Career Highlights: Sunrise, In Old Arizona, Come on Rangers
First Major Screen Credit: The Patchwork Girl of Oz (1914)
Biography
J. Farrell MacDonald was one of the most beloved and prolific character actors in Hollywood history. A former minstrel singer, MacDonald toured the U.S. in stage productions for nearly two decades before he ever set foot in Tinseltown. He made his earliest film appearances in 1911 with Carl Laemmle's IMP company (the forerunner of Universal); within two years he was a firmly established lead actor and director. While functioning in the latter capacity with L. Frank Baum's Oz Film Company, MacDonald gave much-needed work to up-and-coming extras Hal Roach and Harold Lloyd. When Roach set up his own production company in 1915 with Lloyd as his star, he signed MacDonald as director (both Roach and Lloyd would hire their one-time employer as character actor well into the sound era). In the 1920's, MacDonald had returned to acting full time, appearing extensively in westerns and Irish-flavored comedies. A particular favorite of director John Ford, he was prominently featured in such Ford silents as The Iron Horse (1924), The Bad Man (1926) and Riley the Cop (1927, as Riley). He also showed up as Kelly in some of Universal's culture-clash "Cohens and Kellys" comedies. With a voice that matched his personality perfectly, MacDonald was busier than ever in the early-talkie era, usually playing such workaday roles as cops and railroad engineers; in 1932 alone, he showed up in 18 films! Even when his footage was limited, he was always given a moment or two to shine, as witness his emotional curtain speech in Shirley Temple's Our Little Girl. He kept up his workload into the 1940s, often popping up in the films of John Ford and Preston Sturges. His later roles often went unbilled, but he gave his all no matter how fleeting the assignment. One of his choicest roles of the 1940s was as the Dodge City barkeep in Ford's My Darling Clementine (1946). J. Farrell MacDonald continued working right up to his death in 1952; one of his last assignments was a continuing character on the Gene Autry-produced TV series Range Rider. ~ Hal Erickson, All Movie Guide
John Roy MacDonald[1] (b.
1948Gimli, Manitoba, Canada) is a musician playing the French
horn. His family moved to Ottawa three years after his birth. He was influenced by his
horn-playing elder brothers, Ian [2] and James [3] and began studying the horn at twelve. He attended the University of Toronto with Eugene Rittich in 1970. With a
stipend from the Canada Council of Arts and winning the Talent Competition of the
Canadian Broadcasting Corporation,he furthered his studies in
London with Barry Tuckwell and then in Brno,
Czechoslovakia with Prof. Frantisek Solc at the
Janacek Academy. In 1971 he won the Silver Medal at the International Competition in Geneva and
in 1974 the First Prize at the Int. Competition of the Prague Spring Music Festival. In 1978 he
won the ARD International Music Competition German Broadcasting
Union in Munich. After early experience as first horn with the Hamilton Philharmonic as well as
extensive experience free-lancing in Toronto, he did three years as First Horn with the German Bamberger Symphoniker from
1972-1975. Since 1976 he has been engaged as Principal Solo-Horn in the Frankfurt Radio
Symphony Orchestra, recently renowned for its recordings of all the Symphonic works of Mahler, Bruckner, Scriabin and
Berlioz. Recordings, solo-concerts, chamber music, master classes and freelancing with other symphony orchestras have taken him
literally right around the world. John MacDonald plays Engelbert Schmid Horns. He still
resides in Germany but has recently acquired and expanded a seasonal residence in Canada.
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