Share on Facebook Share on Twitter Email
Answers.com

Joseph Glanvill

 
Philosophy Dictionary: Joseph Glanvill

Glanvill, Joseph (1636-80) English philosopher. An Oxford-educated proponent of the Royal Society, Glanvill is principally remembered for The Vanity of Dogmatizing (1661; the work contains the story that inspired Matthew Arnold's poem, ‘The Scholar Gipsy’). Glanvill advances a distinction later associated with Locke, between an ideal science, in which the causal relations and natures of things could be seen as they are by a God-like intuition, and the best that actual people can do, which is to chart the way things appear to us. Glanvill's account of causation and the scope of science contains striking anticipations of Hume, but is spoiled by supposing that before the Fall we (like angels) probably could have achieved the intellectual intuition that we cannot now manage; for the tough-minded Hume this ideal is incoherent. Glanvill also wrote Philosophical Considerations touching Witches and Witchcraft (1666, reissued as A Blow at Modern Sadducism, 1668) which reflects extensive work he conducted on what was later called psychical research. See also Sadducism.

Search unanswered questions...
Enter a question here...
Search: All sources Community Q&A Reference topics
 
Columbia Encyclopedia: Joseph Glanvill
Top
Glanvill or Glanvil, Joseph (glăn'vĭl), 1636-80, English clergyman and philosopher. He was chaplain in ordinary to Charles II and prebendary of Worcester Cathedral. An exponent of occasionalism and precursor to Hume, Glanvill sought to prove the inefficacy of all secondary causes, which he regarded as merely the occasion of the activity of the first cause, God. This idea was presented in The Vanity of Dogmatizing (1661), recast as Scepsis scientifica (1665). Although in later life Glanvill attested to a belief in witchcraft, his appreciation of the scientific method is evidenced by Plus Ultra; or, The Progress and Advancement of Knowledge since the Days of Aristotle (1668).

Bibliography

See biographies by F. Greenslet (1900) and M. E. Price (1932).

(1636-1680)

Chaplain to Charles II, prebendary of Worcester, philosopher, and one of the earliest fellows of the Royal Society. An orthodox clergyman of the Anglican Church, Glanvill was a self-avowed skeptic and enemy of dogma. He was the author of several books, including Scepsis Scientifica (1665) and Sorcerers and Sorcery (1666). He is best remembered as a precursor of modern psychical researchers and the author of Sadicismus Triumphatus (1681), which contains accounts of remarkable cases of witchcraft and details of the author's personal investigation into the poltergeist known as the Drummer of Tedworth.

Sources:

Glanvill, Joseph. Sadicismus Triumphatus. London: Printed for J. Collins and S. Lownds, 1681.

Redgrove, H. Stanley, and I. M. L. Redgrove. Joseph Glanvill and Psychical Research in the Seventeenth Century. London: William Rider & Son, 1921.

Taylor, Sascha. Glanvill: The Uses and Abuses of Skepticism. New York: Pergamon Press, 1981.

Wikipedia: Joseph Glanvill
Top

Joseph Glanvill (1636-1680) was an English writer, philosopher, and clergyman. Not himself a scientist, he has been called "the most skillful apologist of the virtuosi", or in other words the leading propagandist for the approach of the English natural philosophers of the later 17th century.[1]

Joseph Glanvill, 1681 engraving by William Faithorne.

Contents

Life

He was raised in a strict Puritan household, and educated at Oxford University, where he graduated B.A. from Exeter College in 1655, M.A. from Lincoln College in 1658.[2][3]

Glanvill was made vicar of Frome in 1662, and was a Fellow of the Royal Society in 1664. He was rector of the Abbey Church at Bath from 1666 to 1680, and prebendary of Worcester in 1678.[3]

Works and views

He was a Latitudinarian thinker.[2] Latitudinarians generally respected the Cambridge Platonists, and Glanvill was friendly with and much influenced by Henry More, a leader in that group where Glanvill was a follower.[4] It was Glanvill's style to seek out a "middle way" on contemporary philosophical issues. His writings display a variety of beliefs that may appear contradictory. There is discussion of Glanvill's thought and method in Basil Willey's Seventeenth Century Background (1934).

Rationality and plain talking

He was the author of The Vanity of Dogmatizing (editions from 1661), which attacked scholasticism and religious persecution. It was a plea for religious toleration, the scientific method, and freedom of thought. It also contained a tale that became the material for Matthew Arnold's Victorian poem The Scholar Gypsy.[5]

Glanvill was at first a Cartesian, but shifted his ground a little, engaging with scepticism and proposing a modification in Scepsis Scientifica (1665), a revision and expansion of The Vanity of Dogmatizing. It started with an explicit "Address to the Royal Society"; the Society responded by electing him as Fellow. He continued in a role of spokesman for his type of limited sceptical approach, and the Society's production of useful knowledge.[6] As part of his programme, he argued for a plain use of language, undistorted as to definitions and reliance on metaphor.[7] He also advocated with Essay Concerning Preaching (1678) simple speech, rather than bluntness, in preaching, as Robert South did, with hits at nonconformist sermons; he was quite aware that the term "plain" takes a great deal of unpacking.[8]

