Similar Artists:
Lisa Stansfield,
Everything But the Girl,
Suzanne Vega,
Chantal Kreviazuk,
Alison Moyet,
Simply Red,
Jane Siberry,
Lighthouse Family,
Crowded House,
Sarah McLachlan,
Shawn Colvin,
Joan Baez
Influenced By:
Formal Connection With:
- Born: August 10, 1962, Portsmouth, England
- Active: '80s, '90s, 2000s
- Genres: Rock
- Instrument: Vocals
- Representative Albums: "Concrete Love", "Collection", "Porcelain
- Representative Songs: "Happy Ever After", "Manhattan Skyline", "Porcelain
Biography
One time member of Mari Wilson's backing troupe the Wilsations, English songbird Julia Fordham finally realised her debut in 1988. Unimaginatively titled, Julia Fordham showed off Fordham's smoky jazz bar low dulcet voice and contained four singles: "The Comfort of Strangers," "Woman of the 80's," first hit"Happy Ever After," and "Where Does the Time Go" which missed the UK top 40 by the most slender margin peaking at 41.The following year Porcelain consolidated her presence as a leading album artiste. Produced by Hugh Padgham, Grant Mitchell and Fordham herself, standout tracks include "Lock and Key"; tonally warm, its vocal delivery was likened to Joni Mitchell (with whom she'd be further linked in years to come). Porcelain guested Manu Katche and Pino Palladino among its high calibre line-up. More tales of hopelessness in the art of relationships were outlined in 1991's Swept which included the excellent "I Thought it Was You," however like another songstress Judy Tzuke, Fordham found her singles too classy for mainstream radio play and so it stalled mid sixties. A remix of the song came closer managing no. 45 in spring '92.
Fortunately, Fordham did enjoy some singles success courtesy of "(Love Moves in) Mysterious Ways." Taken from the film The Butcher's Wife, it climbed to no. 19 making it her biggest UK hit to date. Swept was quickly re-issued, this time, with the song part of the process. Re-locating to the States in the mid-nineties, Fordham began work on her fourth album with Larry Klein, then husband and producer of Joni Mitchell. He'd also been busy working with David Baerwald and The Innocence Mission, however he and Fordham's Falling Forward became another slice of technical accomplishment. Despite efforts to present her in more contemporary pop format ("Can't Help Myself" received a modest remix) the record was confounded. In 1997 East West portrayed Fordham on the cover in the most American of things - a yellow cab. For some reason it was granted release only in the States, a fate also bestowed on other British acts; Duran Duran and Wang Chung to name two. Canadian guitarist/ producer Michael Brook, renowned for his film work and experimental music affiliations, handled production. A solid greatest hits compilation released in 1999 and her last contractual effort for Virgin, the aptly titled Collection included updated versions of "Happy Ever After" and "Where Does the Time Go" as well as "Killing Me Slowly" from East West. She teamed up with Larry Klein once again during the new millennium, and a new deal with Division One/Atlantic prevailed in time for the 2002 release of Julia Fordham's sixth studio album, Concrete Love. The Vanguard label was her new home for 2004's That's Life and the live CD/DVD combo that followed, That's Live. ~ Kelvin Hayes, All Music Guide
