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Kings of the Wild Frontier

 
Album Review: Kings of the Wild Frontier

Review

Hooking up with Malcolm McLaren was a pivotal moment for Adam Ant, since the manager not only introduced Ant to the thundering, infectious Burundi drum beat that became his signature, he stole his band, too. Adam and the rest of the Ants had just worked up how to exploit the Burundi style when McLaren pirated the boys off to support Annabella Lwin in Bow Wow Wow -- using the very same sound they had developed with Adam Ant. It was now a race to get that sound into the stores first, and Adam lucked out when he joined forces with guitarist Marco Pirroni, who quickly proved to be invaluable. Adam and Marco knocked out a bunch of songs that retained some of the dark artiness of Dirk Wears White Sox, largely anchored by those enormous Burundi beats and given great, irresistible pop hooks -- plus a flash sense of style, as the new Ants dressed up in something that looked like American Indians with a velveteen touch of a dandy fop. It was a brilliant, gonzo move -- something that quickly overshadowed Bow Wow Wow -- and the resulting record, Kings of the Wild Frontier, is one of the great defining albums of its time. There's simply nothing else like it, nothing else that has the same bravado, the same swagger, the same gleeful self-aggrandizement and sense of camp. This walked a brilliant line between campiness and art-house chutzpah, and it arrived at precisely the right time -- at the forefront of new wave, so Adam & the Ants exploded into the British popular consciousness. If image was all that they had, they would've remained a fad, but Kings of the Wild Frontier remains a terrific album because it not only has some tremendous songs -- the title track and "Antmusic" are classic hits, while "Killer in the Home" and "Physical (You're So)" are every bit their equal -- but because it fearlessly, imperceptibly switches gears between giddy and ominous, providing nothing short of a thrill ride in its 13 songs. That's why it still sounds like nothing else years after its release. ~ Stephen Thomas Erlewine, All Music Guide

Tracks

Track TitleComposersPerformersTime
Dog Eat Dog (Lyrics) Adam Ant, Marco Pirroni Adam & the Ants (3:09)
Antmusic (Lyrics) Adam Ant, Marco Pirroni Adam & the Ants (3:36)
Los Rancheros Adam Ant, Marco Pirroni Adam & the Ants (3:28)
Feed Me to the Lions (Lyrics) Adam Ant, Marco Pirroni Adam & the Ants (3:01)
Press Darlings (Lyrics) Adam Ant Adam & the Ants (4:14)
Ants Invasion (Lyrics) Adam Ant, Marco Pirroni Adam & the Ants (3:20)
Killer in the Home (Lyrics) Adam Ant, Marco Pirroni Adam & the Ants (4:21)
Kings of the Wild Frontier Adam Ant, Marco Pirroni Adam & the Ants (3:56)
The Magnificent Five Adam Ant, Marco Pirroni Adam & the Ants (3:07)
Don't Be Square (Be There) Adam Ant, Marco Pirroni Adam & the Ants (3:33)
Jolly Roger (Lyrics) Adam Ant, Marco Pirroni Adam & the Ants (2:11)
Physical (You're So) Adam Ant Adam & the Ants (4:30)
The Human Beings Adam Ant, Marco Pirroni Adam & the Ants (4:30)

Credits

Adam Ant (Vocals), Adam Ant (Main Performer), Chris Hughes (Producer)
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Wikipedia: Kings of the Wild Frontier
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Kings of the Wild Frontier
Studio album by Adam and the Ants
Released 1980
Recorded Rockfield Studios, 1980
Genre New Wave
Length 47:21
Label Epic Records
Producer Chris Hughes
Professional reviews
Adam and the Ants chronology
Dirk Wears White Sox
(1979)
Kings of the Wild Frontier
(1980)
Prince Charming
(1981)

Kings of the Wild Frontier is a New Wave album by Adam and the Ants, released in 1980 (see 1980 in music). This album introduced the new Burundi drum sound.[citation needed] After having his previous backing band wooed away by producer Malcolm McLaren, who used them to form Bow Wow Wow, Adam Ant recorded Kings of the Wild Frontier with guitarist Marco Pirroni as his new writing partner. In spite of the difficulties with the recording, Kings of the Wild Frontier has become acknowledged as an inspiritational and unique-sounding album, introducing two drummers, with Duane Eddy-esque guitar riffs.

