Forbes‐Robertson, Johnston (1853–1937), actor. The handsome, if ascetic, slightly craggy‐featured English leading man made his American debut in 1885, playing Orlando opposite Mary Anderson. On his numerous subsequent visits he offered many of his most admired Shakespearean interpretations, including Shylock and Hamlet. Comparing his Dane with that of another English artist, Sir Henry Irving, Walter Tallmadge Arndt observed in Current Literature, “Irving's is artistic artificiality, while Mr. Robertson's is artistic naturalness.” However, for most American playgoers his greatest role was the divine figure called the Passer‐by in The Passing of the Third Floor Back (1909). Adolph Klauber wrote of his performance in this play, “There is something so illusive in the appeal of Mr. Forbes‐Robertson's acting as almost to baffle complete description. It has been termed an aloofness or a certain spiritual‐like quality.” After formally retiring from the London stage in 1913, he spent three seasons touring America. Autobiography: A Player Under Three Reigns, 1925.
Forbes-Robertson, Sir Johnston, 1853-1937, English actor-manager. He was trained by Samuel Phelps, made his first appearance in 1874, and thereafter performed with the Bancrofts (1878), John Hare, and Henry Irving (1882). His portrayal of Hamlet was said to be the greatest of his time. In 1900 he married Gertrude Elliott, an American actress, with whom he often starred. Forbes-Robertson was gaunt in appearance, but graceful and elegant in style, and possessed a magnificent speaking voice. He was knighted in 1913 and retired in the same year.
Bibliography
See his autobiographical Player under Three Reigns (1925).
The son of Aberdeen-based art critic and journalist John Forbes-Robertson and the former Frances Cott, Johnston Forbes-Robertson studied to be an artist, but was sidetracked by the theater. His professional career began in 1874, at age 21, as Chastelard in a production of Mary Queen of Scots. Over the next four decades, he became one of the most celebrated stage actors in England, known for a vast range of roles in works dating from Elizabethan to modern times, including the plays of George Bernard Shaw -- as a critic Shaw himself was particularly enamoured of Forbes-Robertson's portrayal of Hamlet. Another very popular part for Forbes-Robertson was that of the Christ-like Stranger in Jerome K. Jerome's play The Passing of the Third Floor Back, which he first did in 1908 and performed many times in subsequent productions. Forbes-Robertson was knighted in 1913, the year of his farewell to the English stage, and he spent the next three years working in America, including a 1915-1916 tour on which he went through virtually his entire repertory. Forbes-Robertson returned to England and only performed intermittently after 1916, coming out of retirement on special occasions. He was part of a generation of actors to whom movies were nothing more than an adjunct to a career, but he did use the film medium to preserve (visually, at least) his Hamlet, in a 1913 version directed by Hay Plumb, the cast of which included actor/director Robert Atkins. His other movies from the silent era were Masks and Faces (1917) and The Passing of the Third Floor Back (1918), which immortalized his dignified, mystical portrayal of the Stranger. Forbes-Robertson was in his late seventies and long retired by the time sound came to films, and missed virtually any opportunity that he might have had to act with his voice onscreen. During his last year, however, at the age of 84, he came out of retirement very briefly in order to portray Pat O'Moore in the Irish-made feature-film musical Kathleen. ~ Bruce Eder, All Movie Guide
Sir Johnston Forbes-Robertson (January 16, 1853 – November 6, 1937[1]) was an Englishactor and theatre manager. He was considered the finest Hamlet of the nineteenth century and one of the finest actors of his time, despite his dislike of the job and his lifelong belief that he was temperamentally unsuited to acting[1].
Born in London, he was the eldest of the eleven children of John Forbes-Robertson, a theatre critic and journalist from Aberdeen, and his wife Frances. One of his sisters Frances(1866-1956) and two of his brothers, Ian Forbes-Robertson(1859-19??) and Norman Forbes(1858-1932), also became actors. He was the brother-in-law of famed actress Maxine Elliott. He was also the great-uncle of actress Meriel Forbes a granddaughter of his brother Norman.
He was educated at Charterhouse. Originally intending to become an artist, he initially trained for three years at the Royal Academy. He began a theatrical career, out of a desire to be self-supporting, when the dramatist William Gorman Wills, who had seen him in private theatricals. offered him a role in his play Mary Queen of Scots.
His many performances led him into, among other things, travel to the U.S., and work with Sir Henry Irving. He was hailed as one of the most individual and refined of English actors. He was a personal friend of the Duke of Sutherland and his family and often stayed with them at Trentham Hall; he is known to have recommended to them various writers and musicians in dire need of assistance.
Forbes-Robertson first came to prominence playing second leads to Henry Irving before making his mark as the greatest interpreter of Hamlet of the nineteenth century, according to many critics. One of his early successes was in W. S. Gilbert's Dan'l Druce, Blacksmith. In 1882, he starred with Lottie Venne and Marion Terry in G. W. Godfrey's comedy The Parvenu at the Court Theatre.[2] He was noted for his elocution, particularly by George Bernard Shaw who wrote the part of Caesar in Caesar and Cleopatra for him. Forbes-Robertson's other great roles were Romeo, Othello, Leontes in The Winter's Tale, and the leading role in The Passing of the Third Floor Back (filmed in 1916). He did not play Hamlet until he was 44 years old, but after his success in the part he continued playing it until 1916, including a surviving silent film (1913) which indicates his greatness in the role. Shaw considered him the greatest Hamlet he had ever seen.
He was also a talented painter who did a portrait of his mentor Samuel Phelps that currently hangs in the Garrick Club in London. Forbes-Robertson acted in plays with the gifted actress Mary Anderson in the 1880s. He became smitten with her, fell in love with her and asked her hand in marriage. She kindly turned him down though they remained friends. Later he and actress Beatrice Campbell enjoyed a brief affair during the time she starred with him in a series of Shakespearean plays in the mid 1890s.
Personal life
In 1900 (age 47), he married actress Gertrude Elliott with whom he had four daughters. Their first daughter was Maxine Forbes-Robertson(b.1901). Their second daughter Jean Forbes-Robertson (1905-1962) became an accomplished actress. Their third daughter was Chloe Forbes-Robertson(b.1909). Diana Forbes-Robertson (1914-1988), their fourth daughter, was a writer who later wrote a biography of her aunt Maxine Elliott. Through his daughter Jean he is the grandfather of actress Joanna Van Gyseghem. Johnston Forbes-Robertson was knighted in 1913 at the age of 60.
In the last years of his life he produced plays by George Bernard Shaw and Jerome K. Jerome. His literary works include: The Life and Life-Work of Samuel Phelps (actor and theatre manager), and The Great Painters of Christendom From Cimabue to Wilkie.
In 1937 (age 84), he died on 6 November in St. Margaret's Bay, near Dover, England, UK.[1]