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Journey to the End of the Night

 
Album Review: Journey to the End of the Night

  • Artist: The Mekons
  • Rating: StarStarStarStar
  • Release Date: March 07, 2000
  • Total Time: 43:16
  • Type: Lyrics are included with the album
  • Genre: Rock

Review

The Mekons have always thrived on musical contradiction, reveling in their clashes instead of diluting their collective influences, realizing that it's less interesting to play it safe. However, there is little evidence of this inclination on Journey to the End of the Night, perhaps their most straightforward album. Long-time fans looking for the fire of their most impassioned music may be suspicious: for once the Mekons sound like a band getting older, but this isn't a bad thing. On Journey, they avoid the sort of jarring juxtapositions that made previous collections more difficult to digest, but they don't stick to a uniform sound; instead, "Tina"'s light reggae rhythms, chugging guitar line, and melodica coexist peacefully with the low-budget electro of "The Flood." The more reserved songcraft results in one of the group's most sensitive sets of songs. "Ordinary Night" effectively communicates a touching story of love fumbled by a familiar, tragic character in two verses. The duet "Last Weeks of the War" uses truly ominous language in its tale of a broken relationship: "Little black book/Full of little white lies/The straightjacket has arrived/I'll try it on for size," Jon Langford sings, while Timms is both strong and sympathetic ("I'm not ruined but I need repair"). On Journey to the End of the Night, the Mekons have crafted a collection of rich, musically agreeable settings for sympathetic character sketches like these. ~ Nathan Bush, All Music Guide

Tracks

Track TitleComposersPerformersTime
Myth The Mekons (3:52)
Out in the Night The Mekons The Mekons (3:30)
Last Weeks of the War The Mekons (2:59)
City of London The Mekons (4:02)
Tina The Mekons (3:56)
The Flood The Mekons (4:51)
Cast No Shadows The Mekons (3:03)
Ordinary Night (In a Provincial Town) The Mekons (3:18)
Powers & Horror The Mekons (2:42)
Neglect The Mekons The Mekons (4:02)
Something to Be Scared Of The Mekons (2:38)
Last Night on Earth The Mekons (3:42)
[Untitled Track] The Mekons (:41)

Credits

John Rice (Sitar (Electric)), The Mekons (Producer), Jon (Vocals), Neko Case (Vocals (Background)), Ken Sluiter (Engineer), Mitchell Marlow (Guitar (Rhythm)), David Trumfio (Engineer), Jon (Guitar), LU (Cumbus), Tom (Vocals), Ken Sluiter (Mixing), Jon (Machines), Kelly Hogan (Vocals (Background)), Tom (Piano), Jon (Melodica), Edith Frost (Vocals (Background)), Tom (Autoharp), Tom (Guitar), Ken Sluiter (Mastering)
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Wikipedia: Journey to the End of the Night
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Journey to the End of Night  
Author Louis-Ferdinand Céline
Original title Voyage au bout de la nuit
Translator John H. P. Marks (1934), Ralph Manheim (1988)
Country France
Language French
Publication date 1932

Journey to the End of Night (Voyage au bout de la nuit, 1932) is the first novel of Louis-Ferdinand Céline. This semi-autobiographical work describes antihero Ferdinand Bardamu. His surname, Bardamu, is derived from the French words Barda—the "pack" carried by World War I soldiers—and mu, the past participle of the verb mouvoir, meaning to move. (As the novel progresses, circumstances compel Bardamu to drop his "baggage" of conventional morality and his youthful optimism.[1]) Bardamu is involved with World War I, colonial Africa, and post-World War I America (where he works for the Ford Motor Company), returning in the second half of the work to France, where he becomes a medical doctor and establishes a practice in a poor Paris suburb, the fictional La Garenne-Rancy. The novel also satirizes the medical profession and the vocation of scientific research. The disparate elements of the work are linked together by recurrent encounters with Léon Robinson, a hapless character whose experiences parallel, to some extent, those of Bardamu.

As its title suggests, Voyage au bout de la nuit is a nihilistic novel of savage, exultant misanthropy, combined, however, with cynical humour. Céline expresses an almost unrelieved pessimism with regard to human nature, human institutions, society, and life in general. Towards the end of the book, the narrator Bardamu, who is working at an insane asylum, remarks:

…I cannot refrain from doubting that there exist any genuine realizations of our deepest character except war and illness, those two infinities of nightmare,"
("…je ne peux m'empêcher de mettre en doute qu'il existe d'autres véritables réalisations de nos profonds tempéraments que la guerre et la maladie, ces deux infinis du cauchemar,")

Literary style

Céline's first novel is most remarkable perhaps for its style. Céline makes extensive use of ellipsis and hyperbole. He writes with the flow of natural speech patterns and writes vernacular, while also employing more erudite elements. This influenced French literature considerably. The novel enjoyed popular success and a fair amount of critical acclaim when it was published during October 1932. Albert Thibaudet, perhaps the greatest of the entre-deux-guerres critics, said that during January 1933 it was still a common topic of conversation at dinner parties in Paris (Henri Godard, "Notice," in Céline, Romans, vol. 1 [Paris: Bibliothèque de la Pléiade, 1981], p. 1262).

Influence and legacy

Kurt Vonnegut cited Journey as one of his influences in Palm Sunday, and Bardamu's misadventures appear to have influenced Joseph Heller's Catch-22. Charles Bukowski makes reference to Journey in a number of his novels and short stories, and employs prose techniques borrowed from Céline. Bukowski once said that "Journey to the End of the Night was the best book written in the last two thousand years."

The Xiu Xiu song "F.T.W." references the book.

Italian film director Sergio Leone was a fan of the novel and was considering a film adaptation in the 1960s.

The poem inspired the Israeli singer and songwriter Aya Korem to write a song called "Tania". It is a sad yet satirical song, and Journey is credited in the liner notes of the album.

The name of the book is also a main lyric in the song "End of the Night" by The Doors, as the book was an inspiration to their singer Jim Morrison.

The title of noise/punk band Heroine Sheiks' 2008 release "Journey to the Edge of the Knife" is a reference to the novel.

The movie Bringing out the Dead by Martin Scorsese contains a scene showing the book on a shelf in Frank Pierce's home.

Publication history

Jacques Tardi illustrated a 1988 edition with 130 drawings.

  • Céline, Louis-Ferdinand; Manheim, Ralph (translator) (1983). Journey to the End of the Night. New York: New Directions. ISBN 9780811208475. 
  • Céline, Louis-Ferdinand; Manheim, Ralph (translator) (1988). Journey to the End of the Night. London: Calder. ISBN 9780714541396. 
  • Sturrock, John (1990). Louis-Ferdinand Celine, Journey to the End of the Night. Cambridge: Cambridge University Press. ISBN 0521378540. 
  • Céline, Louis-Ferdinand; Vollman, William T. (afterword); Manheim, Ralph (translator) (2006). Journey to the End of the Night. New York: New Directions. ISBN 9780811216548. 

 
 

 

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Album Review. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
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