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Christian Krohg

 
Art Encyclopedia: Christian Krohg

(b Aker, nr Christiania [now Oslo], 13 Aug 1852; d Oslo, 16 Oct 1925). Painter, draughtsman and writer. While studying law at the University of Christiania (1869-73), he attended both Johan Fredrik Eckersberg's private art school (1869-70) and then the drawing class of Julius Middelthun at the Royal School of Drawing (1870-71). Having taken his degree in law, he went to the Kunstschule in Karlsruhe, where he studied under Hans Gude and then Karl Gussow (1843-1907). In 1875 he followed Gussow to the Akademie at Berlin. He remained there until 1878, becoming a close friend of Max Klinger, a fellow student, and also getting to know the Danish philosopher and writer Georg Brandes (1842-1927), who introduced him to contemporary French writers such as Emile Zola and did much to sharpen his awareness of social and political problems. The experience of Berlin, where Krohg lived in great poverty, complemented Brandes's arguments and gave a somewhat bitter and critical turn to Krohg's interest in the realistic recording of the city. Krohg also embarked on his career as a portraitist at this time. While his portrait of Lucy Eyeberg (1876; Oslo, N.G.) reveals an acute realist interest in costume, especially its varying textures, the portrait of Georg Brandes (1878-9; Skagen, Skagens Mus.) shows Krohg also capable of responding to a forceful and fascinating personality with a penetrating study of character.

Part of the Krohg family

See the Abbreviations for further details.



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Wikipedia: Christian Krohg
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For the politician of the same name, see Christian Krohg (government minister).
Christian Krohg, photograph by Martin Finborud

Christian Krohg (August 13, 1852 – October 16, 1925), was a Norwegian naturalist painter, illustrator, author and journalist.

Krohg studied law at the University of Oslo (then Christiania) (1869-73) and was educated in Germany at the Baden School of Art in Karlsruhe under Hans Gude[1], and later worked in Paris from 1881 to 1882. Inspired by the thoughts of the realists he chose motives primarily from everyday life – often its darker or socially inferior sides. Particularly well known are his pictures of prostitutes, and his novel Albertine from 1886 is about this theme. The book caused a scandal when first published, and was confiscated by the police. (See also related painting in the gallery below). Krohg’s powerful and straightforward style made him one of the leading figures in the transition from romanticism to naturalism, characteristic of Norwegian art in this period. Through his periodic residence at Skagen, where he arrived for the first time in 1879, he had great influence on Anna and Michael Ancher, and provided early support to Edvard Munch.

Krohg was the founding editor of the Bohemian journal, Impressionisten, in 1986. He then became a journalist in the Oslo newspaper Verdens Gang from 1890 to 1910, where he wrote remarkable portrait interviews. Later he became a professor director at Statens Kunstakademi (The Norwegian Academy of Arts) 1909-1925.

He was married to Oda Krohg and was the father of Per Lasson Krohg.

Paintings

References

There are paintings by this artist in the National Gallery of Norway in Oslo and the Skagen Art Museum in Denmark.

  1. ^ Haverkamp, Frode (in Norwegian). Hans Fredrik Gude: From National Romanticism to Realism in Landscape. trans. Joan Fuglesang. 

 
 

 

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