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John Korty

 
Director: John Korty
  • Born: Jul 22, 1936 in Lafayette, Indiana
  • Occupation: Director, Writer, Cinematographer
  • Active: '60s-'90s
  • Major Genres: Drama
  • Career Highlights: The Autobiography of Miss Jane Pittman, Farewell to Manzanar, Keeping Secrets
  • First Major Screen Credit: Breaking the Habit (1964)

Biography

An amateur filmmaker from the age of 16, John Korty went professional after receiving a Liberal arts education at Antioch College. After designing and directing animated TV commercials, Korty won an Oscar for his 1964 short subject Breaking the Habit. He was critically garlanded for his first feature, Crazy Quilt (1965), an ultracheap character study shot silent (it was post-dubbed, with narration by Burgess Meredith and music by Peter "PDQ Bach" Schickele) and in black and white. In comparison, his next effort, the low-budget Funnyman (1967), was a Cecil B. DeMille epic; this largely improvisational effort is distinguished by the presence of the comedy troupe The Committee (including Peter Bonerz) and by Korty's animated vignettes. His subsequent films (Riverrun, Alex and the Gypsy etc.) were more mainstream in nature, though they still could not be considered conformist. On television, Korty has been one of the busiest and most successful laborers in the field of made-for-TV movies: Go Ask Alice, The Silence, Class of 63, Farewell to Manzanar, Ewok Adventure and many others. John Korty won an Emmy for his direction of Autobiography of Miss Jane Pittman (1974), and, in an unusual move, was honored with an Emmy and an Oscar for Who Are the Debolts--and Where Did They Get 19 Kids? (1978). ~ Hal Erickson, All Movie Guide
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John Korty
Born July 22, 1936 (1936-07-22) (age 73)
Lafayette, Indiana
Occupation Director
Years active c. 1957–

John Korty (born July 22, 1936) is an American film director and animator, best known for the television film The Autobiography of Miss Jane Pittman and the documentary Who Are the DeBolts? And Where Did They Get Nineteen Kids?, as well as the theatrical animated feature Twice Upon a Time. He has won an Academy Award for Best Documentary Feature (for Who Are the DeBolts?) and several other major awards. He is described by the film critic Leonard Maltin as "a principled filmmaker who has worked both outside and within the mainstream, attempting to find projects that support his humanistic beliefs".[1]

Contents

Early life and career

Born in Lafayette, Indiana, he began making amateur films while still in his teens. He took a liberal arts education at Antioch College in Ohio and obtained work as an animator for television commercials while still in school. He graduated in 1959.[2] In a 1963 article he wrote for the Bolex Reporter[3] he notes that he first took an interest in animation during his second year at Antioch. He developed a cut-out technique and also used various other imaging methods including scratching the film stock, painting, and using objects such as photographs, string, cloth and scissors. He would continue to develop these techniques in projects through his career, culminating in his 1984 animated feature Twice Upon a Time. Using a Bolex H-16 camera, his television commercial work amounted to more than 30 spots, which he made with four other students at Antioch.

His 1964 short Breaking the Habit was nominated for the Academy Award for Documentary Short Subject.

Film

While most of his later work has been for television, he actually started in film before moving to the small screen. In 1964, he moved to Stinson Beach in Marin County, north of San Francisco. There he made three feature films in four years. They were successful, low-budget projects.[4] His first was the little-seen drama The Crazy-Quilt (1966), with narration by Burgess Meredith. The others were Riverrun[5] and Funnyman, featuring performances by the comedy troupe The Committee Theatre. His barn was his studio (Korty Films), and it would become an inspiration for George Lucas and Francis Ford Coppola who also established studios in the San Francisco Bay Area.[6] Korty Films would become part of what was later called the "New Hollywood". Korty actually became a tenant at Coppola's Zoetrope Studios in San Francisco, though he later moved out when Coppola raised the rents.[7] The company finally settled in Point Reyes Station, California.

Other feature films directed or produced by Korty included such well-known titles as Oliver's Story (1978) and Twice Upon a Time, a George Lucas-produced amimated fantasy originally aired as an HBO feature in June 1984 and later released theatrically by Warner Bros.[8] [9] The film lost money, and Korty would not return to animated productions for more than twenty years.[10] Also he made a less well known movie called The Crazy-Quilt[1]

He also served as a cinematographer for a few films including the Robert Redford feature The Candidate.

