil in 1821, where he was soon hired as an illustrator for Baron von Langsdorff's scientific expedition to Minas Gerais and São Paulo. Langsdorff was the consul-general of the Russian Empire in Brazil and had a farm in the northern region of Rio de Janeiro, where Rugendas went to live with other members of the expedition. In this capacity, Rugendas visited the Serra da Mantiqueira and the historical towns of Barbacena, São João del Rei, Mariana, Ouro Preto, Caeté, Sabará and Santa Luzia.

Just before the fluvial phase of the expedition started (a fateful journey to the Amazon), he became alienated from von Langsdorff, left the expedition and was replaced by the artists Adrien Taunay and Hércules Florence. However, Rugendas remained on his own in Brazil until 1825, exploring and recording his many impressions of daily life in the provinces of Mato Grosso, Pernambuco, Bahia, Espírito Santo and Rio de Janeiro. He produced mostly drawings and watercolors.

Returning to Europe between 1825 and 1828, Rugendas lived successively in Paris, Augsburg and Munich, with the aim of learning new art techniques, such as oil painting. There, he published from 1827 to 1835, with the help of Victor Aimé Huber, his monumental book Voyage Pittoresque dans le Brésil (Picturesque Voyage to Brazil), with more than 100 illustrations, which became one of the most important documents about Brazil in the 19th century. He also studied in Italy, visiting Pisa, Florence, Rome, Naples, Venice and Sicily.

Inspired again by a noted explorer and naturalist, Alexander Humboldt (1769-1859), whom he once met, Rugendas sought financial support for a much more ambitious project of recording pictorially the life and nature of Latin America; in his words "an endeavour to truly become the illustrator of life in the New World". In 1831 he travelled first to Haiti, and then to Mexico. He began to use oil painting there, with excellent results. Unfortunately, Rugendas was incarcerated and expelled from the country after he became involved in a failed coup against Mexico's president, Anastasio Bustamante, in 1834.

From 1834 to 1844 he travelled to Chile, Argentina, Uruguay, Peru and Bolivia, and finally went back to Rio de Janeiro, in 1845. Well-accepted and feted by the court of Emperor Dom Pedro II, he executed portraits of several members of the royal court and participated in an artistic exposition.

In 1846, at 44 years of age, Rugendas departed to Europe, never to return to Latin America. King Maximilian II of Bavaria acquired most of his works in exchange for a life pension. His painting "Columbus taking Possession of the New World" (1855) is on view at the Neue Pinakothek, in Munich.

Cesar Aira

Rugendas is the subject of the 1995 novel by César Aira, An Episode in the Life of a Landscape Painter.

Bibliography

Diener, P.: Rugendas, 1802-1858. Wissner; Museo Nacional de Bellas Artes, Augsburg and Santiago de Chile, 1997. A massive catalogue of works in Spanish and Portuguese.

External links

  • Rugendas. Beautiful on-line collection of paintings.

 
 

 

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Art Encyclopedia. The Concise Grove Dictionary of Art. Copyright © 2002 by Oxford University Press, Inc.. All rights reserved.  Read more
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