In Essays on Several Important Subjects in Philosophy and Religion (1676) he wrote a significant essay The Agreement of Reason and Religion, aimed at least in part at nonconformism. Reason, in Glanvill's view, was incompatible with being a dissenter.[9] In Antifanatickal Religion and Free Philosophy, another essay from the volume, he attacked the whole tradition of imaginative illumination in religion, going back to William Perkins, as founded on the denigration of reason.[10] This essay has the subtitle Continuation of the New Atlantis, and so connects with Francis Bacon's utopia. In an allegory, Glanvill placed the "Young Academicians", standing for the Cambridge Platonists, in the midst of intellectual troubles matching the religious upheavals seen in Britain. They coped by combining modern with ancient thought.[11] Glanvill thought, however, that the world cannot be deduced from reason alone. Even the supernatural cannot be solved from first principles and must be investigated empirically. As a result Glanvill attempted to investigate supposed supernatural incidents through interviews and examination of the scene of the events.

The supernatural

He is known also for Sadducismus Triumphatus (1681), which decried scepticism about the existence and supernatural power of witchcraft and contained a collection of seventeenth-century folklore about witches. It developed as a compendium (with multiple authorship) from Philosophical Considerations Touching the Being of Witches and Witchcraft (1666), addressed to Robert Hunt, a Justice of the Peace active from the 1650s against witches in Somerset (where Glanvill had his living at Frome); the 1668 version A Blow at Modern Sadducism promoted the view that the judicial procedures such as Hunt's court offered should be taken as adequate tests of evidence, because to argue otherwise was to undermine society at its legal roots.[12] His biographer Ferris Greenslet attributed Glanvill's interest in the topic to a house party in February 1665 at Ragley Hall, home of Lady Anne Conway, where other guests were More, Francis van Helmont, and Valentine Greatrakes.[13] In the matter of the Drummer of Tedworth, a report of poltergeist-type activity from 1662-3, More and Glanvill had in fact already corresponded about it in 1663.[14]

Sadducismus Triumphatus deeply influenced Cotton Mather's Wonders of the Invisible World (1693), written to justify the Salem witch trials in the following year. It was also taken as a target when Francis Hutchinson set down An Historical Essay Concerning Witchcraft (1718); both books made much of reports from Sweden, and included by Glanvill as editor, which had experienced a moral panic about witchcraft after 1668.[15]

Jonathan Israel writes:

In England men such as Boyle, Henry More, Ralph Cudworth and Joseph Glanvill battled to stabilize belief in the existence and operations of apparitions and spirits as part of a wider drive to uphold religion, authority and tradition.[16]

These and others (Richard Baxter, Meric Casaubon, George Sinclair) believed that the tide of scepticism on witchcraft, setting in strongly by about 1670, could be turned back by research and sifting of the evidence.[17] Like More, Glanvill believed that the existence of spirits was well documented in the Bible, and that the denial of spirits and demons was the first step towards atheism. Atheism led to rebellion and social chaos and therefore had to be overcome by science and the activities of the learned. Israel cites a letter from More to Glanvill, from 1678 and included in Sadducismus Triumphatus, in which he says that followers of Thomas Hobbes and Baruch Spinoza use scepticism about "spirits and angels" to undermine belief in the Scripture mentioning them.

Atheism, scepticism and Aristotle

His views did not prevent Glanvill himself being charged with atheism. This happened after he engaged in a controversy with Robert Crosse, over the continuing value of the work of Aristotle, the classical exponent of the middle way.[18] In defending himself and the Royal Society, in Plus ultra, he attacked current teaching of medicine (physick), and in return was attacked by Henry Stubbe, in The Plus Ultra reduced to a Non Plus (1670).[19] His views on Aristotle also led to an attack by Thomas White, the Catholic priest known as Blacklo. In A Praefatory Answer to Mr. Henry Stubbe (1671) he defined the "philosophy of the virtuosi" cleanly: the "plain objects of sense" to be respected, as the locus of as much certainty as was available; the "suspension of assent" absent adequate proof; and the claim for the approach as "equally an adversary to scepticism and credulity". To White he denied being a sceptic.[20][21] A contemporary view is that his approach was a species of rational fideism.[22]

His Philosophia Pia (1671) was explicitly about the connection between the "experimental philosophy" of the Royal Society and religion. It was a reply to a letter of Meric Casaubon, one of the Society's critics, to Peter du Moulin. He used it to cast doubt on the roots of enthusiasm, one of his main targets amongst the nonconformists.[23] It also dealt with criticisms of Richard Baxter, who was another accusing the Society of an atheist tendency.[24]

In literature

Edgar Allan Poe's short stories Ligeia and A Descent into the Maelström contain epigraphs ascribed to Glanvill.

