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John Chamberlain

 
Britannica Concise Encyclopedia: John Angus Chamberlain

(born April 16, 1927, Rochester, Ind., U.S.) U.S. sculptor. He studied at the School of the Art Institute of Chicago and at Black Mountain College. In 1957 he had his first one-man exhibition in Chicago. His Abstract Expressionist sculptures are often constructed of fragments of automobiles, crushed and jammed together, and painted in bright, industrial colours; these produce an effect of isolated, frozen movement. He also exhibited paintings, prints, and films.

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Art Encyclopedia: John Angus Chamberlain
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(b Rochester, IN, 16 April 1927). American sculptor, painter, printmaker and film maker. He studied at the Art Institute of Chicago from 1950 to 1952 and from 1955 to 1956 at Black Mountain College, NC, where he was exposed to the modernist aesthetics of the poets Charles Olson (1910-70) and Robert Creeley (b 1926), with whom he formed a lasting friendship. His early welded-iron sculpture was heavily influenced by Abstract Expressionism and by the sculpture of David Smith. In 1957 he moved to New York where he made his first works out of crushed car parts, such as Shortstop (1957; New York, Dia A. Found.), a practice for which he became immediately recognized and recognizable. During the mid-1960s he continued in this mode, expanding its formal vocabulary to include larger free-standing complexes and wall reliefs, always emphasizing fit and spontaneity. This work earned him instant critical association with the JUNK ART movement.

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Columbia Encyclopedia: John Chamberlain
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Chamberlain, John, 1927-, American sculptor, b. Rochester, Ind. In the late 1950s, Chamberlain became known for his welded assemblages of smashed automobile parts and colored scrap metal. His work is represented in the Los Angeles County Museum and the Museum of Modern Art, New York City.
 
 

 

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Britannica Concise Encyclopedia. Britannica Concise Encyclopedia. © 2006 Encyclopædia Britannica, Inc. All rights reserved.  Read more
Art Encyclopedia. The Concise Grove Dictionary of Art. Copyright © 2002 by Oxford University Press, Inc.. All rights reserved.  Read more
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