The album spawned three hit singles: "Kings of the Wild Frontier" (7/80, reached # 2 in 2/81), "Dog Eat Dog" (reached # 4 in 10/80) and "Antmusic" (12/80 reached #2 in 1/81). In addition, Antmusic reached No. 1 in Australia for five weeks.[1] The album was remastered and reissued in 2004 with several bonus tracks.

Nine Inch Nails's 1992 EP Broken includes a cover version of "Physical (You're So)", which Adam Ant and Marco Pirroni performed live with Nine Inch Nails in 1995.

Kevin Max's song "Jumpstart Your Electric Heart!" from The Imposter samples the music from "Jolly Roger".

"Killer in the Home" is based on the same ominous, descending three-chord glissando riff that is featured in Link Wray's "Rumble" (Ants' guitarist Marco Pirroni has cited Link Wray as a major influence).

The album is included in the book 1001 Albums You Must Hear Before You Die.

The album won Best British Album at the 1982 Brit Awards.

"Dog Eat Dog" was featured in the film Doomsday. It is used in the closing credits of the British television series The Kevin Bishop Show.

Contents

US track listing (LP)

  1. Dog Eat Dog - 3:07
  2. "Antmusic" – 3:36
  3. "Los Rancheros" – 3:28
  4. "Feed Me to the Lions" – 2:59
  5. "Press Darlings" - 4:12
  6. "Ants Invasion" – 3:20
  7. "Killer in the Home" – 4:19
  8. "Kings of the Wild Frontier" – 3:53
  9. "The Magnificent Five" – 3:05
  10. "Don't Be Square (Be There)" – 3:29
  11. "Jolly Roger" – 2:09
  12. "Physical (You're So)" - 4:26
  13. "The Human Beings" – 4:24

UK track listing

All songs written by Adam Ant and Marco Pirroni.

  1. "Dog Eat Dog" – 3:11
  2. "Antmusic" – 3:37
  3. "Feed Me to the Lions" – 3:03
  4. "Los Rancheros" – 3:30
  5. "Ants Invasion" – 3:19
  6. "Killer in the Home" – 4:22
  7. "Kings of the Wild Frontier" – 3:56
  8. "The Magnificent Five" – 3:07
  9. "Don't Be Square (Be There)" – 3:32
  10. "Jolly Roger" – 2:11
  11. "Making History" – 2:59
  12. "The Human Beings" – 4:32

Kings of the Wild Frontier was remastered and reissued in 2004 with six bonus tracks:

  1. "Antmusic (Alternative Mix)" – 3:43
  2. "Antmusic (Demo)" – 3:28
  3. "Feed Me to the Lions (Demo)" – 3:02
  4. "The Human Beings (Demo)" – 2:30
  5. "S.E.X. (Demo)" – 3:57
  6. "Omelette From Outerspace (Demo)" – 3:06

Personnel

Note - "Merrick" is the name Chris Hughes adopted as an Ant.

Chart positions

UK album chart

  • 1980 No 1 (total chart run 66 weeks)

UK Singles chart

  • 1980 Kings of the Wild Frontier No 48
  • 1980 Dog Eat Dog No 4
  • 1980 "Antmusic" No 2
  • 1981 Kings of the Wild Frontier No 2

Billboard Music Charts (North America) - album

Billboard (North America) - singles

  • 1981 Dog Eat Dog Club Play Singles No. 19
  • 1981 Antmusic Mainstream Rock No. 14
  • 1981 Dog Eat Dog Mainstream Rock No. 15
  • 1981 Physical (You're So) Mainstream Rock No. 19
Preceded by
Super Trouper by ABBA
Face Value by Phil Collins
UK Albums Chart number one album
January 24, 1981February 6, 1981
March 14, 1981May 22, 1981
Succeeded by
Face Value by Phil Collins
Stars on 45 by Starsound
Preceded by
Super Trouper by ABBA
UK Albums Chart biggest selling album of the year
1981
Succeeded by
Love Songs by Barbra Streisand

 
 

 

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Album Review. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
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