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Junk Culture

 
Album Review: Junk Culture

Review

Smarting from Dazzle Ships' commercial failure, the band had a bit of a rethink when it came to their fifth album -- happily, the end result showed that the group was still firing on all fours. While very much a pop-oriented album and a clear retreat from the exploratory reaches of previous work, Junk Culture was no sacrifice of ideals in pursuit of cash. In comparison to the group's late-'80s work, when it seemed commercial success was all that mattered, Junk Culture exhibits all the best qualities of OMD at their most accessible -- instantly memorable melodies and McCluskey's distinct singing voice, clever but emotional lyrics, and fine playing all around. A string of winning singles didn't hurt, to be sure; indeed, opening number "Tesla Girls" is easily the group's high point when it comes to sheer sprightly pop, as perfect a tribute to obvious OMD inspirational source Sparks as any -- witty lines about science and romance wedded to a great melody (prefaced by a brilliant, hyperactive intro). "Locomotion" takes a slightly slower but equally entertaining turn, sneaking in a bit of steel drum to the appropriately chugging rhythm and letting the guest horn section take a prominent role, its sunny blasts offsetting the deceptively downcast lines McCluskey sings. Meanwhile, "Talking Loud and Clear" ends the record on a reflective note -- Cooper's intra-verse sax lines and mock harp snaking through the quiet groove of the song. As for the remainder of the album, if there are hints here and there of the less-successful late-'80s period, at other points the more adventurous side of the band steps up. The instrumental title track smoothly blends reggae rhythms with the haunting mock choirs familiar from earlier efforts, while the elegiac, Humphreys-sung "Never No More" and McCluskey's "Hard Day" both make for lower-key highlights. ~ Ned Raggett, All Music Guide

Tracks

Track TitleComposersPerformersTime
Tesla Girls Orchestral Manoeuvres in the Dark Orchestral Manoeuvres in the Dark (3:51)
Locomotion Andy McCluskey, Gordon Troeller, Paul Humphreys Orchestral Manoeuvres in the Dark (3:53)
Junk Culture Orchestral Manoeuvres in the Dark Orchestral Manoeuvres in the Dark (4:06)
Apollo Orchestral Manoeuvres in the Dark Orchestral Manoeuvres in the Dark (3:39)
Never Turn Away Orchestral Manoeuvres in the Dark Orchestral Manoeuvres in the Dark (3:57)
Love and Violence (Lyrics) Orchestral Manoeuvres in the Dark Orchestral Manoeuvres in the Dark (4:40)
Hard Day Orchestral Manoeuvres in the Dark Orchestral Manoeuvres in the Dark (5:39)
All Wrapped Up (Lyrics) Orchestral Manoeuvres in the Dark Orchestral Manoeuvres in the Dark (4:25)
White Trash Orchestral Manoeuvres in the Dark Orchestral Manoeuvres in the Dark (4:35)
Talking Loud and Clear (Lyrics) Martin Cooper, Orchestral Manoeuvres in the Dark Orchestral Manoeuvres in the Dark (4:20)

