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John Brack

 
Art Encyclopedia: John Brack
 

(b Melbourne, 10 May 1920). Australian painter, teacher and lecturer. After studying at the National Gallery of Victoria School in Melbourne under William Darby (1946-9), Brack worked in the Gallery's print room until 1957. He later worked as a teacher and from 1963 was head of the School. The purchase by the National Gallery of The Barber's Shop and Collins Street 5pm in the early 1950s helped to launch Brack's career. The influence of Seurat and Manet can be noted in the construction and composition of early works such as The Bar (1954), based on Manet's A Bar at the Folies-Berg?re. Although many of his contemporaries and forerunners painted Australian mythical and historical scenes, Brack always depicted his own times, and especially the people, suburbia and consumerism of urban Melbourne. He employed an unemotional style in works such as his studio nudes (e.g. Nude on a Small Chair, 1975; Melbourne, Joseph Brown Gal.), but frequently included simple satire and comedy.

See the Abbreviations for further details.



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Wikipedia: John Brack
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John Brack

John Brack working on the portrait of J.R. McLeod circa 1971
Birth name Cecil John Brack
Born 10 May 1920(1920-05-10)
South Melbourne, Australia
Died 11 February 1999 (aged 78)
Melbourne, Australia
Nationality Flag of AustraliaAustralian
Field Painting, Drawing, Printmaking
Training National Gallery School, Melbourne
Movement Antipodeans Group
Works Collins St. 5p.m. (1955)
The Bar (1954)
Collins Street 5 pm (1955)

John Brack (10 May 1920 - 11 February 1999 in South Melbourne, Victoria) was an Australian painter, and a member of the Antipodeans group.

Contents

Life

John Brack was Art Master at Melbourne Grammar School (1952-62). His art first achieved prominence in the 1950s. He also joined the Antipodeans Group in the 1950s which protested against abstract expressionism. He was appointed Head of National Gallery Art School (1962-68), where he was an influence on many artists.

Style

Brack's early conventional style evolved into one of simplified, almost stark, shapes and areas of deliberately drab colour, often featuring large areas of brown. He made an initial mark in the 1950s with works on the contemporary Australian culture, such as the iconic Collins Street, 5 pm (1955), a view of rush hour in post-war Melbourne. Set in a bleak palette of browns and greys, it was a comment on the conformity of everyday life, with all figures looking almost identical. A related painting The Bar (1954) was modelled on Manet's A Bar at the Folies-Bergère, and satirised the Six o'clock swill, a social ritual arising from the early closing of Australian bars. Most of these early paintings and drawings were unmistakably satirical comments against the Australian Dream, either being set in the newly expanding post-war suburbia or taking the life of those who lived there as their subject matter.

In the 1970s Brack produced a long series of highly stylised works featuring objects such as pencils in complex patterns. These were intended as allegories of contemporary life.

Period and themes

The Bar (1954)

Brack's works cover a wide range of topics and themes. He often did a series of works on a particular theme over a number of years. His portraits, including self-portraits, and portraits of family, friends and commissions, and his paintings of nudes were produced throughout his career.

  • War time drawings (1943-45)
  • Scenes of urban life (Shops, street scenes etc.) (1952-
  • Racecourse (1953-1956)
  • School, the playground (1959-60)
  • Wedding (1960-61)
  • Shop Windows (1963-1977)
  • Ballroom Dancers (1969)
  • Gymnastics (1971-73)
  • Postcards and implements (1976-
  • Pencils and pens (1981-
  • Mannequins (1989-

The catalogue of his work[1], and a year 2000 exhibition catalogue[2] only cover the period to 1994.

Exhibitions and Auctions

A major retrospective exhibition of Brack's work opened at the National Portrait Gallery in Canberra on 24 August 2007[3], the last major exhibition for the gallery before its relocation. Brack's widow, Helen, attended the opening and commented that Brack was not concerned with the social standing of the sitter, but rather the artistic merit of their participation in the piece[4].

Brack's painting The Bar sold for $3.2 million in April 2006, [1] [2], while in May 2007 his painting The Old Time sold for $3.36 million at auction in Sydney, a record for a painting by an Australian artist [3].

Notes and references

  1. ^ Sasha Grishin, The Art of John Brack, (1990) Oxford University Press. ISBN 019553199X, ISBN 9780195531992
  2. ^ Ted Gott, A Question Of Balance (2000), Hiede Museum of Modern Art
  3. ^ Portraits by John Brack, National Portrait Gallery, Old Parliament House, 24 August 2007 – 18 November 2007, accessed 24 August 2007
  4. ^ WIN TV news report, 24 August 2007

Further reading

  • Ronald Millar, John Brack, (1971) Lansdowne Press Melbourne. ISBN 0701803703.

External links


 
 

 

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Art Encyclopedia. The Concise Grove Dictionary of Art. Copyright © 2002 by Oxford University Press, Inc.. All rights reserved.  Read more
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