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John Baskerville

 

Baskerville, detail of a portrait after James Millar, 1774; in the National Portrait Gallery, London
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Baskerville, detail of a portrait after James Millar, 1774; in the National Portrait Gallery, London (credit: Courtesy of the National Portrait Gallery, London)
(born Jan. 28, 1706, Wolverly, Worcestershire, Eng. — died Jan. 8, 1775, Birmingham, Warwickshire) British typographer. In 1757 he set up a printing house and published his first work, an edition of Virgil. His editions of the Latin classics, John Milton's poems (1758), and a folio Bible (1763) are characterized by clear and careful presswork rather than ornament; they are among the finest examples of the art of printing. He served as printer to Cambridge University (1758 – 68), and he created the widely used Baskerville typeface, which is still used and prized for its clarity and balance.

For more information on John Baskerville, visit Britannica.com.

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Art Encyclopedia: John Baskerville
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(b Sion Hill, Worcs, 28 Jan 1706; d Birmingham, 8 Jan 1775). English printer and publisher. He developed skills in calligraphy and monumental inscription-cutting apparently without an apprenticeship. Aged 19 he went to Birmingham to teach writing and bookkeeping and also to cut tombstones. Around 1740 he entered into business as a manufacturer of japanned goods, at which he proved highly successful. The proceeds enabled him to purchase a large house outside Birmingham and to start experimenting with type-founding c. 1750. Baskerville entered into partnership with the London bookseller Robert Dodsley (1733-64), and he published an edition of the works of Virgil as his first book in 1757; it met with praise but also with the criticism that was to follow him throughout much of his career: the print was too dazzling, the strokes too narrow and the paper too glossy. Baskerville's types achieved their effect by his modification of the stress nearer the vertical; the transition between thick and thin strokes was more pronounced than in previous types, and the general effect was of greater precision. He may not have set up his own paper mill, as has been suggested, but he certainly exploited the properties of the newly developed wove paper and pressed it to achieve a crisp finish (see TYPOGRAPHY).

See the Abbreviations for further details.



 
Columbia Encyclopedia: John Baskerville
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Baskerville, John (băs'kərvĭl'), 1706-75, English designer of type and printer. He and Caslon were the two great type designers of the 18th cent. in England. He began his work as printer and publisher in 1757 and in 1758 became printer to the Univ. of Cambridge. Baskerville's first volume was a quarto edition of Vergil. His type faces introduced the modern, pseudoclassical style, with level serifs and with emphasis on the contrast of light and heavy lines. This style influenced that of the Didot family in France and that of Bodoni in Italy. Books printed by Baskerville are typically large, with wide margins, made with excellent paper and ink. His masterpiece was a folio Bible, published in 1763. After his death his wife operated the press until 1777. Then most of his types were purchased by Beaumarchais and were used in his 70-volume edition of Voltaire. The matrices, long lost, were rediscovered and in 1953 were presented to Cambridge Univ. Press. Among Baskerville's publications in the British Museum are Aesop's Fables (1761), the Bible (1763), and the works of Horace (1770).

Bibliography

See biographies by W. Bennett (1939) and H. Evans (1953); bibliography by Philip Gaskell (1959).

Dictionary: Bas·ker·ville   (băs'kər-vĭl') pronunciation, John
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1706-1775.

British printer and typographer. He produced a notable edition of Virgil in 1757 and designed the typeface that bears his name.


Wikipedia: John Baskerville
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Baskerville in later life, oil on canvas by James Millar.
Baskerville types in a 1761 title page.

John Baskerville (28 January 1706 - 8 January 1775) was an English businessman, in areas including japanning and papier-mâché, but he is best remembered as a printer and typographer.

Contents

Life

Baskervillle was born in the village of Wolverley, near Kidderminster in Worcestershire and was a printer in Birmingham, England. He was a member of the Royal Society of Arts, and an associate of some of the members of the Lunar Society. He directed his punchcutter, John Handy, in the design of many typefaces of broadly similar appearance.

John Baskerville printed works for the University of Cambridge in 1758 and, although an atheist, printed a splendid folio Bible in 1763. His typefaces were greatly admired by Benjamin Franklin, a printer and fellow member of the Royal Society of Arts, who took the designs back to the newly-created United States, where they were adopted for most federal government publishing. Baskerville's work was criticized by jealous competitors and soon fell out of favour, but since the 1920s many new fonts have been released by Linotype, Monotype, and other type foundries – revivals of his work and mostly called 'Baskerville'. Emigre released a popular revival of this typeface in 1996 called Mrs Eaves, named for Baskerville's wife, Sarah Eaves.

Baskerville also was responsible for significant innovations in printing, paper and ink production. He developed a technique which produced a smoother whiter paper which showcased his strong black type. Baskerville also pioneered a completely new style of typography adding wide margins and leading between each line.[1]

Baskerville, an atheist, was buried at his own request in unconsecrated ground in the garden of his house, Easy Hill. When a canal was built through the land his body was placed in storage in a warehouse for several years before being secretly deposited in the crypt of Christ Church (demolished 1899), Birmingham. Later his remains were moved, with other bodies from the crypt, to consecrated catacombs at Warstone Lane Cemetery. Baskerville House was built on the grounds of Easy Hill.

Commemoration

Industry and Genius, 1990, by David Patten, sculpture in Centenary Square

A Portland stone sculpture of the Baskerville typeface, Industry and Genius, in his honour stands in front of Baskerville House in Centenary Square, Birmingham. It is by local artist David Patten.[2]

Sir Arthur Conan Doyle, who once lived in Birmingham, may have borrowed Baskerville's surname for one of his Sherlock Holmes stories, The Hound of the Baskervilles - which, in turn, was borrowed by Umberto Eco for the character William of Baskerville in his best-selling novel, The Name of the Rose (Sean Connery played the character in the film based on the book).

See also

References

  1. ^ Sutton, James; Sutton, Alan (1988). An Atlas of Typeforms. Wordsworth Editions. p. 59. ISBN 1-85326-911-5. http://openlibrary.org/b/OL22453920M. 
  2. ^ "Industry and Genius". http://www.birmingham.gov.uk/baskerville. Retrieved 2009-07-23. 

Further reading

External links


 
 

 

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