Notes

  1. ^ Richard S. Westfall, Science and Religion in Seventeenth-Century England (1973), p. 18.
  2. ^ a b Galileo Project page
  3. ^ a b Concise Dictionary of National Biography
  4. ^ http://plato.stanford.edu/entries/henry-more/
  5. ^ http://www.kingmixers.com/Gypsyscholar.html
  6. ^ Richard H. Popkin (editor), The Pimlico History of Western Philosophy (1999), pp. 360-2.
  7. ^ Jonathan Sawday, The Body Emblazoned: Dissection and the Human Body in Renaissance Culture (1996), p. 235.
  8. ^ N. H. Keeble, The Literary Culture of Nonconformity in Later Seventeenth-century England (1987), p. 244 and p. 246.
  9. ^ Richard Ashcraft, Latitudinarianism and Toleration, p. 157 in Richard W. F. Kroll, Richard Ashcraft, Perez Zagorin (editors), Philosophy, Science, and Religion in England, 1640-1700 (1991).
  10. ^ Jeremy Schmidt, Melancholy and the Care of the Soul: Religion, Moral Philosophy and Madness in Early Modern England (2007), p. 89.
  11. ^ Westfall, p. 116.
  12. ^ Stuart Clark, Thinking with Demons: The Idea of Witchcraft in Early Modern Europe (1999), p. 176.
  13. ^ Ferris Greenslet, Joseph Glanvill: A Study in English Thought and Letters of the Seventeenth Century (1900), p. 66.
  14. ^ http://eprints.bbk.ac.uk/250/1/Hunter4.pdf
  15. ^ E. William Monter, Scandinavian Witchcraft in Perspective, pp. 432-3, in Bengt Ankarloo and Guctav Henningsen, Early Modern Witchcraft: Centres and Peripheries (1990).
  16. ^ Jonathan Israel, The Radical Englightenment (2001), p. 376.
  17. ^ Keith Thomas, Religion and the Decline of Magic (1973), p. 690 and p. 693.
  18. ^ Nicholas H. Steneck (1981), "The Ballad of Robert Crosse and Joseph Glanvill" and the Background to Plus Ultra, British Journal for the History of Science, 1981, vol. 14, no. 46, pp. 59-74.
  19. ^ Roger Kenneth French, Andrew Wear (editors), The Medical Revolution of the Seventeenth Century (1989), pp. 151-2.
  20. ^ Stephen Gaukroger, The Emergence of a Scientific Culture: Science and the Shaping of Modernity, 1210-1685 (2006), p. 224.
  21. ^ Stuart Clark, Vanities of the Eye: Vision in Early Modern European Culture (2007), p. 352.
  22. ^ Richard Henry Popkin, The History of Scepticism: From Savonarola to Bayle (2003 edition), p. 213.
  23. ^ Michael Heyd, Be Sober and Reasonable: The Critique of Enthusiasm in the Seventeenth and Early Eighteenth Centuries (1995), note p. 156.
  24. ^ Jon Parkin, Science, Religion and Politics in Restoration England: Richard Cumberland's De Legibus Naturae (1999), pp. 137-8.

Further reading

  • Richard H. Popkin, Joseph Glanvill: A Precursor of David Hume, Journal of the History of Ideas, Vol. 14, No. 2 (Apr., 1953), pp. 292-303
  • Jackson I. Cope, Joseph Glanvill, Anglican Apologist: Old Ideas and New Style in the Restoration, PMLA, Vol. 69, No. 1 (Mar., 1954), pp. 223-250
  • Richard H. Popkin, The Development of the Philosophical Reputation of Joseph Glanvill, Journal of the History of Ideas, Vol. 15, No. 2 (Apr., 1954), pp. 305-311
  • Dorothea Krook, Two Baconians: Robert Boyle and Joseph Glanvill, Huntington Library Quarterly 18 (1955): 261-78
  • Robert M. Burns (1981), The Great Debate on Miracles: From Joseph Glanvill to David Hume
  • Sascha Talmor (1981), Glanvill: The Uses and Abuses of Skepticism
  • Richard H. Popkin (1992), The Third Force in Seventeenth-century Thought, Ch. 15 The Scepticism of Joseph Glanvill

External links


 
 
Learn More
run the gauntlet (Idiom)
Henry More (history 1450-1789)
Valentine Greatrakes (parapsychology)

Who is louis joseph? Read answer...
Where is joseph llido? Read answer...
Joseph winkler? Read answer...

Help us answer these
Who is jenny joseph?
Who is Joseph Letesson?
What was Joseph's gift?

Post a question - any question - to the WikiAnswers community:

 

Copyrights:

Philosophy Dictionary. The Oxford Dictionary of Philosophy. Copyright © 1994, 1996, 2005 by Oxford University Press. All rights reserved.  Read more
Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/ Read more
Occultism & Parapsychology Encyclopedia. Encyclopedia of Occultism and Parapsychology. Copyright © 2001 by The Gale Group, Inc. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Joseph Glanvill" Read more