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Kumi Tanioka

 
Wikipedia: Kumi Tanioka
Kumi Tanioka

Kumi Tanioka in 2007
Background information
Born August 29, 1974 (1974-08-29) (age 35)
Hiroshima, Japan
Occupations Composer, musician
Instruments Piano
Years active 1998–present
Labels DigiCube
Square Enix
Pony Canyon
Nintendo of Europe
Associated acts The Star Onions

Kumi Tanioka (谷岡 久美 Tanioka Kumi?, born August 29, 1974) is a Japanese video game music composer and musician. She is best known for composing the Final Fantasy Crystal Chronicles series.

Contents

Biography

Early life

Kumi Tanioka was born in Hiroshima, Japan. She studied at the Kobe University. A lover of classical music, she developed her talent as a pianist while listening to Nobuo Uematsu's compositions. After graduating from Kobe University, she joined Square (now Square Enix) as a composer in 1998.[1]

Career

Her first score was the soundtrack to 1998's The Fallen Angels, which she composed along with Masaki Izutani. That same year, she composed her first soundtrack to a game in the Chocobo series, Chocobo's Dungeon 2, along with Yasuhiro Kawakami, Tsuyoshi Sekito, and Kenji Ito. Her second work in the series was also her first solo soundtrack, that of Dice de Chocobo, a video game adaption of a board game. She composed for two other project over the next two years, All Star Pro-Wrestling with Tsuyoshi Sekito and Kenichiro Fukui and Blue Wing Blitz by herself. Her first major composing role came in 2002, when she was one of three composers chosen to write the soundtrack to Final Fantasy XI. Although she did not contribute more than one song to the multiple expansions to the game, during this period she joined The Star Onions, a band made up of Square Enix composers that arranges and performs Final Fantasy XI music. The group has released two albums to date.[1]

After Final Fantasy XI, Tanioka returned to the Chocobo series to arrange her Dice de Chocobo soundtrack for the game's remake, Chocobo Land: A Game of Dice. After that, however, she composed what would become her signature soundtrack and the start of a continual series of games, Final Fantasy Crystal Chronicles. Although she would then go on to write the soundtracks to Code Age Commanders: Tsugu Mono Tsuga Reru Mono, Code Age Brawls, and Project Sylpheed, since 2007 she has worked only on the Crystal Chronicles series, composing the music for four out of the game's five sequels and spinoffs.[1]

Legacy

Unlike the soundtracks to the numbered Final Fantasy games, no songs from the Crystal Chronicles or Chocobo soundtracks have appeared in any compilation albums produced by Square Enix. Songs from the two series have also not appeared in any of the official Final Fantasy music concerts, although "Morning Sky" from the Crystal Chronicles soundtrack was played in the first Games in Concert performance in Utrecht, Netherlands on November 26, 2006. It was performed by Floor Jansen of the band After Forever and the Metropole Orchestra.[2]

Musical style and influences

Kumi Tanioka at a performance by The Star Onions

Kumi Tanioka's signature style, especially for the Crystal Chronicles games, is that of "world music". She has described the musical style for the soundtrack to Final Fantasy Crystal Chronicles as being based on "ancient instruments". The soundtrack has extensive use of many medieval and Renaissance musical instruments such as the recorder, the crumhorn and the lute, creating a distinctively rustic feel, and also follows the practices and styles of medieval music.[3] She says that the idea came to her while looking at illustrations of the game world, which gave her the idea of making "world music", where the tracks would "not [be] limited to a single country or culture".[4] For the soundtrack to Ring of Fates, Tanioka tried to focus on "creating a new landscape containing the same atmosphere".[4] She returned to using instruments in an "ethnic manner" again in composing the soundtrack for Echoes of Time.[5] The piano performances in the Ring of Fates soundtrack were done by Kumi Tanioka. She did the performances herself rather than use an outside performer as most Final Fantasy soundtracks have done primarily because she "likes to play piano", and they were done without any sheet music, as she preferred instead to improvise.[4] She took extensive piano lessons as a child, and lists piano and choral music as the biggest influences on her musical style. She also claims to have been influenced by music from a wide variety of cultures, such as Indonesian, Irish and Balinese music.[4]

Discography

See also

References


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