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La Faute de l'Abbé Mouret

 
French Literature Companion: La Faute de l'abbé Mouret

Faute de l'abbé Mouret, La. Novel by Zola, fifth in the Rougon-Macquart series, published 1875. It takes the form of a religious allegory or philosophical tale, depicting the struggle between the Church and Nature for the ‘soul’ of Serge Mouret, the son of François Mouret and Marthe Rougon. Serge, the parish priest in a small Provençal hamlet, is intensely devoted to the cult of the Virgin Mary and falls ill as a result of his excessive devotions, losing his memory. His uncle, the hero of the later novel Le Docteur Pascal, takes him to the wild garden, le Paradou, where, in a patent transposition of the myth of Adam and Eve, a young girl, Albine, tempts him back to new life, with the active complicity of surrounding nature. The formidable frère Archangias, however, invades the Paradou to reclaim Serge for the Church. The young priest, repentant, denies the call of nature and the pregnant Albine, who dies as a result of his rejection. The novel is in the form of a triptych and has been admired for its lyrical qualities, its lush descriptions, and its representation of peasant life before La Terre.

[David Baguley]

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Wikipedia: La Faute de l'Abbé Mouret
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La Faute de l'Abbé Mouret  
Author Émile Zola
Country France
Language French
Series Les Rougon-Macquart
Genre(s) Novel
Publication date 1875
Media type print (serial, hardback & paperback)
Preceded by La Conquête de Plassans
Followed by Son Excellence Eugène Rougon

La Faute de l'Abbé Mouret (1875) is the fifth novel in Émile Zola's twenty-volume series Les Rougon-Macquart. Viciously anticlerical in tone, it follows on from the horrific events at the end of La Conquête de Plassans, focussing this time on a remote Provençal backwater village.

The plot centres on the neurotic young priest Serge Mouret, first seen in La Conquête de Plassans, as he takes his orders and becomes the parish priest for the disinterested village of Artauds. The inbred villagers have no interest in religion and Serge is portrayed giving several wildly enthusiastic Masses to his completely empty, near-derelict church. Serge not only seems unperturbed by this state of affairs but actually appears to have positively sought it out especially, for it gives him time to contemplate religious affairs and to fully experience the fervour of his faith. Eventually he has a complete nervous breakdown and collapses into a near-comatose state, whereupon his distant relative, the unconventional doctor Pascal Rougon (the central character of the last novel in the series, 1893's Le Docteur Pascal), places him in the care of the inhabitants of a nearby derelict stately home, Le Paradou.

The novel then takes a complete new direction in terms of both tone and style, as Serge — suffering from amnesia and total long-term memory loss, with no idea who or where he is beyond his first name — is doted upon by Albine, the whimsical, innocent and entirely uneducated girl who has been left to grow up practically alone and wild in the vast, sprawling, overgrown grounds of Le Paradou. The two of them live a life of idyllic bliss with many Biblical parallels, and over the course of a number of months, they fall deeply in love with one another; however, at the moment they consummate their relationship, they are discovered by Serge's monstrous former monseignor and his memory is instantly returned to him. Wracked with guilt at his unwitting sins, Serge is plunged into a deeper religious fervour than ever before, and poor Albine is left bewildered at the loss of her soulmate. As with many of Zola's earlier works, the novel then builds to a horrible climax.

Unusually for Zola, the novel contains very few characters and locations, and the level of realist observation compared to outright fantasy is most uncharacteristic; however, the novel remains extraordinarily powerful and readable, and is considered one of Zola's most linguistically inventive and well-crafted works.

The novel was translated into English by Vizetelly & Co. in the 1880s as Abbé Mouret's Transgression, but this text must be considered faulty by any student of literature due to its many omissions and bowdlerisations, as well as its rendering of Zola's language in one of his most technically complex novels into a prolix and flat style of Victorian English bearing little resemblance to the original text. Two more faithful translations, certainly much more readable to modern students, emerged in the 1950s and 1960s under the titles The Sinful Priest and The Sin of Father Mouret.

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French Literature Companion. The New Oxford Companion to Literature in French. Copyright © 1995, 2005 by Oxford University Press. All rights reserved.  Read more
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