Credits

Bart Van Lier (Trombone), Bart Van Lier (Saxophone), Bart Van Lier (Vocals (Background)), Bart Van Lier (Brass), Martin Cooper (Synthesizer), Martin Cooper (Keyboards), Martin Cooper (Marimba), Martin Cooper (Saxophone), Martin Cooper (Sax (Soprano)), Martin Cooper (Sax (Tenor)), Martin Cooper (Multi Instruments), Martin Cooper (Emulator), Martin Cooper (Prophet 5), Martin Cooper (Roland Synthesizer), Martin Cooper (Marimba (Electronics)), Michel Dierickx (Engineer), Jan Faas (Trumpet), Jan Faas (Vocals (Background)), Malcolm Holmes (Percussion), Malcolm Holmes (Composer), Malcolm Holmes (Drums), Malcolm Holmes (Drums (Electric)), Malcolm Holmes (Drum Machine), Malcolm Holmes (Drum Programming), Malcolm Holmes (Latin Percussion), Maureen Humphreys (Vocals), Steve Jackson (Engineer), Andy McCluskey (Synthesizer), Andy McCluskey (Bass), Andy McCluskey (Guitar), Andy McCluskey (Percussion), Andy McCluskey (Keyboards), Andy McCluskey (Vocals), Andy McCluskey (Multi Instruments), Andy McCluskey (Emulator), Andy McCluskey (Fairlight), Andy McCluskey (Latin Percussion), Andy McCluskey (Fairlight CMI), Orchestral Manoeuvres in the Dark (Producer), Orchestral Manoeuvres in the Dark (Main Performer), Orchestral Manoeuvres in the Dark (Performer), Ronald Prent (Engineer), Brian Tench (Vocals), Brian Tench (Vocals (Background)), Brian Tench (Producer), Brian Tench (Engineer), Gordon Troeller (Piano), Gordon Troeller (Management), Gordon Troeller (Roland Synthesizer), Jan Vennik (Saxophone), Jan Vennik (Sax (Tenor)), Jan Vennik (Vocals (Background)), Tony Visconti (Brass), Tony Visconti (?), Tony Visconti (Brass Arrangement), Peter Woolliscroft (Engineer), Paul Humphreys (Synthesizer), Paul Humphreys (Percussion), Paul Humphreys (Piano), Paul Humphreys (Celeste), Paul Humphreys (Keyboards), Paul Humphreys (Vocals), Paul Humphreys (Multi Instruments), Paul Humphreys (Emulator), Paul Humphreys (Korg Synthesizer), Paul Humphreys (Fairlight), Paul Humphreys (Fairlight CMI), Paul Humphreys (Prophet 5), Paul Humphreys (Roland Synthesizer), Peter Saville (Art Direction), Peter Saville (Design), Richard Haughton (Design), Richard Haughton (Photography), Richard Haughton (Sleeve Design), Michel Dierivks (Engineer), Michel Diericks (Engineer), PSA (Cover Design), Susan Pippet (Management)
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Wikipedia: Junk Culture (album)
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Junk Culture
Studio album by Orchestral Manoeuvres in the Dark
Released April 30, 1984 (1984-04-30)
Recorded 1983-1984
Pre-recorded at Air Studios, Montserrat, ICP Studios, Brussels and Wisseloord Studios, Hilversum.
Recorded at The Manor Studio, Shipton-on-Cherwell.
Genre Electronica
Synthpop
Length 43:05
Label Virgin
Producer Brian Tench and Orchestral Manoeuvres in the Dark
Professional reviews
Orchestral Manoeuvres in the Dark chronology
Dazzle Ships
(1983)
Junk Culture
(1984)
Crush
(1985)

Junk Culture is the fifth album by Orchestral Manoeuvres in the Dark, released in 1984. It is most noteworthy for being the last OMD album to receive acclaim in the UK.

It was also the last OMD album to have its artwork designed by Peter Saville.

Junk Culture is OMDs attempt to regain commercial success, and while songs like "Tesla Girls", "Locomotion" and "Apollo" are all mainstream the album contains much of what OMD had been doing before. Junk Culture sounds so different because of a change in instrumentation which was due to the band's acquisition of the Fairlight CMI digital sampling/sequencing workstation.

The three most successful singles from the album were "Locomotion", which was their last Top 5 hit in the UK at #5, "Tesla Girls", which made #21, and "Talking Loud and Clear", which reached #11.

The title track is an instrumental with heavy dub overtones and tape collages, "All Wrapped Up" is a calypso pop song which sounds like an electro take on some of the material on The Clash's London Calling. "Talking Loud and Clear" finishes the album on a reflective note, a calm pop song featuring a soprano saxophone melody and Kraftwerk-style keyboard arpeggio.

Track listing

Side 1

  1. "Junk Culture" – 4:06
  2. "Tesla Girls" – 3:51
  3. "Locomotion" – 3:53
  4. "Apollo" – 3:39
  5. "Never Turn Away" – 3:57

Side 2

  1. "Love and Violence" – 4:40
  2. "Hard Day" – 5:59
  3. "All Wrapped Up" – 4:25
  4. "White Trash" – 4:35
  5. "Talking Loud and Clear" – 4:20
  • "The Angels Keep Turning (The Wheels of the Universe)" [free one-sided 7" single included with initial pressing of the album]

Personnel

Group members:

  • Paul Humphreys: vocals, Roland JP8, emulator, Korg Preset, acoustic piano, Fairlight CMI, celeste, Prophet 5
  • Andy McCluskey: vocals, bass guitar, guitar, Roland JP8, emulator, Fairlight CMI, Latin percussion
  • Martin Cooper: Prophet 5, emulator, tenor and soprano saxophones, Roland SH2, marimba
  • Malcolm Holmes: acoustic and electronic drums, Latin percussion, drum computer programming

Additional performers:

  • Gordan Troeller: piano on "Locomotion", JP8 on "White Trash"
  • Maureen Humphreys: vocals on "Tesla Girls"
  • Jan Faas, Jan Vennik, Bart van Lier: brass section on "Locomotion" and "All Wrapped Up"
  • Tony Visconti: brass arrangements on "Locomotion" and "All Wrapped Up"

 
 
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