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Julius J. Epstein

 
Writer: Julius J. Epstein
  • Born: Aug 22, 1909 in New York City, New York
  • Died: Dec 30, 2000 in Los Angeles, California
  • Occupation: Writer
  • Active: '30s-'70s
  • Major Genres: Drama, Romance
  • Career Highlights: Casablanca, Kiss Them for Me, Cross of Iron
  • First Major Screen Credit: Broadway Gondolier (1935)

Biography

Identical twin screenwriters Julius J. and Philip G. Epstein were the sons of a prosperous New York livery stable owner. Both Epsteins attended Penn State, then went off to seek their separate fortunes as journalists. Julius was employed as a press agent when, in 1933, he headed to Hollywood to help out a couple of old college friends who'd sold a story to Warner Bros. but were having trouble finishing the script. He continued to contribute anonymously to other screenwriter's efforts, finally receiving a credit for 1935's Broadway Gondolier.

Around that same time, Julius' brother, Philip, arrived in Hollywood to work at RKO; in 1938, the brothers formed a writing team that would flourish until Philip's sudden death in 1952. Before long, it became common Hollywood practice for producers, directors, and writers to cry out, "Get me the Epsteins!" whenever a script became mired down. Among the films that the Epsteins worked on (credited and uncredited) were The Strawberry Blonde (1941), Yankee Doodle Dandy (1942), The Male Animal (1942), My Foolish Heart (1948), and Forever Female (1952). Their prolific output is all the more remarkable in that they never typed a script, choosing instead to write in longhand. To hear the brothers tell it, they were of equal talent, though an argument can be made that Julius was the better raconteur and Philip was more skilled at bypassing censorship (it was Philip who saved the ending of Arsenic and Old Lace (1942) by purifying the line "I'm a bastard!" into "I'm the son of a sea cook!"), The Epsteins' best-known credit was the award-winning Casablanca. Outside of his work with Philip, Julius wrote or co-wrote four plays (including the popular Chicken Every Sunday), and wrote the scripts for The Tender Trap (1956), Kiss Them for Me (1957), Return From the Ashes (1965), Any Wednesday (1967), and Pete 'N' Tillie (1973), also functioning as producer on several of these films. Philip G. Epstein's credits without his brother include The Bride Walks Out (1936) and The Mad Miss Manton (1938). In 1983, the 74-year-old Julius J. Epstein won the fourth of his Oscar nominations for Reuben, Reuben.

On the eve of 2001 the master of sharp wit and sardonic dialogue was silenced forever. With the death of Julius Epstein on December 30, 2000, Hollywood lost the final remaining contributor to one of films most beloved treasures, Casablanca. ~ Hal Erickson, All Movie Guide
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Wikipedia: Julius J. Epstein
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Julius J. Epstein
Born August 22, 1909(1909-08-22)
New York City, New York
Died December 30, 2000 (aged 91)
Los Angeles, California
Relatives Leslie Epstein, nephew
Theo Epstein, grandnephew

Julius J. Epstein (August 22, 1909, New York City, New YorkDecember 30, 2000, Los Angeles, California) was an American screenwriter, who had a long career, most noted for the adaptation - in partnership with his twin brother, Philip, and others —- of the unproduced play Everybody Comes to Rick's that became the screenplay for the film Casablanca (1942), for which its team of writers won an Academy Award. Following his brother's death in 1952, he continued writing, garnering two more Oscar nominations and, in 1998, a Los Angeles Film Critics Association career achievement award. His credits included Four Daughters (1938), The Bride Came C.O.D. (1941), The Man Who Came to Dinner (1942), Mr. Skeffington (1944), The Tender Trap (1955), Light in the Piazza (1962), Send Me No Flowers (1964), Pete 'n' Tillie (1972), and Reuben, Reuben (1983).

Biography

Epstein graduated from The Pennsylvania State University in 1931 with a BA in Arts and Letters. Both he and his brother boxed for the varsity squad there; in fact, Julius became an NCAA Bantamweight Champion.

Jack Warner, head of Warner Brothers, had a love-hate relationship with the writing duo of the Epstein brothers. He could not argue with their commercial success, but he deplored their pranks, their work habits and the hours they kept. He consistently butted heads with the two. In 1952, Warner gave the brothers' names to the House Un-American Activities Committee (HUAC). They never testified before the committee, but on a HUAC questionnaire, when asked if they ever were members of a "subversive organization," they responded, "Yes. Warner Brothers."

Epstein was the uncle of Leslie Epstein, director of the creative writing program at Boston University and accomplished novelist and the great-uncle of Boston Red Sox General Manager Theo Epstein.

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