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An ancient Indian system of martial arts that appears to predate the systems of China and Japan. It includes all kinds of barehanded and weapons techniques. It is said to have been taught by the sage Agasthiya some two thousand years ago and has been kept alive by the traditional method of personal instruction from teacher to pupil. It is thought that kalari may be even older in origin, brought from the Middle East by Buddhist monks to India, China, and Japan through trade routes, where it was an essential safeguard against the dangers of such travel.

In kalari the pupil learns warm-up exercises rather like yoga postures, but active rather than static. Some of the postures and movements of kalari are also paralleled in Bharata Natyam, the ancient system of Indian dance. Kalari is also associated with the healing techniques called marma, involving specialized techniques of massage with the feet and the use of aromatic vegetable oils (see also aromatherapy). (Marma is concerned with pressure points in the body and is also part of the deadly barehanded martial art in which a blow to various vital points can cause serious injury or death.)

The kalari system is regarded as a religious exercise and is taught with rituals associated with gods and goddesses.

 
 
Wikipedia: Kalari
Kalari Puttara
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Kalari Puttara

The word Kalari means battle ground in Tamil. The traditional training of Kalarippayattu, a martial art of Tamil Nadu & Kerala states in south India, is always done inside the Kalari (literally, threshing floor or battlefield), which is a specially constructed practice area. Payattu means 'exercise in arms or practice'.

Every Kalari has a Puttara (meaning "platform where flowers are kept" in the Malayalam language). It's a seven tiered platform placed in the south-west corner of every Kalari, housing the guardian deity of the Kalari. The seven tiers symbolise the seven abilities that each person must possess: Vignesva (strength), Channiga (patience), Vishnu (power to command), Vadugashcha (the posture), Tadaguru (training), Kali (the expression) and Vakasta - purushu (sound). Other deities, most of them incarnations of the Bhagavathi or Shiva, are installed in the corners. Flowers, incense and water are offered to the deity every day. Before starting the day's practice, it is the norm for practitioners to pray to the deity. Not only is the Kalari a temple of learning, but it is also a temple of religious worship with a cult and ritual of its own.

There is also a Guruthara inside all kalaris. Guruttara means "the place where a lamp is kept burning in reverence to all the gurus (masters) of the kalari".

Construction of a Kalari

Sword fighting in Kalarippayattu
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Sword fighting in Kalarippayattu

Traditionally the Kalari is constructed by digging a hollow in the ground forming a sunken area four feet in depth, forty-two feet in length and twenty-one feet in breadth. This is usually called KuzhiKalari. Kuzhi means "portions formed by caving in the earth" in the Malayalam language.

The entrance to the Kalari is in the east, to let in the morning sunlight, and leads into the forty-two foot leg running East-West while the twenty-one foot leg runs North-South. Another consideration taken when constructing the kalari is that it is built in the south-west side of the main plot, just like the puttara which is kept in the South-West corner of the Kalari itself. The floor of the Kalari is leveled using mud.

AnkaKalari and Ankathattu

Ankathattu is a four to six feet high platform constructed temporarily for the purpose of fighting duels. Ankam means war in the Malayalam language. This platform is constructed as per tradition and is in the center of the ground from where people can watch the fight. This place altogether is called AnkaKalari.

A few centuries back in Kerala, south India, quarrels between local rulers were resolved by fixing an Ankam, a duel to the death, between two Ankachekavars, each ruler being represented by one Ankachekavar. The ruler represented by the surviving Ankachekavar was considered the winner.

Kalari in literary works

Information about Kalari is found in the literary work of Tamil language named Purananuru'.'The word "kalari" appears in the Puram (verses 225, 237, 245, 356) and Akam (verses 34, 231, 293) to describe to both a battlefield and combat arena. .It tells about the talents of TamilKings of the following dynasties ,namely Cheras,Cholas & Pandyas in Kalari.This literary work in Tamil dates back the origin of Malayalamlanguage.Though Kalari was [[created]] by Tamils the credit of preserving Kalari goes to the people of kerala ,todays Malyalese ,who were once Tamils during the rule of Tamil emperors of Chera dynasty.

See also


http://www.tamilnation.org/heritage/martial.htm


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Part of a series on
Indian martial arts
Various Indian martial arts
Pehlwani - Kalarippayattu - Malla-yuddha - Vajra Mushti / Vajra Mukti - Chakram - Kabaddi - Silambam Nillaikalakki - Gatka - Thang-Ta - Other arts
Notable Practitioners
The Great Gama - Phillip Zarrilli - Jasmine Simhalan - Jyesthimallas - Gobar Goho - Imam Baksh Pahalwan - Paul Whitrod - Gulam - Guru Har Gobind - John Will
Related articles
Kshatriya - Yoga - Indian mêlée weapons - Dravidian martial arts - Khanda - Marmam - Ayurveda - Sri Lankan martial arts - Foreign influence on Chinese martial arts

 
 

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Occultism & Parapsychology Encyclopedia. Encyclopedia of Occultism and Parapsychology. Copyright © 2001 by The Gale Group, Inc. All rights reserved.  Read more
Wikipedia. This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Kalari" Read more

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