Television

His most highly lauded work was in television. He was active in the medium from the early 1970s until the late 1990s. He became known in the field in 1971 as director of The People. The film starred Kim Darby and William Shatner, was produced by Francis Ford Coppola, and was based on the science-fiction classic The Pilgrimage by Zenna Henderson.[11] In 1974, Korty won an Emmy Award for Outstanding Directing for a Drama Series and a Directors Guild of America award for his filmed adaptation of The Autobiography of Miss Jane Pittman[2]. Four years later, the Directors Guild of America gave him an award for Outstanding Directorial Achievement in Documentary for his documentary feature Who Are the DeBolts? And Where Did They Get Nineteen Kids?. In a rare circumstance, the film had also previously won an Academy Award in the documentary category.

Other films included Go Ask Alice (1970); an adaptation of Farewell to Manzanar (1976); and A Christmas Without Snow (1980). He also made the Star Wars spin-off adventure Caravan of Courage: An Ewok Adventure (1984). One of his more recent films was an adaptation of the Rudyard Kipling story of the supernatural called "They", filmed as They Watch.

Sesame Street shorts

In the 1970s, several Korty animated shorts were featured on the PBS children's programs The Electric Company and Sesame Street. These segments featured moral tales including at least one adaptation of Aesop's Fables. There was a recurring character known as Thelma Thumb, and all of the films (some as short as 18 seconds) used Korty's backlit cut-out technique which he called Lumage (Luminous Image). He tended to use a synthetic fabric called Pellon for the Sesame Street animations, which lent a consistent style to the work. Improv actors often ad-libbed the dialogue, and child performers were sometimes used. Among the children was the sister of David Fincher. David Fincher worked for Korty and would later gain recognition as a director himself.[12]

Internet

In 2006, inspired by the state of political debate in America at the time, Korty produced two short animated pieces which he posted to the World Wide Web.[13] They feature two characters, Brock & Throck, in cynical discussions about the political landscape. Korty was quoted in a news release, "This summer, I found some sketches from my very first experiments. One in particular was perfect for a dialogue between two characters - a single zigzag line that can function as the profile for either face. I had put it away, waiting for the right subject matter. The wait was fifty years."[14]

"Fog City Maverick"

He was one of several San Francisco film veterans profiled in the 2007 documentary film, Fog City Mavericks.[15]

Major awards

  • Emmy for The Autobiography of Miss Jane Pittman (1974).
  • Oscar (documentary) (1977) for Who Are the DeBolts? And Where Did They Get Nineteen Kids?
  • DGA Award for Outstanding Directorial Achievement in Documentary (1978) for Who Are the DeBolts? And Where Did They Get Nineteen Kids?
  • Emmy for Outstanding Individual Achievement - Informational Program (1979) for Who Are the DeBolts? And Where Did They Get Nineteen Kids?
  • Humanitas Prize for Farewell to Manzanar and Who Are the DeBolts? And Where Did They Get Nineteen Kids? (Special Awards Category, 1979)

References

  1. ^ Leonard Maltin bio
  2. ^ "Antioch Noteworthy Alumni"
  3. ^ John Korty, “Animation Unlimited”, Bolex Reporter, Vol 13, No. 2, 1963
  4. ^ Dale Pollock, Skywalking: The Life and Films of George Lucas, p. 85.
  5. ^ Harvard Crimson review
  6. ^ Dale Pollock, Skywalking: The Life and Films of George Lucas, p. 85.
  7. ^ Dale Pollock, Skywalking: The Life and Films of George Lucas, p. 87, 100.
  8. ^ "The movie that time forgot"
  9. ^ Taylor Jessen, "Twenty Years Later Twice Upon a Toiem Still Burns", June 2004
  10. ^ John Korty bio at Muppet Wiki
  11. ^ Miller, Ron (1995-04-21). "Film studios beckon but director John Korty prefers freedom of TV". San Jose Mercury News. 
  12. ^ John Korty entry at Muppet Wiki
  13. ^ Brock and Throck channel
  14. ^ Cartoon Brew, "John Korty’s Brock & Throck", November 7, 2006
  15. ^ San Francisco Film Society press release

External links


 
 
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