Career Highlights: Blazing Saddles, It's a Wonderful Life, The Killing of Sister George
First Major Screen Credit: The Animal Kingdom (1932)
Biography
American cinematographer Joseph Biroc had graduated to the position of lighting cameraman by the time World War II broke out. After serving with the Signal Corps, Biroc returned to Hollywood to work on Frank Capra's It's a Wonderful Life. The film was not a financial success, and Biroc slipped to the B-list of photographers. One of his low-budget assignments turned out to be "A" in box-office pull: Biroc was the man behind the camera for the first 3-D feature, Bwana Devil (1952). While filming the inexpensive TV series China Smith in 1953, Biroc befriended the program's principal director, Robert Aldrich. When Aldrich branched out into independent production, he took Biroc with him, and from that moment until Aldrich's death in 1983 the two collaborated on such films as Attack (1955) The Legend of Lylah Clare (1968) and The Longest Yard. In 1973, Biroc shared an Academy Award with Fred Koenekamp for The Towering Inferno. Joseph Biroc retired in 1982 after Airplane II: The Sequel; seven years later, he was honored with the Life Achievement Award from the American Society of Cinematographers. ~ Hal Erickson, All Movie Guide
Joseph Francis Biroc, A.S.C. (February 12, 1903 - September 7, 1996) was a highly successful film and television cinematographer. Biroc, born in New York City, began working in film at Paragon Studios in Fort Lee, New Jersey. After working for about six years with that company, he moved to Los Angeles after working for Paramount's Long Island Studios. Once there he began working with RKO Pictures. During World War II, while serving with the Army Signal Corps, he filmed the liberation of Paris in 1944. By 1950, Biroc left RKO and, much in demand, began working on a number of films in various genres and for different film studios. In addition to many films, including the classic It's a Wonderful Life, Biroc also worked on television including Adventures of Superman and Wonder Woman.
He was a frequent collaborator with director Robert Aldrich.