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Jonathan Mostow

 
Director: Jonathan Mostow
  • Occupation: Director, Writer
  • Active: '90s-??s
  • Major Genres: Thriller, War
  • Career Highlights: Breakdown, U-571, The Game
  • First Major Screen Credit: Beverly Hills Bodysnatchers (1989)

Biography

A well-read screenwriter/director with a strong hand for creating tense, nail-biting suspense,Jonathan Mostow's personal habits may serve as a humorous contrast to the keyed-up energy that he brings to the screen. A self-described "excellent procrastinator" with a healthy nocturnal creative streak, Mostow often researches projects under the lazy guise of late-night net surfing and two dollar submarine boat tours.

Raised in Woodbridge, CT, in a family of academics, a career in film seemed unlikely to the Harvard educated scholar. Though he made the obligatory documentaries and exploding-eyeball horror films common among college filmmakers, Mostow assumed that upon graduation his creative filmmaking days would draw to a close. Moving to L.A. with little more than determination, persistence, and a strong letter writing campaign, one of Mostow's literary queries eventually caught the attention of then-Paramount head Michael Eisner, who called the young hopeful in for a meeting. Though his meeting didn't serve as an immediate career booster, Mostow soon found work in the production of industrial films and briefly with Roger Corman before directing his first feature, Beverly Hills Bodysnatchers (1989). Soon following Bodysnatchers with the Taxi Driver/Top Gun hybrid Flight of the Black Angel (1991), studios began to pay attention to the young talent who seemed to have a knack for stretching a small budget.

Playing it cautiously in order to ward off the blink-and-miss-them trend of young filmmakers who hastily snatch up sub-par projects in the name of gaining credit, Mostow would wait seven years before returning with Kurt Russell and a budget in Breakdown (1997). A terse Deliverance-tinged tale of a husband's frantic search for his kidnapped wife, Breakdown earned Mostow credit for his abilities to create believable and realistic suspense. Mostow continued his drive into thriller territory in 2000, this time against a historical backdrop, in U-571. The claustrophobic World War II submarine tale of a crew's search for a secret coding transmitter that could give the allies the upper hand earned kudos for its strong cast and edge of the seat depth-charge scenes.

~ Jason Buchanan, All Movie Guide
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Wikipedia: Jonathan Mostow
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Jonathan Mostow (born November 28, 1961, in Woodbridge, Connecticut) is an American film director, writer and producer.

A graduate of Hopkins School in New Haven, Connecticut and Harvard, Mostow also trained at the American Repertory Company and New York City's Lee Strasberg Institute. He helmed several short films and documentaries as well as music videos before making his first feature, the direct-to-video release Beverly Hills Bodysnatchers (1989). He then made the Showtime film Flight of the Black Angel (1991), about a colonel who trains fighter pilots and his troubled protégé who wants to attack the local population.

Mostow established himself in the action genre with 1997's Breakdown. The thriller, starring Kurt Russell as a man whose wife seems to have vanished in the desert, was fairly well received at the box-office[1]. He went on to co-found a production company with former executive Hal Lieberman and signed a four-year deal with Universal. He also spent several years developing The Game (1997), with the hope of directing, but instead David Fincher landed the assignment while Mostow was relegated to an executive producer credit.

Mostow and Michael Douglas (who starred in The Game) were to collaborate on a World War II-era submarine film U-571 (2000) but Douglas pulled out due to scheduling conflicts. Instead, the director assembled a cast including Harvey Keitel, Bill Paxton, Matthew McConaughey, Jack Noseworthy, Matthew Settle and Thomas Guiry for U-571, a film about an attempt by the USA to intercept a German U-boat carrying a coding device. Loosely based on fact (although it really involved British forces, not Americans), the film performed fairly well at the box-office with $77 million in domestic receipts[2].

In 2003 directed the third installment of The Terminator series, Terminator 3: Rise of the Machines; which performed below industry expectations and failed to duplicate the critical reception of its predecessors.

After a six year absence, Mostow returned to direct another film called Surrogates which is based on the comic book series starring Bruce Willis. The film was released into cinemas on September 25th, 2009.

He also has produced and created The Megas with Virgin Comics, which he is fast-tracking into a feature film.[3]

Filmography

References

External links



 
 
Learn More
Sub-Mariner (2009 Action Film)
Surrogates (2009 Science Fiction Film)
Terminator 3: Rise of the Machines (2003 Science Fiction Film)

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