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Simrock, Karl (Bonn, 1802-76, Bonn), an adherent of the Romantic movement (see Romantik) in his youth, studied at Bonn University and entered the Prussian civil service in Berlin in 1823. A political poem (‘Drei Tage und drei Farben’), inspired by the July Revolution in Paris, caused his dismissal in 1830, whereupon, being a man of means, he withdrew into private life, pursuing literary and philological studies. In 1850 he was appointed to a newly founded chair of medieval literature at Bonn, which he retained until his death.

Simrock is chiefly known for his translations of medieval, and especially heroic, poetry. His version of the Nibelungenlied appeared in 1827 and of the Edda in 1851. Das Heldenbuch, including his translations of Kudrun and the Amelungenlied, as well as the Nibelungenlied, came out in six volumes between 1843 and 1849, and Deutsche Volksbücher in 13 volumes between 1845 and 1866. It might almost be said that Simrock translated the whole of medieval German literature: Parzival and Titurel, König Orendel (see Orendel), Der gute Gerhard, Tristan und Isolde (see Tristan), and the Heliand are random examples. His successful policy of popularization extended also to Anglo-Saxon literature (Beowulf, 1859), to the translation of poems by Shakespeare (1867), and to the 17th c. (Friedrich von Logau, 1875, Friedrich Spee von Langenfeld, 1876). He published volumes of original poetry in 1844 and 1863, but only the folksong-like ‘Warnung vor dem Rhein’ (‘An den Rhein, an den Rhein, zieh nicht an den Rhein’) has survived. Ausgewählte Werke (12 vols.), ed. G. Klee, appeared in 1907.

 
 
Wikipedia: Karl Joseph Simrock

Karl Joseph Simrock (August 28, 1802July 18, 1876), was a German poet and writer.

He was born in Bonn, where his father was a music publisher. He studied law at the University of Bonn and Humboldt University, Berlin, and in 1823 entered the Prussian civil service, from which he was expelled in 1830 for writing a poem in praise of the July Revolution in France. Afterwards he became a lecturer at the University of Bonn, where in 1850 he was made a professor of Old German literature and where he died. Simrock established his reputation by his excellent modern rendering of the Nibelungenlied (1827), and of the poems of Walther von der Vogelweide (1833).

Among other works translated by him into modern German were the Arme Heinrich of Hartmann von Aue (1830), the Parzival and Titurel of Wolfram von Eschenbach (1842), the Tristan of Gottfried von Strassburg (1855). and the Heldenbuch (1843-1849), which he supplemented with independent poems. Before the publication of this work he had shown an original poetical faculty in Wieland der Schmied (1835); and in 1844 he issued a volume of Gedichte in which there are many good lyrics, romances and ballads. In 1850 appeared Lauda Sion, and in 1857 the Deutsche Sionsharfe, collections of Old German sacred poetry.

Of his publications the most popular and the most valuable were the Deutschen Volksbücher, of which fifty-five were printed between 1839 and 1867. His best contribution to scholarship was his Handbuch der deutschen Mythologie (1853-1855). At an early stage of his career Simrock gained high standing among students of Shakespeare for his Quellen des Shakespeare in Novellen, Märchen und Sagen (1831); afterwards he translated Shakespeare's poems and a considerable number of his dramas. The large number of editions through which Simrock's translations from the Middle High German have passed (more than 40 of the Nibelungenlied) bear witness to their popularity. An edition of his Ausgewählte Werke in 12 vols. has been published by G. Klee (1907).

References

  • N. Hocker, Karl Simrock, sein Leben und seine Werke (1877)
  • H Düntzer, "Erinnerungen an Karl Simrock," in Monatsschrift für Westdeutschland (1877)
  • E. Schroder's article in Allg. deutsche Biographie

 
 

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German Literature Companion. The Oxford Companion to German Literature. Copyright © 1976, 1986, 1997, 2005 by Oxford University Press. All rights reserved.  Read more
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