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L.I.E.

 
Movies:

L.I.E.

  • Director: Michael Cuesta
  • AMG Rating: starstarstar
  • Genre: Drama
  • Movie Type: Gay & Lesbian Films, Coming-of-Age
  • Themes: Fathers and Sons, Kids in Trouble, Suburban Dysfunction
  • Main Cast: Brian Cox, Paul Franklin Dano, Billy Kay, Bruce Altman, James Costa
  • Release Year: 2001
  • Country: US
  • Run Time: 108 minutes
  • MPAA Rating: NC17

Plot

A teenaged boy in desperate need of a father figure finds one in a place no one should ever have to look in this controversial drama. Howie (Paul Franklin Dano) is a 15-year-old who has been emotionally at sea ever since the death of his mother in an auto accident several years before. Howie's father Marty (Bruce Altman) is also having trouble dealing with the loss, and distracts himself with empty sex while avoiding authorities attempting to prosecute him for using unsafe materials in his building contracting business. Howie falls in with a group of homeless delinquents his own age, becoming especially close to streetwise Gary (Billy Kay). In time, Howie begins to wonder if his feelings for Gary go past ordinary friendship, but the issue of his sexuality is forced into a very different light after Gary persuades Howie to join him in robbing the home of middle-aged former Marine Big John Harrigan (Brian Cox). It doesn't take long for Big John to track down the culprits after Howie and Gary steal several guns from his house, but Howie learns that Big John and Gary have met before -- Gary sometimes works as a male prostitute, and Big John, whose tastes run to boys in their early teens, is a regular customer. When Gary runs away to California, Big John proposes that Howie work off their debt by having sex with him; while Howie is hardly comfortable with this arrangement, he has nowhere else to go after his father ends up in jail, and he finds an unexpected degree of emotional support in his relationship with the curiously compassionate pedophile, who comes to understand just how badly Howie needs help. L.I.E. (the title stands for "Long Island Expressway") premiered at the 2001 Sundance Film Festival. ~ Mark Deming, All Movie Guide

Review

A difficult, tricky subject is given thoughtful, droll treatment by terrific first-time writer/director Michael Cuesta in this funny, revealing look at the unlikely bond between an aging ex-Marine who happens to like very young boys and a deserted 15-year old who enters his life. Instead of reveling in smutty put-ons and generalizations about pedophilia and teenage rebellion, the movie looks deeper at the complexities of its highly intriguing male characters and becomes an acute study of behavior and loneliness. The film is successful mostly due to the superlative performances in the lead roles by Brian Cox and Paul Franklin Dano, both of whom inject emotional validity and uncommon depth into characters that could have been lazily conceived. Their relationship unfolds in a refreshing, naturalistic fashion, and until the hollow final scenes (which wrap the movie up far too neatly), it never hits a single false note in the execution. A fine feature debut, markedly better than many recent independents due to its sensitive portrait of troubled individuals, the film premiered at the 2001 Sundance Film Festival but took some time finding a distributor due to its strong subject matter and ratings board disputes. (The film received an NC-17 upon submission, which seems highly unwarranted.) ~ Jason Clark, All Movie Guide

Cast

  • Brian Cox - Big John Harrigan
  • Paul Franklin Dano - Howie Blitzer
  • Billy Kay - Gary Terrio
  • Bruce Altman - Marty Blitzer
  • James Costa - Kevin Cole
Tony Donnelly - Brian; Walter Masterson - Scott; Marcia de Bonis - Guidance Counselor; Adam Le Fevre - Marty's Lawyer

Credit

Judy Henderson - Casting, Jose Gilberto Molinari-Rosaly - Co-producer, Daniel Glicker - Costume Designer, Jose Gilberto Molinari-Rosaly - First Assistant Director, Michael Cuesta - Director, Kane Platt - Editor, Eric Carlson - Editor, Pierre Foldes - Composer (Music Score), Elise Bennett - Production Designer, Romeo Tirone - Cinematographer, Linda Moran - Producer, Rene Bastian - Producer, David Alvarez - Sound/Sound Designer, Michael Cuesta - Screenwriter, Stephen M. Ryder - Screenwriter, Gerald Cuesta - Screenwriter

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L.I.E.

Theatrical release poster
Directed by Michael Cuesta
Produced by Linda Moran
Rene Bastian
Michael Cuesta
Written by Stephen M. Ryder
Michael Cuesta
Gerald Cuesta
Starring Brian Cox
Paul Dano
Billy Kay
Bruce Altman
James Costa
Tony Donnelly
Walter Masterson
Marcia Debonis
Adam Lefevre
Distributed by New Yorker Films
Release date(s) January 20, 2001
Running time Rated cut
97 min.
Unrated cut
108 min.
Country USA
Language English
Budget $700,000
Gross revenue $1,667,192

L.I.E. is a 2001 independent film about a relationship between Howie, a 15-year-old boy, and a pederast known as 'Big John'. The title is an acronym for the Long Island Expressway. The film was directed by Michael Cuesta who has said that the film is about exploring sexuality.[1]. It stars Paul Dano as Howie and Brian Cox as Big John.

