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John Pettie

 
Art Encyclopedia: John Pettie

(b Edinburgh, 17 March 1839; d Hastings, E. Sussex, 21 Feb 1893). Scottish painter. He was brought up in Edinburgh and East Lothian, and in 1855 he entered the schools of the Trustees' Academy, Edinburgh, sponsored by the history painter James Drummond (1816-77). He studied under Robert Scott Lauder, and among his fellow students were WILLIAM QUILLER ORCHARDSON, Thomas Graham (1840-1906), George Paul Chalmers (1833-78), John Burr (1831-93) and John MacWhirter, several of whom later became part of Pettie's circle of Scottish artist friends in London. Pettie first exhibited at the Royal Scottish Academy in 1858 with In Trabois House (untraced), a scene from Sir Walter Scott's The Fortunes of Nigel, and he began sending work to the Royal Academy in 1860. From 1858 he provided illustrations for the periodical Good Words, and, encouraged by the reviews received for his early Royal Academy exhibits, such as The Armourers (exh. RA 1860) and What D'Ye Lack? (exh. RA 1861), when Good Words transferred its headquarters, Pettie moved to London in 1862. He shared a studio in Fitzroy Square with Orchardson and Graham from 1863 until his marriage to Elizabeth Ann Bossom on 25 August 1865. He subsequently lived at various addresses, gravitating towards the wealthy artistic colony in St John's Wood, where in 1882, at 2 Fitzjohn's Avenue, he built a neo-Georgian house and studio, The Lothians (destr.). This reflected not only the professional circle in which Pettie moved but also the rapid financial success that he achieved in London. From the mid-1860s his most important patron was John Newton Mappin, founder of the Mappin Art Gallery, Sheffield; another collection of his works is in the Orchar Art Gallery, Broughty Ferry, Dundee. Pettie was elected ARA in 1866 and RA in 1873; both honours were awarded to him at a much earlier age than to his older contemporary Orchardson, with whom Pettie is often compared.

See the Abbreviations for further details.



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John Pettie RA (17 March 183921 February 1893) was a Scottish painter. He was born in Edinburgh, the son of Alexander and Alison Pettie. In 1852 the family moved to East Linton, Haddingtonshire. Initially, his father objected to Pettie taking up art as a career, but this was overcome following a portrait by the lad of the village carrier and his donkey.

Jacobites in 1745, (painted in 1874).

When sixteen he entered the Trustees Academy in Edinburgh, working under Robert Scott Lauder with William Quiller Orchardson, J. MacWhirter, W. M. Taggart, Peter Graham, Tom Graham and George Paul Chalmers. His first exhibits at the Royal Scottish Academy were A Scene from the Fortunes of Nigel one of the many subjects for which he sought inspiration in the novels of Sir Walter Scott and two portraits in 1858, followed in 1859 by The Prison. To the Royal Academy in 1860 he sent The Armourers; and the success of this work and What d'ye Lack, Madam? in the following year, encouraged him to settle in London (1862), where he joined Orchardson.

In 1866 he was elected an Associate of the Royal Academy, and in 1874 received full academical honors in succession to Sir Edwin Landseer. His diploma picture was Jacobites, 1745. Pettie was a hard and rapid worker, and, in his best days, a colorist of a high order and a brilliant executant. In his early days he produced a certain amount of book illustration. His connection with Good Words began in 1861, and was continued until 1864.

The Vigil, 1884, Tate Gallery.

With J. MacWhirter he illustrated The Postman's Bag (Strahan, 1862), and Wordsworth's Poetry for the Young (Strahan, 1863). His principal paintings, in addition to those already mentioned, are Cromwell's Saints (1862); The Trio (1863); George Fox refusing to take the Oath (1864); A Drumhead Courtmartial (1865); The Arrest for Witchcraft (1866); Treason (1867); Tussle with a Highland Smuggler (1868); The Sally (1870); Terms to the Besieged (1872); The Flag of Truce (1873); Ho! Ho! Old Null and A State Secret (1874); A Sword and Dagger Fight (1877); The Death Warrant (1879); Monmouth and James II(1882); The Vigil (1884); Challenged (1883); The Chieftain's Candlesticks (1886); Two Strings to Her Bow (1887); The Traitor and Sir Charles Wyndham as David Garrick (1888); and The Ultimatum and Bonnie Prince Charlie (1892).

The young composer Hamish MacCunn was a model for several of Pettie's paintings, and in 1888 MacCunn married Pettie's daughter, Alison. Pettie, an enthusiastic amateur musician, helped MacCunn's career by organising concerts at his own studio.

Pettie died at Hastings. In 1894 a selection of his work was included in the Winter Exhibition of the Royal Academy. His self-portrait is in the Tate Gallery.

The book John Pettie, R.A. (London, 1908), by his nephew Martin Hardie, gives the story of his life, a catalogue of his pictures, and fifty reproductions in color.

Influences

The design of the Church Army Chapel, Blackheath was directly influenced by The Vigil, the spire and east window carrying the same shape and symbolism as the sword in the painting.

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