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Julian Mitchell

 
American Theater Guide: Julian Mitchell

Mitchell, Julian (1854–1926), director. Probably the most prolific stager of musicals in Broadway's history, he started his career as a dancer at Niblo's Garden. In 1884 he became Charles Hoyt's principal director and staged many of Hoyt's later plays, including A Trip to Chinatown (1891). With Hoyt he learned the art of fast, fluid pacing that characterized his best work. Mitchell then moved to Weber and Fields, where he was often credited with establishing that team's celebrated chorus line of beauties. In 1903 he directed two of the year's biggest musical hits, The Wizard of Oz and Babes in Toyland. Florenz Ziegfeld hired him to help stage the first Ziegfeld Follies in 1907, and he eventually helped mount eight more of them. Mitchell's work was also seen in The Fortune Teller (1898), It Happened in Nordland (1904), Miss Innocence (1908), The Pink Lady (1911), Mary (1920), The Perfect Fool (1921), and Sunny (1925). In all he staged more than eighty musicals, although in his later years he was virtually deaf.

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Julian Mitchell FRSL (born 1 May 1935 in Epping, Essex), full name Charles Julian Humphrey Mitchell, is an English playwright, screenwriter and occasional novelist. He is best known as screenwriter for TV, producing many original plays and series episodes, including at least ten for Inspector Morse. He has written nine produced plays, including Another Country, which won the SWET (now Oliviers) award for best play of the year (1981), and After Aida (1986), a play-with-music about composer Giuseppe Verdi. He has also written the screen play for five movies, starting by co-writing Arabesque (1966), and including the 1984 film adaptation of Another Country, Wilde and Vincent & Theo.

Mitchell was educated at Winchester College where he won the English Verse and Duncan Reading Prizes [1]. He then did his national service in submarines 1953-55, (Sub Lt RNVR). He then went to Oxford, where he received a BA with first class honours in 1958. This was followed by a period as a Harkness Fellow in the USA (1959-61). Since 1962 has been a freelance writer.

In the late 1960s, Mitchell co-wrote the teleplay Arthur (Or the Decline and Fall of the British Empire) with Ray Davies of The Kinks. It was never produced, though it gave rise to the band's concept album. He recently recalled the aborted project: "Arthur had a most unhappy history. It was originally meant to be a ... sort of rock opera, and we got as far as casting (excellent director and actors) and finding locations and were about to go when the producer went to a production meeting without a proper budget, tried to flannel his way through it, was immediately sussed and the production pulled. I have never been able to forgive the man."

In 2007 he wrote for BBC4 the drama Consenting Adults about Sir John Wolfenden and his celebrated 1957 report.

References

  1. ^ Winchester College Register 1992

External links


 
 
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American Theater Guide. The Oxford Companion to American Theatre. Copyright © 2004 by Oxford University Press, Inc. All rights reserved.  Read more
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