Faith Evans' second album Keep the Faith was met with quite a bit of anticipation. The album was released three years after her acclaimed, soulful, and raw debut Faith, and in that time she had witnessed the murder of her husband the Notorious B.I.G., which led to the biggest hit of her career (and one of the biggest of the 1990s), the tribute "I'll Be Missing You" (in collaboration with Puff Daddy). Keep the Faith proved to be a success, and she happily avoided the curse of the sophomore slump. The album scored two Top Ten singles with the irresistible dance/R&B cut "Love Like This" and its follow-up, the equally intoxicating "All Night Long." Aside from those two dance numbers, the rest of the album falls somewhere between heavy ballads and mid-tempo grooves. Ms. Evans shines when she sings fast or mid-tempo songs, such as the slick "Life Will Pass You By," but the ballads weigh too heavily on this otherwise fine album. Some of the ballads stand tall, such as the gorgeous "My First Love" and the inspiration-tinged "Keep the Faith," while others are about as entertaining and inspired as tree sap ("Anything You Need" and the yawn-inducing interludes). Unfortunately, these ballads are all lumped together on this album, to the point where they almost blend into one long drip of molasses. However, the classy Ms. Evans possesses a beautiful voice, is a gifted songwriter, and happily steers clear of the tacky clichés that burden so much contemporary R&B. So despite the heavy reliance on ballads, this is actually a fine album, and is without a doubt a highlight of 1990s soul-pop music. Other notable tunes include the beautiful "Never Gonna Let You Go," which could be classified as the last great Babyface hit song of the 1990s (that song, incidentally, topped the R&B charts and hit the Top 20 on the pop charts), and the Dianne Warren-penned "Lately I," which never became the hit it should have been. ~ Jose F. Promis, All Music Guide
Klya Wright (Hair Stylist), Ricky Lawson (Drums), 112 (Performer), Deric "D-Dot" Angelettie (Associate Executive Producer), David Foster (Vocal Producer), Faith Evans (Producer), Joe "Smilin' Joe" Perrera (Engineer), Axel Niehaus (Mixing), Mike Mason (Producer), Nathan East (Bass), Kelly Price (Vocal Arrangement), Axel Niehaus (Arranger), Gwynnis Mosby (Make-Up), Lorne Rawls (Arranger), Mario Winans (Overdubs), Axel Niehaus (Engineer), Todd Russaw (Associate Executive Producer), Richard "Younglord" Frierson (Producer), 112 (Arranger), Herb Powers (Mastering), E'lyk (Mixing), Faith Evans (Vocals), Thom Russo (Engineer), Faith Evans (Arranger), Tony Black (Mixing), Babyface (Keyboards), Carl Thompson (Producer), Tony Black (Engineer), Babyface (Producer), Doug Wilson (Engineer), Kelly Price (Arranger), DJ Rodgers (Arranger), David Foster (Producer), Axel Niehaus (Vocal Arrangement), Rob Paustian (Engineer), Mike Mason (Strings), Greg Phillinganes (Piano), Damon Thomas (Drum Programming), Harve Pierre (A&R), Faith Evans (Executive Producer), Kenya Ivey (Vocals (Background)), Tom Cassel (Engineer), Albert Watson (Photography), Ron "Amen-Ra" Lawrence (Producer), Sean "Puffy" Combs (Producer), Diddy (Performer), Babyface (Drum Programming), Michael Patterson (Editing), Jesse Rivera (Project Coordinator), Charles "Prince Charles" Alexander (Mixing), E'lyk (Assistant Engineer), Damon Thomas (Keyboards), Tavia Ivey (Vocals (Background)), Kelly Price (Vocals (Background)), Carl Thomas (Vocal Arrangement), Ron Lawrence (Producer), Mike Mason (Piano), Faith Evans (Vocal Arrangement), 112 (Vocal Arrangement), Charles "Prince Charles" Alexander (Engineer), Gwendolyn Niles (Project Manager), Tony Maserati (Mixing), Sean "Puffy" Combs (Executive Producer), Babyface (Vocals (Background)), Faith Evans (Vocals (Background)), Paul Boutin (Engineer), Michael Thompson (Guitar), Michael Hart Thompson (Guitar), Jon Gass (Mixing)