Contents

Plot

Howie Blitzer (Paul Dano) is deeply affected by the death of his mother in a car accident on the Long Island Expressway, a situation made worse by his relationship with his distant father (Bruce Altman), who brought a bimbo into the house less than a month after his wife's death. Howie's only solace is the company of his best friend Gary Terrio (Billy Kay), a juvenile delinquent and hustler. Gary is attracted to Howie, but Howie is unsure of his own sexuality. They have two other friends their age, one of whom, Kevin (James Costa), has an incestuous relationship with his sister. The four boys routinely break into neighborhood houses.

One night, they break into the house of Big John Harrigan (Brian Cox) during his birthday party. Gary knows his way around the house and it it is later revealed that he used to have a sexual relationship with Big John. Big John discovers them, ripping a pocket off Howie's pants as they escape with a pair of valuable World War II pistols.

John confronts Gary over the burglary and Gary names Howie as his accomplice. John is manipulative in his pursuit and grooming of Howie. He approaches the boy at a diner, speaking French because he knows the boy speaks the language, and pretending that he knew his mother. He offers the boy a ride home and Howie is impressed that Big John happens to drive Howie's dream car. Once he has gained Howie's trust, however, he pulls out the torn pocket and demands that Howie return the guns. Howie gets only one gun back from Gary's room, and returns it. John wants $1000 compensation for the other gun and Howie offers to work for him to pay off the debt. John puts on a pornographic video showing heterosexual oral sex, then sits down beside Howie. He starts to stroke the boy's thigh and says, "What have you got that's worth a thousand dollars?" He continues talking about sexual topics, but Howie does not respond to his advances. John has a 19-year-old live-in lover named Scott (Walter Masterson) who says to John as Howie leaves, "You should be ashamed of yourself." John responds, "I am. I am. I always am." When he returns home, Howie masturbates to a fantasy involving both John and the girl in the video. Gary then steals money from Howie's father and disappears to Los Angeles. This abandonment affects Howie and his confusion over his sexual identity worsens.

John and Howie begin a tenuous friendship in which John becomes a kind of father figure to the boy. There is no sexual activity, but there is talk of sex. Howie realizes that he wields sexual power over John, something John is all too aware of. Howie stays over at John's house and John asks Scott to go and stay in a motel for a few nights. Howie wanders round the house and discovers a stash of child pornography. Some are pictures of a younger Gary and others are of a blond 11-year-old boy, confirming that John is a pedophile. Scott comes into the room and warns Howie not to take John from him.

Meanwhile, Howie's father, whose fraudulent construction practices are unraveling, happens to see Howie playing hooky from school. He loses his temper and hits the boy. That same day, he is arrested for installing cheap wiring, and when Howie returns home to find him missing, believes his father has abandoned him. Later that evening he comes into John's bedroom wearing just his underpants, expecting John to sleep with him. But when John tells Howie his father didn't abandon him, but is in jail, Howie breaks down and cries. John leaves him to sleep by himself.

The next morning, John is all charm, fixing Howie breakfast and taking him to see his father in jail. Howie's father apologizes for hitting him, and promises to spend more time with him once he is out of prison. Howie is not unconvinced, and merely tells his father never to hit him again.

After dropping Howie off, John returns to the local rest area where young hustlers wait for chickenhawks, and sits in his car. Scott, devastated by John's abandonment of him, drives by and shoots him dead.

In the final scene, Howie contemplates the expressway, vowing he won't let it get him too.

Cast

Production

Portions of this movie were filmed at Harborfields High School, located in Greenlawn, New York, not far from the Long Island Expressway.

Dano's mother plays the non-speaking role of Howie's deceased mother, Sylvia Blitzer, in several flashback and dream sequences. Due to the controversial nature of the film, she, or another guardian, was always on set.[citation needed]

Themes

Sexual identity is a major theme in the film; Michael Cuesta has said that the ambiguity of Howie's sexual orientation and his relationship with Big John and Gary is at the heart of the film.[1]

Brian Cox has said, "Big John realizes that Howie is much more than a little boy, a young boy he can hit on".[2] Cuesta has said that John is confused, and doesn’t know if he wanted "to be with him, sexually, or just father him".[1]

NC-17 rating

L.I.E. received an NC-17 rating from the MPAA, although the rating was later surrendered and the film was released without a rating. Both an edited version which received an R rating ("for strong sexual content involving teens, language and brief violence") and the original unrated/uncut film are available on DVD.

Awards and Nomination

Wins

Nominees
Independent Spirit Award
Best Lead Actor - Brian Cox
Best Supporting Lead - Billy Kay
Best First Screenplay - Stephen Ryder, Michael Cuesta, and Gerald Cuesta
Best Director - Michael Cuesta
Best Feature - Rene Bastin, Linda Moran, and Michael Cuesta

AFI Awards
AFI Featured Actor of the Year - Male - Movies Brian Cox

See also

References

  1. ^ a b c Michael Cuesta Commentary issued as extra on DVD
  2. ^ Brian Cox Commentary issued as extra on DVD

External links


 
 
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