Notes on Poetry:

Knowledge (Poem Summary)

Contents:

Introduction
Author Biography
Themes
Style
Historical Context
Critical Overview
Criticism
Sources
Further Reading


Poem Summary

Lines 1-6

The first several lines of "Knowledge" contain a dependent clause that forces the reader to continue reading without understanding the intent of the rumination until the middle of line 6. The first line suggests that the poem will explore events or behaviors that are outside the ordinary events of daily life. The words "Even when you know" imply that one can still be surprised, that not everything can be understood or anticipated. The second line continues in this mode, with the addition of "even when you pride yourself." The inclusion of the word "pride" clarifies how fully the poem's addressee, "you," claims to understand the world, in that this person is proud of this knowledge. Thus, the reader may anticipate that the narrator is asserting that even those who understand the cruelty and arbitrariness of the world can still be surprised by the level of cruelty that is inflicted on innocent people. She expands on this point in line 3 when she points out that unflinchingly studying history or watching the news still may not prepare one for the barbarities to which some people can subject others. That is, no history book, newspaper, or newscast can prepare a reader or viewer for the horrors that will be committed. This line makes clear that, for example, forcing people to study the Nazi Holocaust does not mean that they can be ready to objectively understand the situation when such an event occurs again.

In line 4, Addonizio continues the topic of line 3, explaining that even when one is aware of the "quotidian," or everyday, examples of human cruelty, this awareness provides no immunity. The poet uses the word "minor" in this line to reinforce how ordinary these events have become, how unimportant they seem; that is, she stresses the theme of how accustomed people can become to other people's meanness. She labels these incidents "endless" and in the first part of line 5 refers to them as "relevant examples" of how cruel human beings can be to one another. The ideas of the first five lines culminate in line 6, where the narrator provides an independent clause to which the preceding dependent clause can be linked. (The end of line 5, "even now," is in essence an abbreviated restatement of all that appears in lines 1-5.) She proposes that no amount of study or awareness of cruelty can fully prepare one for the reality of what some human beings will do to others. This cruelty still occasionally "strikes you anew."

Lines 7-9

Once the independent clause has been provided, the thought continues at the end of line 6 and the beginning of line 7. The narrator suggests that this renewed shock might lead those who feel that shock to think that they must have previously believed "that humanity / was fundamentally good." That is, if they had truly understood the extent to which men could be evil, they would not have been shocked at all. Thus, lines 7 and 8 together suggest that a belief in the fundamental goodness of humankind is perhaps a core part of most people's ideology, whether they realize it or not — again, otherwise, they would not be shocked by the manifestation of evil. The narrator suggests that this fundamental belief in the goodness of human beings has not generally been influenced by more pessimistic views of humankind. Line 9 refers to the nineteenth-century German philosopher Arthur Schopenhauer, a pessimist who believed that people do not have individual free will but instead are subject to a vast and wicked will that is inclusive of everyone. Schopenhauer does not refer to this collective will as a god figure; rather, the source of this negative will is cosmic in origin, such that humankind is simply at the mercy of the surrounding world. In line 9, Addonizio summarizes Schopenhauer's philosophy as holding that humanity is "all blind, impersonal will."

Lines 10-12

The narrator proceeds to suggest in line 10 that people have generally been positive enough not to accept the similar contentions of Thomas Hobbes, an early-seventeenth-century philosopher who also dismissed humankind's ability to control itself. In line 10, the narrator refers to followers of Hobbes as people who might "perversely" and "gleefully" accept a pessimistic view of life. These followers would find joy in being pessimistic about the future of humankind and its ability to govern itself. The five italicized adjectives presented in line 11 illustrate the "clear-sighted" ideas put forth by Hobbes, who thought that each person should embrace determinism and do exactly as he or she desires. For Hobbes, this was freedom. Indeed, Hobbes thought that people are essentially self-serving, leading the narrator to mention the adjective "solitary." Hobbes also believed that in their natural state, people live in a state of chaos and incessant war. This is the "nasty" and "brutal" nature of humankind, which is thus often "short," or brief, in its existence. All of the words in line 12, "solitary, poor, nasty, brutal, and short," are devoid of hope for the future. These words contradict the optimism with which most people struggle to understand the world.

Lines 13-18

The first words of line 13 echo the last two words of line 5: "even now." Even now, the narrator again asserts, people can be shocked by terrible cruelty, even after having witnessed so many examples of humans being cruel to other humans. Line 14 refers to this new "terrible act" that can be so horrible that we hear of it with disbelief. People are thus sent "reeling off," perhaps dizzy and unable to feel secure, as well as "overwhelmed." This feeling of helplessness leaves people unable to weep. Indeed, the "innocence" that people did not know they still possess has been with them all along, as made evident by that horror too terrible to contemplate. At the end of line 17 and the beginning of line 18-where the sentence that has constituted the entire poem to this point finally comes to a close — the narrator asserts that even when one has become too cynical, too aware of horror to believe in the goodness of human beings, the desire to want to believe still exists.

Lines 19-20

In the continuation of line 18, the narrator suggests that the desire to want to believe in the goodness of humanity has been defeated. Addonizio uses the words "shattered" and "irreparably," or beyond repair, stating that this hope might "seem" to be gone completely. Yet human beings continue to exist, despite the horror of the world and their awareness of events too terrible to easily accept or understand. The acknowledgment of this horrible reality leaves human beings "afraid." In the final lines of the poem, the narrator contends that people will remain with this devastating fear that more surprising horrors, more terrible events to "know," will come about. That is the "knowledge" of the title: the awareness that worse things may yet happen.

Media Adaptations

  • Swearing, Smoking, Drinking, & Kissing (2004) is an audio CD of poems read by Addonizio and Susan Browne, with musical accompaniment, produced by Dan Brown and available from Speakeasy Literary Audio.

 
 
 

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