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Jost Amman

 
Art Encyclopedia: Jost Amman

(b Zurich, bapt 13 June 1539; d Nuremberg, 17 March 1591). Swiss draughtsman, woodcutter, engraver, etcher and painter. He was the youngest son of the noted scholar and Chorherr in Zurich, Johann Jakob Amman, a friend of Ulrich Zwingli and Konrad Gessner. Although a successful pupil at the renowned Collegium Carolinum where his father was a professor, Jost, like his brother Josua (1531-64), who became a goldsmith, did not take up a scholarly career. As early as 1556-7 his copies of prints by other artists, for example D?rer (B. 94) and Virgil Solis (B. 249), show an independent and original approach. For his apprenticeship Amman may have been in Basle or Zurich, but he probably spent some time in Paris or Lyon, since his early works show a close similarity to French book illustrations.

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Wikipedia: Jost Amman
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Formschneider, that is, block-cutter for woodcuts, 1568. From Das Ständebuch, a famous series of woodcuts of the trades by Amman (who would not usually have done his own cutting)

Jost Amman (born June 13, 1539, Zürich, Switz. died March 17, 1591, Nürnberg, Bavaria Germany) was a Swiss artist, celebrated chiefly for his woodcuts, done mainly for book illustrations.

Amman was born in Zurich, the son of a professor of Classics and Logic. He was himself well-educated. Little of his personal history is known beyond the fact that he moved to Nuremberg in 1560, where he continued to reside until his death in March 1591. He worked initially with Virgil Solis, then a leading producer of book illustrations. His productiveness was very remarkable, as may be gathered from the statement of one of his pupils, that the drawings he made during a period of four years would have filled a hay wagon. A large number of his original drawings are in the Berlin print room. About 1,500 prints are attributed to him. He was one of the last major producers of woodcuts for books, as during his career engravings were gradually taking over that role. Although like most artists for woodcut he normally let a specialist formschneider cut the block to his drawing, he sometimes included both a cutter's knife and a quill pen in his signature on prints, suggesting he sometimes cut his own blocks.

A series of engravings by Amman of the kings of France, with short biographies, appeared in Frankfurt in 1576. He also executed many of the woodcut illustrations for the Bible published at Frankfurt by Sigismund Feierabend. Another serial work, the Panoplia Omnium Liberalium Mechanicarum et Seden-tariarum Artium Genera Continens, containing 115 plates, is of great value. Amman's drawing is correct and spirited, and his delineation of the details of costume is minute and accurate. Paintings in oil and on glass are attributed to him, but none have been identified.

References

  • This article incorporates text from the Encyclopædia Britannica, Eleventh Edition, a publication now in the public domain.
  • Kartenspiel. A pack of cards. [Leipzig, Edition Leipzig, 1967.] (A pack of cards reproduced from Amman’s Charta lusoria published in 1588, issued in case together with "Einführung von Erwin Kohlmann".)
  • Pictorial archive of decorative Renaissance woodcuts: (Kunstbüchl[e]in) / by Jost Amman; with an introduction by Alfred Werner. New York: Dover, [1985] c1968. ISBN 0486219879
  • Andresen, Andreas. Jost Amman, 1539-1591; Graphiker und Buchillustrator der Renaissance. Beschreibender Katalog seiner Holzschnitte, Radierungen und der von ihm illustrierten Bücher. Mit einer biographischen Skizze und mit Registern seines Werkes und der Autoren illustrierten Bücher. Amsterdam: G. W. Hissink [1973]. (Reprint of the 1864 ed., published by Danz, Leipzig, which was issued as part of v. 1 of the author’s Der deutsche Peintre-Graveur.) ISBN 9060251059
  • Becker, Carl. Jobst Amman, zeichner und formschneider, kupferätzr und stecher. Leipzig: R. Wiegel, 1854.

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