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Josef Rheinberger

 
 
Columbia Encyclopedia: Josef Rheinberger
Rheinberger, Josef ('zĕf rīn'bĕrgər), 1839-1901, German composer; studied at the Munich Conservatory, where he later taught. An eclectic, late romantic composer, he wrote 20 organ sonatas and masses, among them the eight-part Festive Mass for Pope Leo XIII. These have outlived his orchestral and stage works.
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Artist: Joseph Rheinberger
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  • Period: Romantic (1820-1869)
  • Country: Germany
  • Born: March 17, 1839 in Vaduz, Lichtenstein
  • Died: November 25, 1901 in Munich, Germany
  • Genres: Chamber Music, Concerto, Keyboard Music

Biography

Joseph Rheinberger, influential German composer, organist, conductor, and teacher, was the son of the Prince of Liechtenstein's treasurer Johann Peter Rheinberger. His exceptional musical gifts astounded his first teacher, Sebastian Pohli, who instructed him from the age of five. As a child, Rheinberger progressed so rapidly that by the time he was just seven, he was already an organist in his hometown of Vaduz. By 1848, he had a complete mastery of harmony and had graduated to the piano and organ classes of Philipp Schmutzer, who introduced him to the works of J.S. Bach and the Viennese classicists. Rheinberger's father, who initially resisted his pursuing a musical career, finally submitted to persuasion from the composer Nagiller to permit the boy to study in Munich. He was allowed to settle there in 1851 and the city became his permanent home thereafter.

Rheinberger studied theory with J.H. Maier, organ with J.G. Herzog, and piano with J.E. Leonhard at the Munich Conservatory. By 1853, he was employed as organist at several city churches and supplementing his income offering private tuition. He dedicated every free moment to composition, and during the next few years wrote well over 100 apprentice works; none met with his approval, and they were never published. Rheinberger's four piano pieces, Op. 1, finally appeared in 1859, the same year he joined the staff of the conservatory to teach piano and music theory. In 1864, he also became the conductor of the Munich Oratorienverein, holding the post until 1877.

Rheinberger worked for a while as a coach at the court opera, witnessing Wagner's premiere of Tristan und Isolde. In 1867, he was appointed professor at the conservatory -- a position he would hold until his death. During the same year, he married a former pupil, Franziska von Hoffnaass. Rheinberger was increasingly prone to poor health, but continued to work, almost without interruption. 1877 saw his appointment as hofkapellmeister and in 1894 he was ennobled, receiving the title of privy councillor.

Rheinberger died in 1901, shortly after his retirement. His grave in Munich was destroyed during World War II and his remains were transferred in 1950 to his birthplace. Hans von Bülow, a great conductor and tireless advocate of Rheinberger's music, called him "a truly ideal teacher of composition, unrivalled in the whole of Germany and beyond in skill, refinement, and devotion to his subject; in short, one of the worthiest musicians and human beings in the world." ~ Michael Jameson, All Music Guide
Wikipedia: Josef Rheinberger
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Rheinberger.jpg

Joseph Gabriel Rheinberger (also Josef) (17 March 1839, in Vaduz – 25 November 1901, in Munich) was a Liechtensteinian-born, German-domiciled organist and composer.

When only seven years old Rheinberger became organist at Vaduz Parish Church, and his first composition was performed the following year. In 1851 he entered the Munich Conservatory, where he later became professor of piano and subsequently professor of composition. When the Munich Conservatorium was dissolved he was appointed répétiteur at the Court Theatre, from which he resigned in 1867.

Rheinberger married his former pupil Franziska von Hoffnaass in 1867. He was influenced by painting and literature (especially English and German).

In 1877 Rheinberger obtained the rank of court conductor, a position that gave him responsibility for the music in the royal chapel. He was later awarded an honorary degree of Doctor of Philosophy by Ludwig Maximilian University of Munich. A distinguished teacher, he numbered many Americans among his pupils, including Horatio Parker, George Whitefield Chadwick, and Henry Holden Huss. When the present Conservatorium was founded in Munich, Rheinberger was appointed its professor of organ and composition, a post he held until his death. He was also given the title "Royal Professor".

Rheinberger was a prolific composer. His religious works include twelve masses (one for double chorus, three for four voices a cappella, three for women's voices and organ, two for men's voices and one with orchestra), a requiem, and a Stabat Mater. His other works include several operas, symphonies,[1] chamber music, and choral works. Today he is remembered almost exclusively for his elaborate and challenging organ compositions; these include two concertos, 20 sonatas, 22 trios, 12 Meditations, 24 fughettos, and 36 solo pieces. His organ sonatas were once declared to be

undoubtedly the most valuable addition to organ music since the time of Mendelssohn. They are characterized by a happy blending of the modern romantic spirit with masterly counterpoint and dignified organ style.

J. Weston Nicholl,  Grove Dictionary of Music and Musicians (1908 edition), volume 4, page 85

He is buried in the Alter Südfriedhof in Munich.

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References

  1. ^ Percy Goetschius, Masters of the Symphony. Boston: Oliver Ditson Company (1929): 331. Rheinberger "is celebrated mainly for his organ works ... He composed only two Symphonies: No. I, Wallenstein, D minor, in the usual four Movements, but tracing a definite program, as indicated by the given titles; and No. II, Op. 87, the Florentine."

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