Junior Vasquez, (born Donald Mattern, August 24,[1] 1949[2], Lancaster, Pennsylvania), is an American club DJ and remixer/producer.
Career
Mattern moved to New York as a young adult in 1971 with ambitions of becoming a fashion designer, even briefly attending Fashion Institute of Technology (FIT) and working as a hairdresser for a while.[1] However, Mattern soon became fascinated with NYC nightlife especially with the work of deejay Larry Levan at The Paradise Garage. After adopting the pseudonym "Junior Vasquez", he commenced his career in music production in the 1980s. Vasquez began to work with deejay and pop remixer/producer Shep Pettibone, and together they co-produced end edited numerous singles from such artists as Madonna, Whitney Houston, Janet Jackson, MC Hammer, Prince, Pet Shop Boys and others. It wasn't long before Vasquez landed a brief residency at Club Bassline, where he began to make a name for himself as a live deejay.
From 1989 to 1995, Vasquez gained national prominence, along with music industry influence — through his residency at the original Sound Factory, a club he co-founded with Richard Grant, which was located at 530 West 27th Street in Manhattan's Chelsea district. Vasquez quickly built a following of loyal fans who became known as "Juniorites". Devoted to Vasquez's musical style, personality, and the spectacle of his weekly Sunday morning after-hours parties, his fans made Vasquez become one of New York City's most popular DJs. Soon afterwards, major record labels began soliciting Vazquez to produce club-friendly remixes for their top singers utilizing his personal beat-driven house style. Due to a rise in demand from these labels, many singers and musicians such as C+C Music Factory, David Morales, Björk, Marilyn Manson, and Madonna were known to frequent his Sunday morning events. Working with many popular artists allowed Vasquez to create his own repertoire of exclusive "Private Collection" of authorized remixes (along with several unofficial remixes) which were not released to the market and thus made his live sets even more distinctive to his following, due to the fact because that they could only be heard at Vasquez's Sound Factory events.
After the Sound Factory on was closed in February 1995, Vasquez held residencies at the Tunnel (1995-1996), and at ArenA (held at the Palladium) (1996-1997) where his suspended booth was custom-designed by designers Dolce & Gabbana. In 1997, he returned to the former site of the former Sound Factory and reopened it as "Twilo". Remodeled to include a custom-designed DJ booth for Vasquez's exclusive use and fitted with new cutting-edge audio technology known as "Phazon", Vasquez's residency at Twilo lasted until May 2001 when the venue was abruptly shut down by order of the city. In 1997 Ian Jenkinson and Inner Rhythm Artists Tribal Gathering enlisted Vasquez for the Largest single artist DJ event in UK history at the London Arena. Problems with the venue saw the event split between the two largest clubs in the country Ministry of Sound and Cream Nightclub
With the demise of Twilo, Vasquez began a new Sunday morning after-hours residency which he named "Earth" at the highest capacity club space in New York City, Exit Nightclub. Vasquez's gig at Earth ended without fanfare in 2002. In the years that followed, he held shorter-lived residencies at various clubs in New York, including Discothèque, Sound Factory (so-named by Richard Grant who retained legal rights to the name and opened in a new space located in the Hells Kitchen section of Manhattan shortly after the closure of the original site), Pacha) (which opened in the site where the new Sound Factory once stood), Spirit (which opened at the former space where Twilo once operated), and The Roxy. Vasquez presently serves as resident deejay and hosts a small, monthly events at Cielo (a small bar in the West Village section of Manhattan). In addition to this residency, he continues to spin at occasional events at various venues throughout the city and around the world.
In addition to his work as a deejay and remixer, he has co-produced albums for John Mellencamp, For Real, Lisa Lisa, Cyndi Lauper, among others, and individual LP tracks for Madonna, Cher, Wild Orchid, Kristine W, and others. Junior, along with his record label JuniorVasquezMusic, is also known for introducing new artists, including many crossover singers, to dance/pop music scene. Some of these artists include Vernessa Mitchell, Jason Walker, Casey Stratton, Kè, Quentin Elias, Vivian Green, and Sam Harris.
During recent years Vasquez has remixed many of Britney Spears' singles from her two albums Blackout and Circus including: "Gimme More", "Piece of Me", "Break The Ice", "Womanizer", "Circus" and "If U Seek Amy".
Madonna controversy
Vasquez had a public falling out with Madonna in 1996, after the release of an unauthorized single titled "If Madonna Calls". The original version that Vasquez plays at nightclubs contains what is widely believed to be an actual phone message from Madonna left on Vasquez's answering machine[3].
The song lyrics are as follows:
(voice recording ostensibly left by Madonna on Junior's answering machine at his home in New York):
- "Hello Junior, This is Madonna. Are you there? (short pause) Call me in Miami."
This is followed by a male voice:
- "If Madonna calls, I'm not here"
This is followed by hard tribal rhythms, with the samples of the message still playing in the loop of the track, and a male voice repeating the words shown above. Towards the end of the song, the words change and the male voice then says:
- "If Madonna calls…actually if she calls just disconnect her."
The song reportedly was produced after Madonna failed to show up for a surprise performance at one of Vasquez's parties held at New York City club "Tunnel" at the last second. Although never confirmed, Madonna did not approve of Vasquez's actions[4], ending their professional relationship on bad terms.[5] Chances for reconciliation are impossible according to Madonna's longtime publicist Liz Rosenberg, who in a June 2003 news story in New York Magazine said “I can assure you that Madonna will never work with Junior again." [6]
Personal life
Mattern is openly gay and has overcome an addiction to methamphetamine.[7][8]
Discography
Albums
- 1998: To the Rhythm
- 2000: Twilo, Vol. 1: Junior Vasquez
- 2001: Junior's Nervous Breakdown
- 2001: J.M.O. After Service
- 2002: Earth Music
- 2002: Earth Music 2
- 2003: Junior's Magic Orchestra
- 2004: Ageha, Vol. 4
- 2006: Party Groove: White Party, Vol. 7
- 2009: Generation Next
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Mixed compilations
- 1994: The Future Sound Of New York
- 1994: This Is The Sound Of Tribal
- 1995: Best of Junior Vasquez: Just Like a Queen
- 1997: Live, Vol. 1
- 1998: Live, Vol. 2
- 1999: Junior Vasquez, Vol. 2
- 2001: DJ19 Plays J.M.O. Perspective Service
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Selected remixes
Note: The industry standard by which a remix is considered "commercially released" is the track has been made available legally for retail sale. This can mean the remix was released on a CD single, 12" vinyl single, cassette single, or it can mean the remix was released on one of the artist's albums (usually on a greatest hits compilation or as a bonus track to a studio album's international release). Other times it was included on a compilation or soundtrack album. The tracks listed below have all been released commercially in one of the aforementioned forms, with a few exceptions which are indicated with a note in parenthesis explaining the track's status. With the advent of Internet-selling using programs such as iTunes, that type of release is also considered commercial as it results in a profit and the artist and management oversee what is available on such programs.
References
External links