- Date: before 1780 01 31
- Composer: Franz Joseph Haydn
- Period: Classical (1750-1819)
Review
This is the last of the sonatas for the Auenbrugger sisters. It is a skillful and charming work. The length of the movements, similar to that of pop music, suggests that this may be a natural musical limit.A quizzical opening note turns into a bright and delicate melody. The treatment is seemingly careless and bold with nimble work but there is little urgency in this display. A passage suggestive of stomping feet interrupts this amusement and the original theme returns with a scalar motif that works in and out of the music. The adagio is one of Haydn's best, dreamily appealing. It too has a scalar motif. After a pause, there is a filigree of very high notes and a gentle arpeggiated close. The last movement is emphatically lively without being manic. It exploits the whole keyboard. The flourishes are gaudily circular and the work stops when it is done. ~ Bob Williams, All Music Guide
Albums with Complete Performances of the Work
Albums with Excerpt Performances of the Work
| Title | Date |
| The Best Of Peter Katin |
