A style of architecture and decorative art similar to art nouveau, popular in German-speaking areas of Europe during the late 19th and early 20th centuries.
[German : Jugend, youth + Stil, style.]
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A style of architecture and decorative art similar to art nouveau, popular in German-speaking areas of Europe during the late 19th and early 20th centuries.
[German : Jugend, youth + Stil, style.]
For more information on Jugendstil, visit Britannica.com.
This term (meaning ‘youth style’) was used in Germany and Scandinavia to describe Art Nouveau and derived from the decorative arts magazine Jugend (1896-1914), published in Munich and widely circulated amongst those interested in the decorative arts. This organic, curvilinear style was at its height in Scandinavia, particularly Helsinki, around 1900.
Jugendstil, designation for a stylistic trend in the arts c.1895-1905 (cf. art nouveau). In Germany it was propagated by the periodical Jugend (which gave it its name) primarily in reaction against the style of the preceding decades, the Gründerzeit. It encouraged functional, linear ornamentation modelled on the Pre-Raphaelite movement in England and on Japanese art. In literature the term has been used in connection with, among others, Dehmel, Flaischlen, S. George, Hofmannsthal, and Rilke, especially in their early poetry. See also Sezessionen.
Jugendstil is defined as "a style of architecture or decorative art similar to Art Nouveau, popular in German-speaking areas of Europe during the late 19th and early 20th centuries".[1] Jugendstil was also popular in the Nordic countries, where it became integrated with the National Romantic Style.
Art Nouveau became the dominant style between 1896 and 1909. Munich, Germany was one main center of Jugendstil (meaning "youth style").
Henry Van de Velde was a Belgian theorist who influenced many others to continue in this style of graphic art including Peter Behrens, Hermann Obrist, and Richard Riemerschmid.
The art of Jugendstil was applied to a wide range of products, furniture, and architecture. It inspired artists and influenced them to create an expressive look for cartoons and caricatures throughout Europe.
In Vienna, a different style was developed around 1900 with members of the Vienna Secession.
In 1903 Josef Hoffmann and Koloman Moser founded the historical Wiener Werkstätte and created works of craftsmanship in a very distinctive style: the Wiener Werkstätte Style.
The term "Jugendstil" originated in 1896, when it was published in the trend-setting cultural weekly Jugend, founded by Georg Hirth. The word Jugendstil is a distinctly German word used in the vocabulary of graphic design. Drawing from traditional German printmaking, the style uses precise and hard edges, an element which was rather different from the naturalistic style of the time. Within the field of Jugendstil art there are a variety of different methods, applied by the various individual artists. Methods range from classic to romantic. One feature that sets Jugendstil apart is the typography used. Typically the letter and image combination is unmistakable. The combination was used for covers of novels, advertisements, or exhibition posters. Designers often used unique display typefaces which worked harmoniously with the image.
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